Celebrating 40 years of growth in a fickle, fast-moving industry, VP Records’ Down in Jamaica draws from the label’s practically unrivaled catalog to honor the story of Chinese-Jamaican entrepreneurs Vincent and Patricia Chin, whose trajectory was remarkably synonymous with that of dancehall reggae itself. Launched from an ice-cream parlor in downtown Kingston, the Chins’ business (originally called Randy’s Records) grew from a one-stop shop for local wax into a bustling recording studio, the world’s largest independent reggae label, and a major arm of the global reggae industry, after the Chins relocated to Jamaica, Queens, in the late 1970s and turned their focus to foreign markets.
Over the years, VP became the premier international distributor of Jamaican music, issuing hit singles, Grammy-winning albums, and such popular compilation series as Strictly the Best, Reggae Gold, and Riddim Driven. Few labels have played so central a role in reggae’s modern era, documenting the rise of rapping deejays and digital riddims, and in the 21st century VP has continued to grow, acquiring onetime international rival Greensleeves in 2008 and building a catalog that includes the lion’s share of dancehall hits among its 25,000 sound recordings.
As such, a 40th anniversary compilation from VP offers a vital a representation of Jamaican popular music since the late ’70s. This particular selection is held together by its depiction of dancehall’s development, the genre’s relationship to the “roots and culture” scene, and the perseverance of reggae as a national feeling, style, and brand. More than a greatest-hits collection based on data or settled narrative, the compilation aims for a well-rounded portrait of VP’s role in reggae history.
Still, hits abound. Nearly every song was a big tune in Jamaica during its day and remains a perennial standard wherever reggae is played. Those unfamiliar with dancehall reggae will find a fine introduction in the 82 tracks spread across four CDs, while longtime listeners will revel in the number of cherished songs. For devotees, the compilation also includes four 12" and four 7" records featuring re-pressed versions of obscure 12" “disco mixes” from the late ’70s along with unique mixes of dub classics like the Congos’ “Fisher Man,” produced by Lee “Scratch” Perry, whose Upsetter label was distributed by VP. Such deluxe sets are often over-the-top grabs at the collectors’ market, but for a label that has spanned the vinyl to digital age (and back), the multi-format throwback vibes seem apt.
While some amount of in-house production by the Chins and their sons added to the label’s stockpile, because VP was a reliable one-stop for Jamaican producers, they licensed, manufactured, and distributed many of the biggest songs coming out of Kingston’s many studios, including tracks by all of the most successful and influential producers of the last few decades: Steely & Clevie, Gussie Clarke, Philip “Fatis” Burrell, Bobby “Digital” Dixon, Dean Fraser. Among others, VP cultivated an ongoing partnership with notorious producer Henry “Junjo” Lawes in the early 1980s, distributing the massive dancehall hits on his Volcano imprint to the wider world, with audible consequences for reggae, hip-hop, and pop.