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03-11-2024 Daily Edition March 10, 2024

Daily Edition

Box Office: ‘Kung Fu Panda 4’ Lands Victorious $58.3M U.S. Opening; ‘Dune 2’ Nears $370M Worldwide

Jack Black‘s Po is back after nearly a decade, and he’s already receiving a hero’s welcome from audiences. Kung Fu Panda 4 opened to a stellar $58.3 million domestically, well ahead of expectations and a near-series best in a win for the family marketplace, as well as for DreamWorks Animation and parent company Universal (the […]

Jack Black‘s Po is back after nearly a decade, and he’s already receiving a hero’s welcome from audiences.

Kung Fu Panda 4 opened to a stellar $58.3 million domestically, well ahead of expectations and a near-series best in a win for the family marketplace, as well as for DreamWorks Animation and parent company Universal (the studio behind Sunday’s Academy Awards frontrunner Oppenheimer). The only other Kung Fu Panda installment to open higher was the first one in 2008 with $62 million, not adjusted for inflation.

Along with Black, returning members of the Kung Fu Panda 4 voice cast include Dustin Hoffman as Kung Fu master Shifu, James Hong as Po’s adoptive father, Bryan Cranston as Po’s birth father Li and Ian McShane as Shifu’s former student and arch-nemesis.

Series newcomers include Viola Davis as a tiny lizard and shapeshifting sorceress and Awakawfina as a quick-witted thief whom Po needs in order to protect their world. Ke Huy Quan also joins the franchise as a criminal leader named Han. The film boasts an A- CinemaScore from audiences and strong PostTrak exits.

Kung Fu Panda 4 is directed by Mike Mitchell, who also helmed Trolls and Shrek Forever After.

All eyes are also on Denis Villeneueve’s Dune: Part Two to see how it holds up in its second outing. The Legendary and Warner Bros. sci-fi epic opened last weekend to a stellar $82.5 million domestically and finished Thursday with a North American tally of more than $110 million and $200 million globally.

Heading in into Oscar weekend, box office pundits believed Dune 2 could earn $40 million or so in its second outing; it earned $46 million, thanks in part to keen demand for higher-priced Imax and other premium large-format screens. Overseas, its foreign tally hit $210 million after landing in China. The estimated global cume is $376.5 million.

Lionsgate and Blumhouse’s Imaginary also entered the mix and opened to a pleasing $10 million. The story follows a young woman (DeWanda Wise) who moves back to her childhood home, where her youngest stepdaughter (Pyper Braun) develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement. The film is directed by Jeff Wadlow, who also produces alongside Jason Blum. It earned a C- CinemaScore, which is not unusual for horror.

Cabrini, the latest offering from Angel Studios, the Utah-based production and crowd-sourcing company that was home to summer 2023 sleeper hit Sound of Freedom, opened to a modest $7.6 million. Angel’s series and movies are often infused with faith-based stories or themes.

In regards to Oscar-nominated films, many of the movies vying for top honors are already available in the home, but some could still see an uptick at the box office. If Christopher Nolan and Universal’s Oppenheimer wins best picture, it will make box office history by becoming the highest-grossing movie to win the prize since the final The Lord of the Rings in 2004. Oppenheimer has earned nearly $960 million in worldwide ticket sales

This story was originally published March 8 at 9:35 am PT.

Oscars: ‘Oppenheimer’ Scores Seven Wins Including Best Picture, Actor, Supporting Actor and Director

Oppenheimer was the opposite of a bomb at the 2024 Oscars, winning seven Oscars over the course of the ceremony — including best picture, director, actor, supporting actor, original score, cinematography and film editing. The Universal historical epic scored actors Cillian Murphy and Robert Downey Jr. their first Oscars for best actor and supporting actor, […]

Oppenheimer was the opposite of a bomb at the 2024 Oscars, winning seven Oscars over the course of the ceremony — including best picture, director, actor, supporting actor, original score, cinematography and film editing.

The Universal historical epic scored actors Cillian Murphy and Robert Downey Jr. their first Oscars for best actor and supporting actor, respectively, while Christopher Nolan won best director — also his first win following eight nominations.

Said Nolan while accepting his best director Oscar: “Movies are just a little bit over 100 years old. I mean, imagine being there 100 years into painting or theater. We don’t know where this incredible journey is going from here. But to know that you think that I’m a meaningful part of it means the world to me.”

Murphy immediately thanked longtime collaborator Nolan and his producer-wife Emma Thomas. “It’s been the wildest, most exhilarating, most creatively satisfying journey you’ve taken me on over the last 20 years, I owe you more than I can say,” said Murphy, who added he was a proud Irishman in his speech. “We made a film about the man who created the atomic bomb, and for better or for worse, we’re all living in Oppenheimer’s world. I would really like to dedicate this to the peacemakers everywhere.”

“I’d like to thank my terrible childhood and the Academy, in that order,” said Robert Downey Jr. in his acceptance speech for best supporting actor. The Oppenheimer star also thanked his wife, Susan, who he compared to a veterinarian who “found a snarling rescue pet, and you loved me back to life.” He also noted that he needed the role in Oppenheimer more than the film needed him, closing his speech to thank his entertainment lawyer of 40 years who, Downey noted, spent those years “trying to get me insured and bailing me out of the hoosegow.”

Poor Things star Emma Stone won her second Oscar for best actress. “The other night, I was panicking … that maybe something like this could happen,” she said. “Yorgos [Lanthimos, director of Poor Things] said to me, ‘Please take yourself out of it.’ And he was right, because it’s not about me. It’s about a team that came together to make something greater than the sum of its parts. And that is the best part about making movies.” is all of us together. And I am so deeply honored to share this with every cast member with every crew member with every single person who poured their love and their care and their brilliance into the making of this film.”

The Holdovers star Da’Vine Joy Randolph picked up the first award of the evening — the Oscar for best supporting actress — for her role in the Focus Features film directed by Alexander Payne. “I didn’t think I was supposed to be doing this as a career,” said a tearful Randolph. “I started off as a singer, and my mother said to me, ‘Go across that street to that theater department. There’s something for you there.’ And I thank my mother for doing that.” While thanking the many loved ones who have supported her through her career, Randolph reflected on her own road to self-acceptance. “For so long. I’ve always wanted to be different,” she added. “Now I realize I just need to be myself, and I thank you for seeing me.”

The United Kingdom earned its first Oscar for best international feature, with A24’s The Zone of Interest winning the category. Writer-director Jonathan Glazer accepted the award on behalf of the U.K. “All our choices were made to reflect and confront us in the present, not to say look what they did then but rather, look [at] what we do now. Our film shows where dehumanization leads at its worst; it shaped all of our past and present.” said Glazer, who referenced his longtime collaborator and producer James Wilson. “Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people — whether the victims of Oct. 7 in Israel or the ongoing attack on Gaza, all are victims of this dehumanization.”

The award for best documentary feature went to 20 Days in Mariupol, which director Mstyslav Chernov noted was the first Ukrainian film to win an Oscar. “Probably I will be the first director on this stage who says I wish I never made this film,” said Chernov. “I wish to be able to exchange this to Russia never attacking Ukraine, never occupying our cities.” The director added, “We can make sure that the history record is set straight and the truth will prevail, and the people of Mariupol and those who gave their lives will never be forgotten. Because cinema forms memories, and memories form history.”

Neon’s Anatomy of a Fall won best original screenplay, with director Justine Triet and writing partner Arthur Harari accepting the Oscar. “This will help me through my midlife crisis, I think,” said Triet. 

American Fiction writer-director won the Oscar for adapted screenplay for the Amazon MGM Studios film, based on Percival Everett’s novel Erasure. “I’ve been talking a lot about how many people passed on this movie, and I worry that that sometimes sounds vindictive, and I don’t want to be vindictive — I’m not a vindictive person anymore,” said Jefferson in speech that earned great applause from the audience. “It’s more of a plea to acknowledge and recognize that there are so many people out there who want the opportunity that I was given. I understand that this is a risk averse industry, I get it. But $200 million movies are also a risk, and it doesn’t always work out but you take the risk anyway. Instead of making one $200 million dollar movie, try making 20 $10 million movies.”

The Wonderful Story of Henry Sugar earned director Wes Anderson his first Oscar for best live action short, but the director was not in attendance to accept the award. Neither was Hayao Miyazaki, who earned his second Oscar for best animated feature with The Boy and the Heron. The Oscar for best documentary short went to The Last Repair Shop, while animated short went to War Is Over! Inspired by the Music of John and Yoko. The directors of the latter were joined onstage by Sean Ono Lennon, an executive producer on the project. 

In the crafts categories, Searchlight’s Poor Things won Oscars for best makeup and hairstyling, production design and costume design, while Oppenheimer won best cinematography and editing. The award for best visual effects went to the team behind Toho’s Godzilla Minus One. The film, directed by Takashi Yamazaki (who was a part of the Oscar-winning visual effects team), is the first in the Godzilla franchise to have been nominated for an Oscar. The Zone of Interest bested more bombastic competition to take the Oscar for best sound.

Stopping the show was Ryan Gosling’s rousing performance of Barbie’s “I’m Just Ken,” which included a full company of Kens — plus songwriter Mark Ronson and Slash on guitar and Barbie co-stars Simu Liu and Kingsley Ben–Adir joining Gosling on stage. Billie Eilish and Finneas O’Connell earned a standing ovation for their performance of Barbie’s “What Was I Made For?” American Symphony subject Jon Batiste performed the love song “It Never Went Away” from the Netflix doc, while Becky G performed 15-time nominee Diane Warren’s Flamin’ Hot tune “The Fire Inside.” The Osage Singers also performed the original tribal song “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon.

The best original song Oscar went to Eilish and O’Connell, their second win after composing the James Bond theme song No Time to Die. Oppenheimer‘s Ludwig Göransson also netted his second win for best original score.

Throughout the ceremony, last year’s acting Oscar winners were joined by previous winners to introduce the nominees from their respective categories. Jamie Lee Curtis, Regina King, Rita Moreno, Lupita Nyong’o and Mary Steenburgen presented best supporting actress; Mahershala Ali, Ke Huy Quan, Tim Robbins, Sam Rockwell and Christoph Waltz presented best supporting actor; Nicolas Cage, Brendan Fraser, Ben Kingsley, Matthew McConaughey and Forest Whitaker presented best actor; Sally Field, Jennifer Lawrence, Jessica Lange, Charlize Theron and Michelle Yeoh presented best actress. 

Kimmel returned to emcee the event for the fourth year, lightly roasting the nominees in the front rows of the audience before ending his monologue to note the resilience of actors and writers who marched the picket lines during last year’s dual WGA and SAG-AFTRA strikes. “As pretentious and superficial as it can be, at its heart it’s a union town. It’s not just a bunch of heavily botox-ed, Hailey Bieber smoothie drinking, diabetes prescription abusing, gluten sensitive nepo babies with perpetually shivery chihuahuas,” joked Kimmel, before inviting the below-the-line crew members to the stage to take a bow. “This is a coalition of hard working, mentally tough American laborers, women and men who would 100 percent for sure die if we even had to touch the handle of the shovel.”

The ceremony, which was slated to start an hour earlier than usual, was slightly delayed after pro-Palestinian protesters shut down traffic in Hollywood, blocking many guests en route to the Dolby Theatre. (“Don’t worry, [the show] will still end very, very late. We’re already five minutes over — I am not joking,” quipped Kimmel.) The Israel-Hamas war was directly referenced during the red carpet, with stars like Billie Eilish, Finneas O’Connell, Ramy Youseff, Mahershala Ali, Mark Ruffalo, Mark Ronson and Ava DuVernay wearing red Artists4Ceasefire pins in support to end the fighting and deliver humanitarian aid to Palestinian civilians in Gaza.

Despite the late start, the Oscars ended five minutes early — but that didn’t stop Kimmel from sharing a scathing review of the broadcast from former President Donald Trump, who attacked the host on Truth Social. “Has there EVER been a WORSE [sic] HOST than Jimmy Kimmel at the Oscars. His opening was that of a less than average person trying too hard to be something which he is not, and never can be,” posted Trump, to which Kimmel replied on air, “I’m surprised you’re still up. Isn’t it past your jail time?”

Mystery Deepens as “Manipulated” Kate Middleton Picture Pulled by Agencies

The growing mystery surrounding the whereabouts of Kate Middleton deepened on Sunday as a photo shared by Kensington Palace was pulled by four major news agencies over fears the image was “manipulated.” On Sunday, to coincide with Mother’s Day in the U.K., the official Prince and Princess of Wales Instagram account shared a picture of […]

The growing mystery surrounding the whereabouts of Kate Middleton deepened on Sunday as a photo shared by Kensington Palace was pulled by four major news agencies over fears the image was “manipulated.”

On Sunday, to coincide with Mother’s Day in the U.K., the official Prince and Princess of Wales Instagram account shared a picture of the princess with her three children, Prince George, 10, Princess Charlotte, 9, and Prince Louis, 5. The picture is not dated.

“Thank you for your kind wishes and continued support over the last two months,” the caption to the picture reads. “Wishing everyone a Happy Mother’s Day. C.”

Within minutes of the photo being posted, social media was ablaze with accounts purporting to be professional photographers suggesting that the image had been manipulated, pointing to certain elements of the photo. In particular, people pointed to the sleeve of Princess Charlotte’s arm not lining up and the lack of focus on Prince George’s right hand, both suggesting photo manipulation.

Later on Sunday, the BBC reported that the four big photo agencies — Getty Images, Reuters, AFP and AP — ordered “photo kill” notices over the image over the manipulation concerns.

Although PA Media, the UK’s biggest news agency, through which the Royal Family regularly releases its official information, has said it had not killed the picture on its service.

Instagram later added its own warning to the post, which read: “Altered photo/video. The same altered photo was reviewed by independent fact-checkers in another post.”

The whereabouts of the Princess of Wales has become the subject of, often wild, speculation in recent weeks after the royal underwent a planned abdominal surgery at The London Clinic on Jan. 16. After the surgery, Kensington Palace revealed that the procedure was a success and that the princess would remain in the hospital to recover for 13 days. The palace also said the princess would be stepping back from public duties while she recovered.

Despite official statements, speculation and conspiracy theories have abounded, suggesting that the princess was in poorer health than the palace was willing to admit. The rumor mill went into overdrive after Prince William pulled out of a memorial service due to a “personal matter” at the end of February.

It was hoped the picture posted on Sunday would quell some of the more scurrilous rumors about the princess, but the use of a supposedly manipulated image has only served to add to the mystery.

Mar. 14, 2:27 p.m. Updated with information about Instagram’s added warning.

How ‘Curb Your Enthusiasm’ Got Lori Loughlin to Parody Herself With Larry David

[This story contains spoilers from the sixth episode of Curb Your Enthusiasm season 12.] Curb Your Enthusiasm is known for inviting guest actors onto the HBO improv comedy series to play versions of themselves and go toe-to-toe with Larry David’s onscreen persona. The latest actress to do so was Lori Loughlin, who came on the […]

[This story contains spoilers from the sixth episode of Curb Your Enthusiasm season 12.]

Curb Your Enthusiasm is known for inviting guest actors onto the HBO improv comedy series to play versions of themselves and go toe-to-toe with Larry David’s onscreen persona.

The latest actress to do so was Lori Loughlin, who came on the sixth episode of the 12th and final season to confront her post-college admissions scandal reputation in Hollywood. The setup was that Loughlin, who loves to play golf, was being black-balled from L.A. country clubs due to her role in the 2019 scandal. (Loughlin and husband Mossimo Giannulli were among the high-profile parents charged with paying fixers to get their children into top U.S. universities, nicknamed Operation Varsity Blues by the FBI.)

So Loughlin needs a sponsor, and who better than Larry — someone who has gotten so many second chances himself? “You know I’m a champion of the underdog,” he says.

“On the show, Larry has had an infinite number of chances,” Jeff Schaffer tells The Hollywood Reporter when speaking about the episode. “How the Greenes let him back in their house is a mystery. Yet when Susie [played by Susie Essman] has a dinner party, there he is! Larry is an uncancellable Blarney Stone. Maybe by rubbing Larry, it works for everyone else.”

Larry ends up getting Loughlin approved for a membership, after a motivational speech inspired by the Gettysburg Address (more on that later). But he quickly notices that Loughlin lives up to her reputation. She cheats on the golf course, lies to get handicap privileges and flirts (or, another f-word?) her way to getting the best tee times. She’s unapologetically competitive, and it’s funny to watch. By leaning into this arc, Loughlin not only seems to have a good sense of humor about herself, she’s also in on the joke.

And the Curb executive producer says she was on board to parody herself right from the pitch.

“This was an idea that we loved from a writer named Teddy Bressman. But it’s not going to be funny with some sort of thinly veiled surrogate. It only works if we get Lori,” says Schaffer of how the story came together. “So we called her manager up, who loved it, and who then talked to Lori, and she said: ‘I’m in, I’m totally game.’ And she was. She was so great. Everything we threw at her, she was game to do. She makes the episode. I’m so glad she wanted to do it.”

He then quotes one of her lines with a chuckle, “I have Epstein Barr — one hematologist thinks so.”

Schaffer and David plotted this episode with Loughlin in mind, a practice they have done before. Viewers will recall the entire ninth season revolving around Fatwa! The Musical being directed by Lin-Manuel Miranda, as well as the major casting get when Trump whistleblower Alexander Vindman appeared in the season 11 finale. In both of those instances, Schaffer says they came up with the story before knowing if Miranda or Vindman were game, or even available to come guest star on the series.

This time, he says they approached things differently.

“We had a lot of ideas we wanted to do, but we asked Lori first,” he says. “We pitched the general concept of: ‘You get into the club, and then we find out how ultra-competitive you are, and how you’re willing to bend the rules or break them.’ And then once she agreed, we really started hammering out the details of the script. This time, we finally learned our lesson. We didn’t want to go write the entire episode, and then have to throw it away.”

He continues, “I guess as comedy writers we just naively thought, ‘It’s so funny, who wouldn’t want to do this?’ Well, maybe the person it’s about! But she saw how funny it was and was into it immediately.”

The former Full House star was released from prison in December 2020 after serving almost two months of her sentence. She has since returned to TV by reprising her role in the GAC Family series When Hope Calls, but her Curb appearance feels like a different kind of comeback.

“It’s great to be able to laugh at yourself. It’s a great way to put the past behind you,” says Schaffer of Loughlin. “I hope it helps her career. She was great, and she should work. She was really funny and wonderful to work with. People should see, ‘Oh, she’s really funny. She’s great in this stuff.’ So yeah, I hope she does get to work because she deserves to.”

Loughlin ends her Curb run with this episode, but there are other setups this week that are sure to rear their heads before the series signs off for good. Below, Schaffer goes behind the scenes of the “The Gettysburg Address” episode, including that Loughlin-inspired Seinfeld finale jab. (Also, read words of tribute from Schaffer on the late Richard Lewis).

Memorizing The Gettysburg Address and “Pavlov’s Bladder”

Two episodes ago, Schaffer confirmed the real-life inspiration for Larry’s country club meals: David brings his own eggs and bread to the table. This week, the bit about Larry using his bathroom time productively to memorize the Gettysburg Address was also inspired by the real David.

“Larry already had the Gettysburg Address memorized, and I’ll tell you why,” Schaffer explains. “So, bathroom multitasking is not a novel concept. I bet half the people reading this article on their phones are doing it on the toilet. But Larry [in real life] actually decided to do something constructive with his pee time. He has a bathroom in his office and in that bathroom for a long time, he had the Gettysburg Address up.”

Schaffer says the creator-star knows the speech up and down, so every time they came across a bathroom during filming, they shot the montage that sees Larry memorizing President Abraham Lincoln’s famous address while urinating. “Like the fallen soldiers in Gettysburg, his urination was not in vain,” says Schaffer. And, it’s rubbed off: “In our post[-production] offices, the bathroom, our editors put one up in the bathroom.”

They end up tying in the joke with the “Pavlov’s bladder” scene when Larry goes to see Ted Danson as Lincoln in a play and, when he hears the speech, Larry has to pee so badly that his foot gets stuck and he trips and falls on his face in the audience (presumably, peeing along the way).

“Originally, he was going to trip over the coat, but then we had so much fun with actor Hymnson Chan that we brought him back [from the previous episode],” says Schaffer. “It’s pure comedy greed. It’s indulgent, we admit it. But it really tickled us.” A highlight for Schaffer was Larry’s expression in the moment: “The face that he makes when he realizes it’s going to happen now is like seven different expressions all at once.”

Sienna Miller’s Yiddish and the Rule David Had to Date Her in the Show

Sienna Miller in her final conversation with Larry on Curb Your Enthusiasm. HBO

Sienna Miller made her return to Larry’s life now that he has finally found a way to call off his relationship with Tracey Ullman’s Irma. But the real David had one rule if they were going to pursue the storyline of Larry, 76, and the movie star, 42, dating on the show.

“Larry would only do this dating story, he would only approach it all, if we had him and Susie and everyone make fun of the age difference. Everybody just laughing, no one believes it. He’s too old,” says Schaffer. “Susie saying, ‘Why would she want to be with an old fuck like you?’ We wanted to do the story, but he would only do it if everyone made fun of how old he was, to his credit.”

Miller had first appeared in the third episode, praising Larry after he became a liberal hero in Atlanta when she bumped into him at the airport. “We didn’t know her. We loved her work. And so we’re pitching the story to her and at a certain point, the graffiti dick cat has to come out of the bag,” says Schaffer with a laugh, referencing this episode’s storyline of billboards promoting both Miller’s movie and Susie’s (Essman) new caftan business being defamed with graffitied penises. “So anyway,” he says, recalling how they pitched Miller, “You’re going to be on a giant billboard, holding a penis. You’re going to have alopecia. You can’t act without eating fruit. And she just goes, ‘I love it, let’s do it.’ She loved that we put her in these terrible movies. She was so fun; she really should do more comedies.”

Miller even inspired some lines in this episode. When improvising Yiddish in the last episode, Larry questioned her use of the word “shmietz,” which the converting Jew claimed meant “I gotta go.” Offscreen, Schaffer says he and David were stumped and, between filming these two episodes, realized no such word existed. They then wrote that into this episode with the “Rachel and the Rug Merchants” conversation.

“We wanted to continue Sienna’s journey into Judaism, and we thought it would be funny if she knew way more about Judaism than Larry. And then we quickly thought, ‘But, what if she’s wrong?’ And that’s how Rachel the Rug Merchants was born,” he says. “But when we were shooting episode five, and Sienna says, ‘I gotta shmietz.’ That was her; we didn’t come up with that. We said we never heard that before [after shooting] and she said, that’s something that my boyfriend who is Jewish says to me, it’s a Yiddish thing. We go, ‘huh.’ We looked it up and couldn’t find it anywhere. And she laughed [after seeing the episode five script] and was like, ‘It’s a real-life Rachel and the Rug Merchants!’ It was literally life imitating art.”

But Larry and Miller’s romance is short-lived after he unknowingly insults her. When he questions why she always wears wigs in her roles, she lets him have it: “I have alopecia, you fucking asshole!” The line about the autoimmune disorder was, in fact, inspired by the infamous Oscars slap between Will Smith and Chris Rock, after Rock insulted Jada Pinkett-Smith’s alopecia.

“It is a crazy coincidence that this episode is airing on the night of the Oscars. It just worked out that way. I only realized that today,” he says about the 2024 awards show, which was delayed due to the 2023 dual Hollywood strikes (and, to be clear, announced long after Curb plotted this story).

About Those Running Seinfeld Finale Jabs

Loughlin’s appearance prompted another Seinfeld finale jab for Larry in the latest episode. HBO

Schaffer already addressed the perceived echoes of the Seinfeld ending in this final season of Curb. (Larry kicks off the season as a very good Samaritan, after offering a bottle of water to a voter in a hot Atlanta voting line, while Seinfeld famously ended with the starring foursome going to prison for being terrible Samaritans, a finale that has been met with mixed reception.)

In this episode, it’s Danson who delivers the latest series finale jab to Larry. When talking about his Lincoln play co-star Loughlin, he assumes that Larry already knew her from their days working on Seinfeld. “You worked with her didn’t you?” Danson asks Larry, referring to Loughlin’s 1997 episode “The Serenity Now” in the classic comedy. “No, that was the last two years. I wasn’t there for that episode,” replies David, who had left the series by that point. “Oh, but you did the finale right?” prods Danson, to Larry’s chagrin, referencing how the creator returned to write the series ender, “The Finale.”

It was actually Schaffer who was a writer on Seinfeld when Loughlin’s episode aired. “I worked with Lori on Seinfeld, and Larry didn’t. That’s why that joke was in there,” says Schaffer. Adding that the Seinfeld bits are “just a fun running joke. Ted and Larry are friends who don’t like each other very much, and Ted never misses a chance to needle Larry. And because it was Lori, it was perfect. Because I was on the show when Lori was on Seinfeld, and Larry wasn’t. That’s why the joke happened. Because it’s true.”

Larry Still Has a Looming Court Date

Last week’s episode saw Larry’s lawyer (Sean Hayes) forgetting to file his dismissal after Larry meddled in the personal life of his attorney and his husband (played by Dan Levy). Larry was arrested at the beginning of the season for obstructing the election process in the state of Georgia, which is punishable by up to one year in prison and a fine of $10,000. By the end of this episode, his trial continues to loom.

Schaffer offers this tease of things to come: “Those things have to be filed by a certain time or you don’t get to do it, and because Larry had opinions about a child’s name, that motion was not filed. So right now, it looks like he’s going to court. Will he? We’ll have to see. I’m not even sure they’ll get to court.”

By the way, the names Larry offered to the expecting couple are names the real David stands by. “He’s a firm believer that Foots should be a more common name than it is,” says Schaffer. “Foots David. Think about how successful he would have been if Foots David co-created Seinfeld?” 

Susie’s Caftans Are Actually Going on Sale

Susie (played by Susie Essman) showing Larry her Catch as Caftan billboard, before it was defamed. HBO

The storyline this episode that brought David his biggest onscreen laughs was when he was driving in the car and saw that the billboard Susie (Essman) had purchased for her new company, Catch as Caftan, was hit by a graffiti artist.

“Imagine the traffic jams if we actually had a Susie poster on Santa Monica Boulevard where she was getting double dosed,” said Schaffer referencing the two penises that were drawn — via VFX — on her billboard. “Susie’s gone into business one more time making caftans with the horribly titled name of her company, Catch as Caftan. We loved making the billboards for the caftans — the perfect gift for your aunt who drinks too much.”

As it turns out, HBO is prepping a marketing scheme to put up a real billboard in Los Angeles to promote Susie’s business — around Santa Monica and Centinela on Monday morning (one without graffiti) — and the caftans are also going to be available for purchase for fans (the merch sale is now live).

Schaffer also has a life-imitating-art prediction: “I don’t know how many graffiti artists are fans of the show, but I’m praying for a few dicks. If we’re lucky enough to get a few on that poster, I think the sales are going to go through the roof.”

Curb Your Enthusiasm releases new episodes Sundays at 10 p.m. on HBO and Max. Read THR’s other season chats with Schaffer here.