Title: A Satyr Whipping a Nymph. Series/Portfolio: Lascivie. Artist: Agostino Carracci (Italian, Bologna 1557–1602 Parma) Date: ca. 1590–95. Medium: Engraving. Dimensions: 5 7/8 x 4 3/16 in. (15 x 10.7 cm) Classification: Prints. Credit Line: Harris Brisbane Dick Fund, 1927. Accession Number: 27.78.1(398) Signatures, Inscriptions, and Markings . Inscription: No Inscriptions …

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground ca. 1590–95 Agostino Carracci Italian Not on view Public Domain Artwork Details Title: Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground

> Nymph > Satyr > Tied Up > Whip > Whipping. Satyr whipping a nymph, who is shown from behind and bound to a tree, a second saty Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, ca. 1590-95. Choose Your Product ...

Nymphs and Satyr 1873. Three nymphs playfully drag a Satyr into a woodland pond, while a fourth calls to her companions in the distance. Satyrs—half-man, half-goat—were reputedly unable to swim. Bouguereau exhibited this painting, accompanied by a verse from the Latin poem that inspired it, at the 1873 Paris Salon. Its vaguely classical subject provided an ideal opportunity …

THE SATYROI (Satyrs) were rustic fertility spirits of the countryside and wilds. They consorted with the Nymphai (Nymphs) and were companions of the gods Dionysos, Hermes, Hephaistos, Pan, Rhea-Kybele and Gaia. Satyroi were depicted as animalistic men with asinine ears, pug noses, reclining hair-lines, the tails of horses and erect members.

The satyr’s love for a nymph is often treated as a light-hearted theme in mythology. But here the satyr is an athletic male and the woman, slumped in his grip, is thrust against the ground in a position suggestive of rape. The two bodies, stripped bare and faceless, oppose one another on either side of an empty space that assumes a constructive value, heralding the developments …

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