Canciones Elegidas 93-04 is a 2004 compilation album by Argentine singer-songwriter Gustavo Cerati.

Siempre Es Hoy (Spanish for It is always today) is the third album by Argentine rock musician Gustavo Cerati. The album was advertised as "Cerati's Rock Album", however, it has a more of an electronic style than rock. Music critics were pleased with Siempre Es Hoy, giving it ratings ranging from 4 to 5 stars.

11 Episodios Sinfónicos (11 Symphonic Episodes) is a live album recorded by Gustavo Cerati at the Teatro Avenida of Buenos Aires on August 2001. Following the footsteps of other important artists, Cerati rearranged eleven tracks from his former band Soda Stereo as well as singles from his solo albums into symphonic melodies. The concert consisted of him singing while the orchestra played along while being directed by Alejandro Terán. A DVD was also released which featured four additional songs not included in the CD, as well as behind-the-scenes extras and a documentary.

Bocanada (Waft) is the second solo album by Argentine rock musician Gustavo Cerati, released by BMG International on 28 June 1999. The album, an eclectic mix of neo-psychedelia and trip hop with a variety of styles, is considered by critics and fans as a highlight in Cerati's career and one of his best albums. His first album release after the breakup of Soda Stereo, Cerati had, during this time, been working with Plan V and Ocio, two bands oriented towards electronic music. Raíz was the album's first cut played in radio stations, Puente being the first music video to be released; "Bocanada" had the most music videos produced of any Cerati album to date.

Colores Santos (Spanish for "Holy Colors") is an album released by Argentine musicians Gustavo Cerati and Daniel Melero under the name Cerati/Melero in 1992. The album was recorded and released previous to Soda Stereo's album Dynamo (also influenced by Melero's state-of-the-art musical exploration), at the peak of the band's popularity. The album has a strong electronic influence which would inform Dynamo and help kickstart the electronic rock scene in Argentina. Allmusic critic Iván Adaime wrote that "Somehow this album was like a UFO in the Argentine early-'90s rock scene".