Manikarnika: The Queen of Jhansi is a 2019 Indian epic biographical period drama film based on the life of Rani Lakshmi Bai of Jhansi. It was directed by Radha Krishna Jagarlamudi, popularly known as Krish and actress Kangana Ranaut from a screenplay by K. V. Vijayendra Prasad and produced by Zee Studios, Kamal Jain, and Nishant Pitti. The film stars Ranaut in the title role.

Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate (also known as the Bikrampur Estate), was affected by syphilis and was taken to Darjeeling for treatment along with his wife, Chandrabati Devi, brother-in-law, Satya, and a family doctor, Ashwini. He apparently died in Darjeeling and was cremated there as well. After 12 years, a Sanyasi shows up at the estate, arousing people's curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

Amit, a Bangla band musician, halts his bohemian dreams of making music in Kolkata, to exile himself to corporate slavery in Mumbai hoping to one day declare his feelings for his best friend Labonya.

The movie merged two stories of Sharadundu Bandopadhyay named 'Agnibaan' and 'Uposonghar'. The film starts with the hint of another story 'Satyanweshi' where young Byomkesh caught the head ...

This film to be a family drama based on the theme of parenting. The film revolves around the upbringing of a young boy by his grandparents and his working parents and also deals with the legal fight over parenting as the plot unfolds.

The story revolves around a retired judge, Mr. Sen, living in a farmhouse on the outskirts of the city. The people who stay in the colony are a handful of social outcasts. One day, the ...

Kelor Kirti is a 2016 Bengali language romantic comedy film. It was directed by Raja Chanda and produced by Mahendra Soni and Shrikant Mohta under the banner of Shree Venkatesh Films and Surinder Films. The film stars Dev, Sayantika Banerjee, Jisshu Sengupta, Ankush Hazra, Mimi Chakraborty, Nusrat Jahan, Koushani Mukherjee in lead roles. It is a remake of the Tamil film Charlie Chaplin which was also remade in Hindi as No Entry and Malayalam as Happy Husbands (2010 film). The film released on 6 July 2016, on the occasion of Eid and Ratha Yatra. It received mixed reviews.

Byomkesh Bakshi a Bengali detective thriller film on Bengali fictional detective Byomkesh Bakshi, released on 16 October 2015. The film is directed by Anjan Dutt. This is the fourth installment of Byomkesh series by Anjan Dutt. The film is based on Kohen Kobi Kalidas by Sharadindu Bandyopadhyay. Unlike the previous three installments, Jisshu Sengupta portrayed the character Bakshi in this one replacing Abir Chatterjee.

When love cannot speak,it speaks the loudest. This tagline of Nirbaak explains it all. But Nirbaak is a film which does not come with a fixed set of instructions for its interpretation. A tribute to Dali in its truest sense Nirbaak is surreal tale of love. A narcissist, a dog, a nymphomaniac and a woman, the one string which hold these disparate lives together is Love. Srijit Mukherjee does it best when he doesn't follow the trend. In the film Nirbaak Mukherjee plays with symbolism and various unusual metaphors. Nirbaak is a bold step from it's makers part. It is unapologetically distinctive and surreal. The film shows the city of joy as a separate character, which, very few filmmaker has tried to do before. Nirbaak is an experimental film and the makers are to be given due credit for being bold enough to do something of the sort. The minimalist directing style is commendable. Anjan dutta as the self consumed narcissist is a show stealer, Susmita Sen is poignant and subtle with her expressions, Jisshu U Sengupta and Ritwick Chakrabarty has played their respective roles convincingly. Nirbaak with its high shock value is an approximation of unsaid love.

India is the world's hub for child sex trafficking - Nearly 40,000 children are abducted every year - Every 8 minutes a girl child goes missing in India. Mardaani, is a story of Shivani Shivaji Roy, Crime Branch, who sets out to confront the mastermind behind a child trafficking mafia.

Golemale Pirit Koro Na (sometimes Goley Maley Pirit Korona, Goley Maley Pirit Koro Na or Golemale Pirit Korona) is a 2013 Bengali film. The film was directed by Anindya Banerjee and produced under the banner of Shree Venkatesh Films. The film's music was composed by Akash. The film was released on 8 February 2013. The comedy film is based on the story of two men who fell in love with each other's sisters.

Chitraganda: The Crowning Wish, is a lusciously lit and deeply personal drama about a choreographer considering a gender-reassignment surgery. The film also explores insights into how gender expression can affect families.

Tamodeep is brilliant, sensitive and eternally perturbed by his grandfather's prophecy that he would either be an artist or run away from home. A junior doctor by profession, Tamodeep has ...

Indraneel's sudden death averts a possible divorce, and takes Radhika on a fantastic inward journey of discovery of her own roots through the language of poetry, and lost love. A publisher ...

Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.

Golmaal (Bengali: গোলমাল) (2008) is a Bengali film directed by Swapan Saha and featuring multi-starring Prosenjit Chatterjee, Tota Ray Chowdhury, Jisshu Sengupta, Priyanka Trivedi, Namrata Thapa, Barsa Priyadarshini. The film was a remake of Malayalam film Thenkasipattanam.

George has been given the contract of killing Rishin. Later, he realizes that his client and target are the same, as Rishin is a schizophrenic and wants to die.

Kalishankar or Kalisankar is a bilingual film in Oriya and Bengali language by director Prashanta Nanda in 2007. This Bengali-Oriya film is a remake of Rakesh Roshan's film Karan Arjun on the theme of reincarnation. Director Prashant Nanda turned the story around: Instead of being the story of the offspring (played by Salman Khan and Shahrukh Khan in the original) it is the story of a pair of grandchildren and their grandfather's revenge on their wrongdoers. He plays the grandfather. The film has much stick-wielding action. Kalishankar is similar to old Manmohan Desai films wherein brothers separated in childhood grow up to find themselves on two sides of the fence. Then, when they recognise their blood link through a birthmark or a talisman, they join forces to fight the enemy together.

Premi (Bengali: প্রেমী) is a Bengali movie that released in 2004. Directed by Rabi Kinagi, the movie featured Jeet, Jisshu Sengupta and Chandana Sharma. This movie is also the debut of music director Jeet Gannguli. It is a remake of 2002 Telugu movie Nee Sneham.

A working-class man of good character struggles to help his siblings move up in the world, and to protect them from the evil intentions of his gangster enemies.

After twenty years living abroad, Padmini Choudhury, an actress-turned-producer, returns to India to make a film with her director husband Sambit Roy. Journalist Mallika Sen reports on the first day filming celebration, and accompanies actress Kakoli home to conduct an interview. Arriving home, Kakoli becomes violently ill and passes away. The police discover that Kakoli was poisoned earlier that day, and everyone from the "Shubho Mahurat" celebration becomes a suspect. Mallika investigates the case, but it is her perceptive aunt, Ranga Pishima, who puts the clues together.

A bus is setting out to Calcutta from a village in West Bengal. Meenakshi Iyer, who is from a strict orthodox Hindu background, is leaving to Chennai for her husband, with her young child, after the vacation with her parents. By chance, she gets a co-passenger who is also to Chennai, Rajah, a photographer, introduced by one of the friends of her father. During the journey they build a good relationship. But a Hindu-Muslim communal riot sets out in the meantime, in some areas they had to travel. Then she comes to face the fact that Rajah is not a Hindu but a Muslim whose real name is Jehangir. Even though she curses herself at that time while some Hindu fanatics evade their bus she saves him introducing as Mr. Iyer. But they have to reach their destination while the other passengers know Rajah as no one else but Mr. Iyer.