The College Coquette is a 1929 American drama film directed by George Archainbaud and written by Norman Houston. The film stars Ruth Taylor, William Collier Jr., Jobyna Ralston, John Holland, Adda Gleason and Gretchen Hartman. The film was released on August 5, 1929, by Columbia Pictures.

The naive newspaper cub Clem lands a scoop when he's sent out to cover a murder. In his enthusiasm he writes that the main suspect is Jane. When she confronts Clem she convinces him to help her prove her innocence.

A poor cowboy wins a girl's hand when he participates in a flight from the USA to Hawaii.

Boxer Johnny McKinney has come along to the point where he is ready to fight for the championship. His new bride, Betty, asks Johnny for $5,000. Johnny thinks the money is for her, but in reality it is to pay off her brother's gambling debts. In any event, Johnny doesn't have the money, and when his manager refuses to lend it to him, Johnny breaks up with him. Just as the big fight is coming up, Johnny breaks his hand. But in hopes of winning the money his wife needs, Johnny goes into the ring anyway. But surprises await him, inside the ring and out.

Little Mickey Grogan is a 1927 American comedy-drama film directed by James Leo Meehan and written by Dwight Cummins, Dorothy Yost and Charles Kerr. The film stars Frankie Darro, Lassie Lou Ahern, Jobyna Ralston, Carroll Nye, Eugene Jackson, William Scott and Vadim Uraneff. The film was released on December 27, 1927, by Film Booking Offices of America.

A Racing Romeo is a 1927 American comedy film directed by Sam Wood and written by Byron Morgan. The film stars Red Grange, Jobyna Ralston, Trixie Friganza, Walter Hiers, Ben Hendricks Jr. and Warren Rogers. The film was released on September 1, 1927, by Film Booking Offices of America.

Wings is a 1927 American silent war film set during the First World War produced by Lucien Hubbard, directed by William A. Wellman and released by Paramount Pictures. It stars Clara Bow, Charles "Buddy" Rogers and Richard Arlen. Gary Cooper appears in a small role which helped launch his career in Hollywood.

The heir to a family business travels to Paris to try to stop his youth-obsessed mother from squandering the family fortune with her new husband, who's married her for her money. After he returns from service in World War I, he finds his mother, now broke and abandoned by her gigolo husband. In an ironic turn of events, he winds up squiring rich old women around Paris' nightlife, becoming the kind of gigolo he tried to save his mother from. Things take a turn for the worse when some family friends from back home turn up in Paris and see what has become of him.

An irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.

A nerdy college student will do anything to become popular on campus.

Harold Meadows (Lloyd) is a shy, stuttering bachelor working in a tailor shop, who is writing a guide book for other bashful young men, "The Secret of Making Love," chapters from which are portrayed as fantasy sequences. Fate has him meet rich girl, Mary (Ralston), and they fall in love. But she is about to wed an already married man, so our hero embarks upon a hair-raising daredevil ride to prevent the wedding.

Two groups of children are staging a mock trench battle in a tomato patch. When the battle ends, one girl's mother comes to take her to her job at the nearby motion picture studio. The other children decide that it might be fun to work there, too, and they sneak into the unsuspecting studio.

Paul's career as a shoeshine man is interrupted when he is mistaken for an escaped convict, but after the Station Master gives him a job at the train station he proves his worth.

This delightful burlesque of Alexandre Dumas' famous adventure narrative (and then-leading screen swashbuckler Douglas Fairbanks' hit films) represented one of writer/director/star Max Linder's attempts to conquer Hollywood on its own turf. He'd been an enormous star in early silent cinema, influencing the style of such subsequent silent comedy luminaries as Charles Chaplin and Buster Keaton. But his health suffered after he was gassed fighting for France in World War I. Despite the support of Chaplin himself (among others), his subsequent career in America never reached the popular heights he had at home. The commercial failure of this final U.S. effort seems particularly bewildering now, since THE THREE MUST-GET-THERES holds up so well. This spoof has the antic star as Dart-in-Again, a rapier-wielding dandy with a lovelorn horse (pining for the cow it left behind in the country) and a tendency to make an idiot of himself whilst attempting to conquer the forces of tyranny. Making scant effort to hide its incongruous modern Southern California backdrops, the movie is full of gags both slapstick and absurdist. Critics gratefully received it at the time. Audiences? Not so much. - Dennis Harvey