Six tales of life and violence in the Old West, following a singing gunslinger, a bank robber, a traveling impresario, an elderly prospector, a wagon train, and a perverse pair of bounty hunters.

At a time when the moon could be reached by ladder, Captain Millipede, his daughter, a deaf milk miner, a beautiful accordionist, and a wannabe pole dancer make their final expedition unaware of what they had, blind to what they'd lose.

Three friends (Colin Farrell, Christopher Walken, and Sam Rockwell) incur the wrath of a violent L.A. gangster (Woody Harrelson) by kidnapping his prized Shih Tzu in this black comedy from In Bruges director Martin McDonagh. Aspiring screenwriter Marty (Farrell) has a brilliant screenplay called Seven Psychopaths floating around in his head; unfortunately he's usually to hungover to make any real progress on it. Meanwhile, Marty's best friend Billy (Rockwell) has some great ideas for the story, but he's reluctant to offer input without invitation. A down-on-his-luck actor, Billy pays his rent by running a lucrative dog-napping scam with smooth-talking Hans (Walken). Just when frustrated Marty begins to fear that all of his ideas have dried up, however, Billy shows up with an adorable Shih Zhu swiped from a quick-tempered gangster (Harrelson), and a desperate trip into the desert finds the ideas flowing like drinks at an open bar.

A struggling horror writer visiting a small town on a book tour gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V.

In a post-apocalyptic America where the once-picturesque countryside has become a desolate and violent wasteland, one man (Denzel Washington) fights to protect a sacred tome that could hold the key to the survival of the human race in this futuristic thriller from filmmaking duo Albert and Allen Hughes (From Hell (2001) and Dead Presidents (1995)). Gary Oldman, Mila Kunis, and Ray Stevenson co-star in this Warner Brothers production.

A traveling theater company gives its audience much more than they were expecting.

A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Jarmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed.

This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, because they don't seem to know each other very well and they don't have much to talk about, so the conversation wanders idly and hilariously as they sip their coffee and smoke cigarettes.

The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker's fiancée Mina Murray and inflict havoc in the foreign land.

Martin and Hazel Quarrier are small-town fundamentalist missionaries sent to the jungles of South America to convert the Indians. Their remote mission was previously run by the Catholics, before the natives murdered them all. They are sent by the pompous Leslie Huben, who runs the missionary effort in the area but who seems more concerned about competing with his Catholic 'rivals' than in the Indians themselves. Hazel is terrified of the Indians while Martin is fascinated. Soon American pilot Lewis Moon joins the Indian tribe but is attracted by Leslie's young wife, Andy. Can the interaction of these characters and cultures, and the advancing bulldozers of civilization, avoid disaster?

On the run from a couple of hit-men, young Johnny Fortune escapes from a life in basement poolrooms to become a dancing bear with the strangest Punch and Judy man in the business.

Over the course of a single night in pale Memphis--the home of Sam Phillips' legendary Sun Studio--a vivid triptych of romantic Rock n' Roll pilgrimage; sad nostalgia; emotional Americana, and forgotten, decrepit places unfolds. Pivoting around the low-rent and almost dilapidated Arcade Hotel, the strange stories of four visitors unwittingly intertwine, as the aloof couple of Japanese teenagers--Mitsuko, who yearns to visit Graceland, and Jun, a sad-faced die-hard fan of Carl Perkins--arrive in the Tennessee ghost town, in "Far from Yokohama". Likewise, the recently widowed Italian, Luisa, who's come to town from Rome to take her deceased husband's body back to Italy, winds up in the same hotel, sharing a room with the garrulous Dee-Dee, in "Ghost". Then, elsewhere in the city during the same endless night, the neighbourhood's barber, Charlie, reluctantly goes on a boozy binge with the unemployed British immigrant, Johnny, and, eventually, they both end up in the Arcade, in "Lost in Space". Of course, the mystical aura of an eternal, 1956-handsome Elvis Presley haunts everything in this unforgettable night in Memphis. Is the King truly gone?

Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.

Roy Orbison and Friends: A Black and White Night is a 1988 Cinemax television special originally broadcast on January 3, 1988, starring triple Hall of Fame inductee (Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and Songwriters Hall of Fame) rock/pop singer/songwriter Roy Orbison and backing band TCB Band with special guests including Bruce Springsteen, k.d. lang and others. The special was filmed entirely in black and white. After the broadcast the concert was released on VHS and Laserdisc. A live album was released in 1989.

Gritty documentary that looks at the lives of teenagers living on the streets of Seattle.

The rivalry between two gangs, the poor Greasers and the rich Socs, only heats up when one gang member kills a member of the other.

Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.

Fernwood 2 Night (or Fernwood Tonight) is a comedic television program that was broadcast weeknights from July 1977 to September 1977. It was created by Norman Lear and produced by Alan Thicke as a spin-off/summer replacement from Mary Hartman, Mary Hartman. It was a parody talk show, hosted by Barth Gimble (Martin Mull) and sidekick/announcer Jerry Hubbard (Fred Willard), complete with a stage band, "Happy Kyne and the Mirthmakers" (featuring Frank De Vol as the dour "Happy" Kyne, and Tommy Tedesco as one of the guitarists). Barth was purportedly the twin brother of Garth Gimble from Mary Hartman.

Saturday Night Live (SNL) is an American late-night live television variety show created by Lorne Michaels and developed by Dick Ebersol. The show premiered on NBC on October 11, 1975, under the original title NBC's Saturday Night. The show's comedy sketches, which often parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers the opening monologue and performs in sketches with the cast as with featured performances by a musical guest. An episode normally begins with a cold open sketch that ends with someone breaking character and proclaiming, "Live from New York, it's Saturday Night!", properly beginning the show.

The Old Grey Whistle Test (usually abbreviated to Whistle Test or OGWT) was a British television music show. It was commissioned by David Attenborough and aired on BBC2 from 1971 to 1988. It took over the BBC2 late night slot from Disco 2, which ran between September 1970 and July 1971, while continuing to feature non-chart music. The show was devised by BBC producer Rowan Ayers. The original producer, involved in an executive capacity throughout the show's entire history, was Michael Appleton. According to presenter Bob Harris, the programme derived its name from a Tin Pan Alley phrase from years before. When they got the first pressing of a record they would play it to people they called the old greys – doormen in grey suits. Any song they could remember and whistle, having heard it just once or twice, had passed the old grey whistle test.