Still 17 (Korean: 서른이지만 열일곱입니다; RR: Seoreunijiman Yeorilgobimnida; lit. Thirty But Seventeen) is a South Korean television series starring Shin Hye-sun, Yang Se-jong and Ahn Hyo-seop. It aired on SBS's Mondays and Tuesdays at 22:00 (KST) time slot from July 23 to September 18, 2018 for 32 episodes.

Introverted Boss (Korean: 내성적인 보스; RR: Naeseongjeogin Boseu) is a 2017 South Korean television series starring Yeon Woo-jin and Park Hye-su. It started airing on cable network tvN every Monday and Tuesday at 23:00, starting January 16, 2017.

Another Miss Oh (Korean: 또! 오해영; Hanja: 또! 誤解영; RR: Tto! O Hae-yeong; MR: Tto! O Hae-yŏng; lit. Another Oh Hae-young) is a South Korean television series starring Eric Mun, Seo Hyun-jin, Jeon Hye-bin. It replaced Pied Piper and broadcast on cable network tvN on Mondays and Tuesdays at 23:00 (KST) for 18 episodes from May 2, 2016 to June 28, 2016.

The Producers (Korean: 프로듀사; RR: Peurodyusa; lit. Producer) is a 2015 South Korean television series starring Cha Tae-hyun, Gong Hyo-jin, Kim Soo-hyun, and IU. It aired on KBS2 from May 15, 2015 to June 20, 2015 on Fridays and Saturdays at 21:15 (KST) for 12 episodes.

An affluent housewife one day chooses to leave her husband along with her hopelessly repetitive lifestyle. The question is: should she take her two daughters with her or leave them behind? Based on a real-life incident involving a Korean mother and her children, "The Housewife" explores the bleak world of women suffering from depression, who struggle to find purpose in their cripplingly mundane lives.

A young woman returning to her old school to visit her professor also runs into her old boyfriend and her senior, each of whom has a past with her.

3 old problematic sibling must living together with their elderly mother. They're not children anymore, so what will happen?

A filmmaker goes out to the countryside to get some rest every weekend while a nurse travels into Seoul during the same period to enjoy some culture. details the process of how and when they meet and become close. It's an entertaining story, and the dynamism formed by the characters, brought to life by Kim Tae-woo and Yea Ji-won, is equally entertaining. Although more emotional, romantic and positive, it recalls the films of Hong Sangsoo in its detailed descriptions of daily life and loose, episodic structure. The performances are unmannered, giving us the feeling we're casually watching lives unfold. And there's a self-reflective element to the film as well, one that reflects reality. The main character, the film director, is the alter ego of director Cho Sung-kyu, and the inside this film, , is his debut feature film. The cinema the nurse visits is SpongehouseKwanghwamoon, which director Cho currently administers. Is Hong's signature style a tonic in the context of this film, or a poison? Ultimately that's up to audience to decide.

Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.

Filmmaker Jo Moon Kyeong is going to leave Seoul to live in Canada. Days before his departure, he meets his close friend and film critic Bang Joong Sik on a nearby mountain. They both drink makgeolli, a traditional Korean alcoholic beverage. After a few rounds, they find out that coincidentally they have both been recently at the same small seaside town of Tongyeong. They decide to reveal their accounts of the trip while drinking, under the condition that they only stick to pleasant memories. Not realizing that they were in the same place, at the same time, and with the same people, the two men's reminiscence of a hot summer unfolds like a journal of memories.

A group of college alumni in their 30's gather at one of their friend's second wedding. The members composed of mainly men had one woman who they were anticipating to see at the wedding. However, the woman's daughter come to the wedding on behalf of her dead mother and was in fact looking for her dad who was actually at the reception.

Yoo-jin is a party girl with lots of male acquaintance's, but no boyfriend. After a night of heavy partying she wakes up alone in a hotel-room certain that something happened last night. She then goes on a hunt for the missing guy.

A little girl is reunited with her reluctant small-time criminal father. Jong Dae is a lowlife conman and gangster who lives in a old trailer in a junkyard by the sea. Not exactly ideal father material. He is (understandably) shocked when, while in jail yet again, a social worker visits to inform him that he has a seven year old daughter called Joon (Seo Shin Ae) who has been living in an orphanage and is on her way to America to be adopted. Little Joon desperately wants to meet her daddy before she leaves. The social worker offers him a deal: his freedom and some money for looking after Joon for a month and he eagerly accepts, only to find his life turned upside down by the precocious little girl. The relationship starts of a little rough as Jong Dae tries to adjust to fatherhood but he quickly bonds with Joon and finds himself enjoying spending time together and the ups/downs of fatherhood. He is pleasantly surprised to find they share a mutual love of soccer and is amused at how much his little daughter knows about it. As part of the original deal, the social worker gives him two tickets to the World Cup Championship so they can celebrate their last moments together before Joon is adopted. The story quickly turns serious when Jong Dae is severely beaten by his boss and his injuries are so severe that he learns he losing his sight and soon will be blind. The second blow comes when the social worker confesses that Joon is not moving to America to be adopted, but that she is really seriously ill and has only a short time to live.

So Cute (Korean: 귀여워; RR: Kwiyeowo) is a 2004 South Korean drama film about four men on the margins of society who fall in love with the same woman. It was selected to screen at the Pusan International Film Festival, the 2005 Brisbane Film Festival and the 26th Moscow International Film Festival. It marked the acting debut of director Jang Sun-woo.

A detective goes undercover to bust an underground organization responsible for illegally smuggling jewels.

A groups of Korean anarchists in 1920s China are determined to overthrow the military and government.