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      Dan Fienberg

      Dan Fienberg

      Tomatometer-approved critic
      Publications:
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      http://www.laweekly.com

      Movies reviews only

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      Rating T-Meter Title | Year Review
      Songs from the Hole (2024) A fresh and lyrical take on the genre. - Hollywood Reporter
      Read More | Posted Mar 14, 2024
      Clemente (2024) Finds a solid middle ground between straight-up hagiography and a slightly less reverential adulation that will make younger viewers understand why such affection could be warranted. - Hollywood Reporter
      Read More | Posted Mar 13, 2024
      Dickweed (2024) The documentary is imbalanced between its first and second halves and the second half is imbalanced between the perspective of an evasive on-camera subject and an absent secondary subject. - Hollywood Reporter
      Read More | Posted Mar 11, 2024
      We Can Be Heroes (2024) We Can Be Heroes is a documentary that makes your heart swell and makes you instantly protective of its young subjects, except that for over 86 minutes you watch those subjects slay demons and reshape a dying universe. - Hollywood Reporter
      Read More | Posted Mar 11, 2024
      MoviePass, MovieCrash (2024) The stakes were and are on the lower side, and the documentary hits softer as a result, but will still resonate with those of us who were “there.” - Hollywood Reporter
      Read More | Posted Mar 10, 2024
      Stormy (2024) This documentary could have been centered around Stormy Daniels today, and it would have been a better and more truthful movie. It wasn’t and it isn’t. - Hollywood Reporter
      Read More | Posted Mar 09, 2024
      Porcelain War (2024) There’s a great deal of beauty in Porcelain War and there’s a potent artistry behind it, but I’ve never watched a documentary with so many running visual metaphors and so little faith that the audience will be able to grasp them. - Hollywood Reporter
      Read More | Posted Jan 28, 2024
      Daughters (2024) Reservations aside, I still came away from Daughters emotionally wrung out like a damp washcloth and infuriated at a system of punishment that too often fails everybody. - Hollywood Reporter
      Read More | Posted Jan 23, 2024
      A New Kind of Wilderness (2024) I spent 40 minutes watching A New Kind of Wilderness and wondering what the documentary was supposed to be, and the last 44 minutes being simply and persuasively moved... - Hollywood Reporter
      Read More | Posted Jan 23, 2024
      A Different Man (2024) An amusing and thought-provoking face-off. - Hollywood Reporter
      Read More | Posted Jan 22, 2024
      Union (2024) It’s a nuanced portrait of the challenges of leadership and a revealing celebration of the values of persistence, solidarity and free weed. - Hollywood Reporter
      Read More | Posted Jan 22, 2024
      Love Machina (2024) It’s provocative enough to recognize a lot of the conversations we need to have now rather than after the robots have taken over, but not coherent enough to adequately have those conversations itself. - Hollywood Reporter
      Read More | Posted Jan 21, 2024
      Ibelin (2024) Powerful as a story, but limited as a film. - Hollywood Reporter
      Read More | Posted Jan 20, 2024
      Girls State (2024) An uneven but still crowdpleasing successor. - Hollywood Reporter
      Read More | Posted Jan 19, 2024
      Uncropped (2023) By the end, I’d mostly shaken my feeling that Young would have been better off doing a documentary about alt-weeklies in which Hamilton was a featured participant, rather than the other way around. - Hollywood Reporter
      Read More | Posted Nov 18, 2023
      Songs of Earth (2023) A delicate film, one that frequently feels like it benefits more from being experienced than analyzed or interrogated. - Hollywood Reporter
      Read More | Posted Nov 16, 2023
      Albert Brooks: Defending My Life (2023) It’s hard not to feel like Brooks got a tiny bit short-changed with merely a feature-length doc, one on which my primary complaint was, “Give me more.” But an Albert Brooks documentary with an inferiority complex? Appropriate! - Hollywood Reporter
      Read More | Posted Oct 27, 2023
      Sly (2023) The star proves to be a good enough explainer of his legacy that the documentary finds effective insight and poignancy — despite however much he’s an overly protective custodian of that legacy... - Hollywood Reporter
      Read More | Posted Sep 17, 2023
      Flipside (2023) Taken in totality and with some reflection, it’s a borderline-profound and philosophical expression of satisfaction with everything that is unfinished in life. - Hollywood Reporter
      Read More | Posted Sep 12, 2023
      The Contestant (2023) It’s a documentary about voyeurism that, in the absence of freshly delivered insight, just reintroduces and rehashes the voyeuristic impulse it’s largely condemning. - Hollywood Reporter
      Read More | Posted Sep 12, 2023
      Copa 71 (2023) An uplifting and eye-opening love letter. - Hollywood Reporter
      Read More | Posted Sep 08, 2023
      The Pigeon Tunnel (2023) Not peak Morris, but a solid portrait of a master storyteller. - Hollywood Reporter
      Read More | Posted Sep 01, 2023
      American Symphony (2023) A sometimes joyful, sometimes somber celebration of spirit. - Hollywood Reporter
      Read More | Posted Sep 01, 2023
      Thank You Very Much (2023) Fortunately, it’s easy to enjoy Thank You Very Much without being especially convinced... that any film, especially one this relatively conventional, might contribute meaningful answers. - Hollywood Reporter
      Read More | Posted Aug 31, 2023
      After the Bite (2023) It’s a serious-minded documentary in a genre that has strayed far from anything serious-minded. - Hollywood Reporter
      Read More | Posted Jul 25, 2023
      The Saint of Second Chances (2023) Veeck is a crowdpleaser, and that’s the thing Neville and Malmberg are best at here. The Saint of Second Chances plays big and broad. - Hollywood Reporter
      Read More | Posted Jun 20, 2023
      Milli Vanilli (2023) Maybe Korem’s primary objective is simply to make you think more about Milli Vanilli than you ever have before. In that, it’s a total success. - Hollywood Reporter
      Read More | Posted Jun 13, 2023
      Rather (2023) Rather is fine. It’s not definitive. - Hollywood Reporter
      Read More | Posted Jun 11, 2023
      Personality Crisis: One Night Only (2022) An intimate musical primer on an iconic artist. - Hollywood Reporter
      Read More | Posted Apr 13, 2023
      William Shatner: You Can Call Me Bill (2023) Despite a fully generic title that falsely suggests a project broadly tailored around Shatner’s ingrained lack of formality, You Can Call Me Bill ends up feeling very much like a Philippe film. - Hollywood Reporter
      Read More | Posted Mar 18, 2023
      The New Americans: Gaming a Revolution (2023) The film wants to separate the signal from the noise in the public discourse, but it’s so enamored with the sensory madness that it just becomes more cacophony. - Hollywood Reporter
      Read More | Posted Mar 16, 2023
      Wild Life (2023) It’s still beautiful to look at, but I most enjoyed Wild Life as a complicated procedural about land use (don’t expect to see that blurbed on a poster any time soon). - Hollywood Reporter
      Read More | Posted Mar 15, 2023
      Being Mary Tyler Moore (2023) To watch Laura Petrie and Mary Richards (and Beth from Ordinary People) in action is to invariably come away with boundless respect. Adolphus and his documentary understand that. - Hollywood Reporter
      Read More | Posted Mar 14, 2023
      A Disturbance in The Force (2023) When it isn’t poking fun at moments of iconic trash, it offers an insightful exploration of the production and context of the special. - Hollywood Reporter
      Read More | Posted Mar 12, 2023
      Chris Rock: Selective Outrage (2023) Rock is a provocateur, darnit! Nothing in Selective Outrage raised my hackles. I didn’t even get a semi-hackle. My hackles were flaccid. - Hollywood Reporter
      Read More | Posted Mar 05, 2023
      Pamela, a Love Story (2023) A documentary that’s probably more low-key than audiences will want and exactly as low-key as its subject would prefer. - Hollywood Reporter
      Read More | Posted Jan 27, 2023
      Beyond Utopia (2023) An intimate, real-life geopolitical thriller. - Hollywood Reporter
      Read More | Posted Jan 25, 2023
      Going Varsity in Mariachi (2023) Going Varsity in Mariachi is quite good as it is, an endearingly wholesome and frequently vibrant feature. But almost every one of my reservations boils down to, “Needed more [insert lack here].” - Hollywood Reporter
      Read More | Posted Jan 24, 2023
      The Deepest Breath (2023) In the most literal sense, The Deepest Breath is a breathtaking documentary, one filled with eye-popping visuals, thrilling competitions and a deftly presented love story. - Hollywood Reporter
      Read More | Posted Jan 22, 2023
      AUM: The Cult at the End of the World (2023) Especially in its homestretch, I felt like the film was awash in hastily defended conclusions and bad choices involving at least one key interview subject. - Hollywood Reporter
      Read More | Posted Jan 22, 2023
      Still: A Michael J. Fox Movie (2023) Admirable and intimate... - Hollywood Reporter
      Read More | Posted Jan 21, 2023
      Space: The Longest Goodbye (2023) Rushed, but mostly effective. - Hollywood Reporter
      Read More | Posted Jan 20, 2023
      Pelosi in the House (2022) Uneven, but full of moments of fascinating process and access. - Hollywood Reporter
      Read More | Posted Dec 14, 2022
      Year One: A Political Odyssey (2022) Despite participation from many bigwigs within the Biden team, Year One fails completely as any sort of chronological overview, which is how the documentary presents itself. - Hollywood Reporter
      Read More | Posted Oct 18, 2022
      Werewolf by Night (2022) It’s a slight but fairly amusing thing, elevated above being a mere exercise in style by the lead performances from Gael Garcia Bernal and Laura Donnelly. - Hollywood Reporter
      Read More | Posted Oct 06, 2022
      Nuclear Now (2022) If Nuclear galvanizes a handful of people and even convinces a few more around nuclear power issues, good for Stone. But the movie itself is barely a filmed TED Talk. - Hollywood Reporter
      Read More | Posted Sep 13, 2022
      The Grab (2022) Its topic is unquestionably a crucial issue for our age and its approach to that topic both has journalistic rigor and represents a thoroughly admirable depiction of journalistic rigor at a moment at which we put too little value on such things. - Hollywood Reporter
      Read More | Posted Sep 09, 2022
      Retrograde (2022) A beautifully photographed, generally apolitical glimpse of a tragedy. - Hollywood Reporter
      Read More | Posted Sep 08, 2022
      Good Night Oppy (2022) It’s a glossy advertisement for NASA and JPL — I thought of Disney+’s recent ILM documentary/commercial Light & Magic more than a few times while watching — but it comes by its waves of emotion honestly. - Hollywood Reporter
      Read More | Posted Sep 03, 2022
      A Compassionate Spy (2022) A Compassionate Spy borrows the look and feel of a historical espionage thriller and builds some momentum and moral complexity along the way, but it finds its real potency as a generational family drama. - Hollywood Reporter
      Read More | Posted Sep 02, 2022
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