Architecture and planning firm Sabri Pasayigit Design Office has released its new master plan for the Municipality of Kayseri in the Sahabiye neighborhood of Kayseri, Turkey.

The project balances historic and modern architecture elements, with a focus on the historic castle of Kayseri as the city center point. Cultural and public buildings will be placed near this historic center, with taller buildings set farther out of the city.

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Have you ever wanted to decorate your walls with old-style maps but been discouraged because they don't fit your minimal and contemporary aesthetic? Enter Cut Maps, the Virginia-based company that creates cartographic representations of cities and states using laser technologies to precisely define borders and streets. The resultant maps offer the illusion of their paper precedents, but with an otherworldly precision only possible in the digital age.

“Immersed in reading a book it feels like [being] inside an architecture, a metaphysical space surrounded by the words,” says Federico Babina, discussing his latest series of illustrations, ARCHIWRITER. In the new series of 27 drawings, the illustrator has created “portraits” of authors by personifying their writing styles, periods, and locations as built environments made from architectural elements and words. Heightening this sense of individuality, Babina states that the resultant portraits can be “fluctuating, vernacular, itinerant, ephemeral, concentric, labyrinthine, surrealist, oneiric, and futuristic.”

France-based Tetrarc Architects has revealed their design for the new Conservatory of Rennes in France. Intended to be the cornerstone of a new urban project, the fifty-meter long cubic volume is intersected by “cuts and curves that give it an elegant, sculptural presence.” This cultural facility will bring five programs under one roof, including spaces for musical activities, an auditorium, dance theaters, administration spaces, and an area for the Pont Supérieur Music Department.

Bricks are an iconic element of Solano Benítez’s studio. An ancestral material, forged by man using an ancient technique of modeling and baking. Bricks are very versatile, cheap and easy to manufacture – even marginalized areas of the world can afford to build houses with brick. Benítez feels the poetry of brick and has experimented with its versatility, relying solely on bricks as the main construction material. [1]

Gabinete de Arquitectura's exhibition, designed by Solano Benítez, Gloria Cabral and Solanito Benítez, was awarded the Golden Lion for Best Participant in the International Exhibition, Reporting From the Front, for “harnessing simple materials, structural ingenuity and unskilled labour to bring architecture to underserved communities.”

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Are tree covered buildings really in tune with ecological and sustainable principles, or are they just a form of greenwashing? This is the question posed by Kurt Kohlstedt in his essay, Renderings vs. Reality: The Improbable Rise of Tree-Covered Skyscrapers, for 99% Invisible. The author notes that vegetated designs come about for myriad reasons – the appearance of sustainability, better air and views, investment intrigue – but that most of these concepts will never leave the realm of paper or virtual architecture. For as many reasons that these buildings have become popular, there are detractors for why they simply cannot be built, including daunting construction hurdles (extra concrete and steel), vast irrigation systems, added wind load complexities, and the trees themselves having difficulty adapting to their vertiginous conditions.

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LIAG Architects has unveiled their design for a new art storage building. Commissioned by the Rijksmuseum in Amsterdam, the aim of the project was to create a large open space, while simultaneously meeting other needs such as protecting art that can't be exposed to daylight, controlling the temperature in certain zones, and using minimum amounts of energy to operate the building.

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

After the collapse of the Soviet Union, and increasingly since 9/11 and the “War on Terror” that followed, warfare has moved into the city.

While the wars of the 20th century were waged largely between nations, over territorial sovereignty and along disputed borders, the wars of the 21st century are internal and borderless. They are fought between large multinational coalitions and insurgent networks.

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As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

Of the few dozen articles on architecture and urbanism I have contributed to the Korea Joongang Daily, it was the one entitled “The FAR Game” that received the biggest response from readers. While FAR (Floor Area Ratio) appears to be technical jargon for professionals, it seems that almost every Korean either knows what it is, or has heard about it. If you type yong-jeong-nyul (용적률, the Korean word for FAR) on Korean search engines, an endless stream of news, articles, and commentary pops up. The word speaks to the hunger for living space in a hyper-dense environment, as well as the desire to satisfy that hunger by any means possible, whether by proper planning and tactics or through trickery and obfuscation. It touches both the rich and the poor, the white-collar and the blue-collar, as they navigate their lives together in and around the urban fabric. Upon reading that article, where I had stated that without a doubt it is FAR that drives the architectural character of Korean cities, a renowned urban researcher told me I had hit the nail right on the head.

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

The Romanian Pavilion at the 15th International Architecture Exhibition — La Biennale di Venezia showcases “Selfie Automaton”, an exhibition by Tiberiu Bucșa, Gál Orsolya, Stathis Markopoulos, Adrian Aramă, Oana Matei, Andrei Durloi. The exhibition consists of 7 mechanical automata, featuring 42 built in marionetes — 37 human and 5 creatures. Three of the automata will be placed in the Romanian Pavilion in Giardini, another three in the New Gallery of the Romanian Institute of Culture and Humanistic Research, and one nomad that will wander through the streets of Venice.

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Have you ever had a conflict with a client over being paid for a file? Have you also been out of free space on your dedicated FTP? The dispute scenario often leads to architects being shortchanged for their work. But, a new cloud sharing platform might mean the end of an era of intractable conflicts. Fileship.io promises a system that leaves the architects and other members of the creative economy in control. The simple idea behind the website is that a client’s files are locked behind a paywall, meaning that in order to gain access designers must be compensated. The platform also doesn’t rely on predetermined limits to server space, a scenario that often makes architects err on the side of leniency in order to load newer work on their FTP. Put simply by fileship.io, “You get paid. They get their file.”

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

The Architectural Imagination presents twelve new speculative architecture projects designed for specific sites in Detroit but with far-reaching applications for cities around the world.

As the home of the automobile industry, the free-span concrete factory, Motown, and techno, Detroit was once a center of American imagination, not only for the products it made but also for its modern architecture and modern lifestyle, which captivated audiences worldwide.

Today, like many post-industrial cities, it is coping with the effects of a declining population and an urban landscape pockmarked with blight. Nonetheless, having emerged from bankruptcy, there is new excitement in Detroit to imagine the city's possible futures, both in the downtown core and in its many neighborhoods.

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As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

As an architectural device the pool represents a physical edge but it also expresses a social and personal frontier. This is explored through the narratives broadcast in the exhibition space for which we have selected eight storytellers: Olympians Shane Gould and Ian Thorpe; authors Anna Funder and Christos Tsiolkas; musician Paul Kelly; environmentalist Tim Flannery; fashion designers Anna Plunkett and Luke Sales from Romance Was Born; and Indigenous art curator Hetti Perkins. Their interviews reveal stories of fulfillment and accomplishment, of segregation and inclusion, of learning from the past and reflecting for the future, all through the lens of the pool.

The American Institute of Architects has launched the second annual I Look Up Film Challenge, which invites architects to produce short documentaries about the impact of architecture. The 2016 Challenge kicked off with a short film on Auburn University’s design-build program known as Rural Studio. The documentary shows how the small town of Newbern, Alabama has been impacted through the program’s design and construction of a new library and fire station. Through a series of short interviews, the film shows the team's design process from early schematic design discussions through the end of construction.

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

At a scale of 1:1 billion, the geological map of the world reveals planetary scales of operation for the largest resource extraction nation on the planet whose foreign policy is borne from legacies as colony, as confederation, country, and now, as global resource empire. In its divine, legal power to separate surface rights from mineral rights, the royal domain of the government—the Crown—exercises supreme authority over 95% of its territory making it the biggest landlord in the world. Not surprisingly, its coat-of-arms, commonwealth, constitution, even its parliament building look practically the same, it shares the same Head of State—Queen Elizabeth II. As the last remaining royal monarchy in the Americas, Canada is the brainchild of Queen Victoria II, the most powerful woman in history, who grew the British Empire to unprecedented magnitude in late 19th century.

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The Bavinger House, by famous US architect Bruce Goff, has been demolished, leaving no trace of its prior existence but an empty clearing amid Blackjack trees, reports Hyperallergic.

The Bavinger House is considered by many to be the crowning achievement of Bruce Goff, an esteemed architect who was once referred to by his mentor Frank Lloyd Wright as one of the few creative American architects. Its spiraling form and integration with the landscape was one of the first instances of modernist bio-mimicry.