Ada Takahashi is a principal with the Robert Koch Gallery in San Francisco. She joined the gallery in 1986. Takahashi focuses on the gallery’s curatorial efforts, liaising with artists, and on the gallery’s presence at international art fairs. The Koch Gallery program emphasizes contemporary photography as well as experimental work from the 1920s and 1930s. In recent years, the gallery’s exhibitions have included work by Edward Burtynsky, Michael Wolf, Robert Heinecken, Kenneth Josephson, Alex Webb, Rebecca Norris Webb, Tamas Dezso, and Mimi Plumb. The contemporary program is shaped by a desire to expand the dialogue around significant aesthetic and social issues of our time, an aim that is shared by many of the gallery’s artists.

Muluneh began her career working as a photojournalist at the Washington Post; her work can be found in several international publications. As an exhibiting artist, her photos have been shown in over a dozen countries around the world and her work can be found in the permanent collections at the Smithsonian’s National Museum of African Art, the Hood Museum and the Museum of Biblical Art. As one of the leading experts on photography from Africa, she has been a jury member on several photography competitions, most notably the Sony World Photography Awards 2017 and the World Press Photo Contest 2017. Muluneh is the founder and director of the Addis Foto Fest (AFF), the first international photography festival in East Africa, which has been hosted in the city of Addis Ababa since 2010. She continues to educate, curate and develop cultural projects with local and international institutions through her company DESTA (Developing and Educating Society Through Art) and For Africa Creative Consulting PLC (DFA).

Alan Taylor is a senior editor with The Atlantic Magazine, producing and editing the large-sized news photo blog "In Focus". Formerly a web developer, Taylor combined his love of storytelling and photography with the web skills he'd developed for 14 years to create a new platform for visual storytelling online. In 2008, Taylor was working for the Boston Globe as a developer, when he proposed, then launched a news photo blog called "The Big Picture", which quickly became very popular. In his life before the Internet, he worked as a tour guide in Alaska after earning a BA in English Literature from Western Washington University. He now lives and works in Natick, Massachusetts.

Dr. Alasdair Foster is a writer, researcher and award-winning curator initiating intercultural photography and visual art projects around the world, especially in Asia and the Pacific Rim. He is Adjunct Professor in the School of Art of RMIT University, Melbourne and a member of the university’s Centre for Art, Society and Transformation. Dr. Foster has 20 years of experience heading national arts institutions and over 35 years of working in the public cultural sector. He was the founding director of Fotofeis Festival, one of Europe’s largest photo events during the 90s (1991–1997) and director of the Australian Centre for Photography (1998–2011).

Alec Soth’s work is rooted in the distinctly American tradition of “on-the-road photography” developed by Walker Evans, Robert Frank and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. Soth has received fellowships from the McKnight, Bush, and Jerome Foundations and was the recipient of the 2003 Santa Fe Prize for Photography. His photographs are represented in major public and private collections, including the San Francisco Museum of Modern Art, the Museum of Fine Arts, Houston, and the Walker Art Center. His work has been featured in numerous solo and group exhibitions, including the 2004 Whitney Biennial and a career survey at the Jeu de Paume in 2008.

Alessia Glaviano is the senior photo editor for Vogue Italia and L’Uomo Vogue. She curated a series of interviews with the masters of photography for the website version of Vogue Italia, which have acquired enormous popularity in the photography community and which are also broadcast on the Italian Sky Arte channel. Glaviano is also responsible for Photo Vogue, an innovative platform on which users can share their own photographs knowing they can rely on the curatorial supervision of professional photo editors.

Under Alessia Glaviano’s direction, Photo Vogue has reached over 120,000 users/photographers hailing from all over the world and launched a collaboration with the prestigious international agency Art & Commerce, which represents some of the most esteemed names in fashion photography, including Steven Meisel, Sølve Sundsbø, Paolo Roversi and Patrick Demarchelier. At Condé Nast, Alessia is responsible for the artistic direction of events and exhibitions for Vogue Italia and L’Uomo Vogue. Besides her editorial activity, Alessia teaches the IED’s Master courses in Milan and holds lectures and conferences on a regular basis. Some of the institutes and universities she was invited as guest lecturer include: IED, Bocconi University and the Milan Polytechnic.

Alessia Glaviano was invited to participate as a jury member in numerous internationally acclaimed photography contests including the World Press Photo and has participated in several portfolio review sessions, including the New York Times Portfolio Reviews.

Alex Webb has published 16 photography books, including The Suffering of Light, a survey book of 30 years of his color photographs. He’s exhibited at museums worldwide including the Whitney Museum of American Art, N.Y., the High Museum of Art, Atlanta, and the Museum of Fine Arts, Boston. A Magnum Photos member since 1979, his work has appeared in The New York Times Magazine, National Geographic, and other publications. He has received numerous awards including a Guggenheim Fellowship in 2007. His most recent books are La Calle: Photographs from Mexico and the collaboration Slant Rhymes with Rebecca Norris Webb.

Alexa Becker is the Acquisitions Editor for photography and art books for Kehrer Verlag Book Publisher. Having obtained her Master's in Art History from the University of Heidelberg, she started her career at Kehrer in 2003, where she is responsible for selecting and acquiring new photography-related projects.

Founded in 1995, Kehrer Verlag in Heidelberg Germany specializes in books in the fields of photography, fine arts, and culture, working together closely with international artists, authors, museums and cultural institutions.

Allegra Cordero di Montezemolo (B. 1985, Mexico City) is a Mexican-Italian independent curator and director of Morán Morán Gallery in Mexico City. She received her BA in Film and Television from CENTRO University in 2008. Her professional experience begins with working in the film and documentary industry, mostly in production. Her interest in the convergence of cinema with other artistic disciplines led her to a curatorial position at the Cineteca Nacional: the conception, curatorship, management and programming of Room 7, a project dedicated to approach and reflect on cinema through multimedia exhibitions. In addition, she was curatorial assistant and development coordinator for the inaugural exhibition at the Cineteca Nacional’s Cinema Museum, now La Galería. She was also curatorial assistant and development coordinator for the Mexico Pavilion at the 55th Venice Biennale, represented by Ariel Guzik and curated by Itala Schmelz. In 2015, she was an apprentice curator at the Rolex Mentor and Protégé Arts Initiative, where she worked with Mentor Joseph Melillo during a year of mentoring exchange. From 2013 till 2016 She was the curator and exhibition coordinator at the Centro de la Imagen in Mexico City in which she was part of the Research and Curatorial Seminar: Technology, Audiovisual Media and Artistic Experimentation, where she curated the Niérika: Lilly Archive exhibition together with Anahí Luna and Arden Decker. A few other curatorial projects include Fotomuro vol. I, vol. II (collectives) and 1440 by Diego Berruecos; Casa Estudiantil Octubre Rojo with photographer Eunice Adorno at the Tlatelolco Cultural Center as well as Desandar in collaboration with the same photographer in the Museo de la Ciudad de México; Sentido de Forma, a collective show organized for Fundación CALOSA in Irapuato.

Alona Pardo has been a Curator at Barbican Art Gallery in London for nearly 15 years. With a focus on photography and film, she has curated a number of exhibitions and publications including most recently Masculinities: Liberation through Photography (2020); Trevor Paglen: From Apple to Anomaly (2019); Dorothea Lange: Politics of Seeing (2018); Vanessa Winship: And Time Folds (2018); Another Kind of Life: Photography on the Margins (2018); Richard Mosse: Incoming (2017) and Strange and Familiar: Britain as seen by International Photographers (with Martin Parr; 2016). She has a particular interest in work that exists in the intersection between social activism, aesthetics and identity.

Amy Pereira is the Director of Photography at MSNBC, where in 2013 she launched the photography department and visual direction of the new MSNBC.com. Her primary focus is documentary photography and visual storytelling with an emphasis on issues surrounding social justice.

Prior to her current position, she was the senior photo editor at Newsweek International for 10 years and the editor of multiple books of photography. In the summer of 2015, she produced photographer Matt Black’s “Geography of Poverty,” a three-month, long-form feature on income inequality in America. She is currently producing, in partnership with Magnum Photos, an ambitious multi-part special feature on the global migrant and refugee crisis.

Amy Silverman is currently a Photo Editor and Producer on the Airbnb creative team. Previously she was a Senior Photo Editor at Wired and before that, Photo Editor at Outside Magazine. Amy has been commissioning photography and producing shoots for over 10 years and loves working directly with photographers to create stories. Before working in publishing, she was an Assistant Cameraperson in the world of film and television. These days she lives in Oakland and likes to ride bikes on the trails in the nearby hills.

Andreas Müller-Pohle is a Berlin-based media artist and the founder and publisher of European Photography, an independent art magazine for international contemporary photography that celebrates its 45th anniversary this year. He has published the major works by media philosopher Vilém Flusser, available in the ten-volume Edition Flusser, including the seminal Philosophy of Photography, and has been a visiting professor and lecturer at institutions in Europe, North and South America, and Asia. Andreas has worked with photography and media projects since the late 1970s. Recently, he has been pursuing two long-term projects: Studies on Water, with portraits of the water landscapes of the Danube and the megalopolis of Hong Kong, and Studies on Traffic, in which he investigates traffic phenomena in various regions of the world. His works have been widely published and exhibited and are included in numerous private and museum collections worldwide. In 2001, he was awarded the European Photography Prize from the Reind M. De Vries Foundation, a one-time distinction for his achievements in photography.

Andreas has a long history with photography. Starting his career as a photo trainee, he went on to work as a freelance photojournalist for German daily newspapers and magazines including Bunte and Bild am Sonntag. In 1996, Andreas started working at Stern Magazine. He was first assigned Deputy of the Picture Desk before becoming the Director of Photography for nine years. Since February 2019, he has been Senior Picture Editor for the magazine.

Andrew Katz is the Deputy Director of Photography at TIME. He co-manages a team of editors; assigns and collaborates with photographers around the world; pitches and produces covers, photo essays and features; and curates @time’s Instagram account. He came to TIME in 2013 as a reporter and later served as a news editor. Since joining the photography department in 2015, he has supported photojournalists on (or above) every continent and produced portraits with more than a dozen presidents and prime ministers, the U.N. Secretary-General and the Dalai Lama. The resulting work has been recognized by the American Society of Magazine Editors, World Press Photo, Visa pour l'Image, Overseas Press Club, Pictures of the Year International and more. In 2021, he was a POYi finalist for Visual Editor of the Year.

Andrew Wingert is an Associate Director of Yancey Richardson Gallery in New York. Founded in 1995, the gallery specializes in contemporary photography and represents a number of influential and critically recognized photographers and artists. Andrew has participated in numerous domestic and international art fairs over the years including Paris Photo, The AIPAD Photography Show, Photo London, Art Brussels, UNTITLED Miami and The Armory Show.

Andy Adams is an independent producer + editor whose projects explore contemporary ideas in photography. Recent works include The Future of Photobooks, 100 Portraits — 100 Photographers, Looking at the Land — 21st Century American Views, and Making Pictures of People: Recent Perspectives on Photographic Portraiture. In his spare time he publishes FlakPhoto.com, a website that promotes the discovery of artists, bookmakers and photo organizations from around the world.

Ângela is a Portuguese artist and and independent photography curator, pos-doc researcher at Escola de Belas Artes Universidade Federal do Rio de Janeiro Brazil, developing studies on contemporary visual practices that problematize the hybrid forms of photography. Ângela Ferreira is Co-Founder of the Portuguese PhotoFestival Encontros da Imagem, where she has collaborated as Artistic Director and Curator. She has lectured on contemporary photography throughout Europe and Latin American countries, particularly in Brazil, Uruguay and Colombia, and acted as a curator for both national and international exhibitions. She is curatorial member of Photography Museum in Fortaleza, Brazil and artistic advisor of the FotoFestival SOLAR, Ceará, Brazil.

Ángel Luis is Founder and Director of PhotoIreland, a leading photography festival in Dublin and an organization that encourages critical conversation and engagement in photography. Luis won the David Manley Entrepreneur Award in 2011 for PhotoIreland, the same year he launched a publicly accessible collection of publications about photography called The Library Project, which travels to festivals and exhibitions around the world. Ángel has been a portfolio reviewer at such festivals as Les Rencontres d’Arles, FORMAT Derby, and Encontros Da Imagem. He published ‘Martin Parr’s Best Books of the Decade’ in 2011, ‘New Irish Works’ in 2013, and the latest series of ‘New Irish Works’ in 2016.

Anna Dannemann is Senior Curator at The Photographers’ Gallery in London. She has curated numerous exhibitions, including the Deutsche Börse Photography Foundation Prize (2016-19) and has organized several solo exhibitions, among them Simon Fujiwara’s Joanne (2016), Charlotte Dumas’ Anima & The Widest Prairies (2015), Viviane Sassen's Analemma (2014), and William Burroughs. Anna regularly contributes to catalogues and other publications, and received an MA in Art and Visual History from the Humboldt-University of Berlin.

Anna Dickson is the Director of Photography for the Huffington Post. Her career spans 10 years working in the industry for both print publications as well as online. Anna started her photo editing career at Netscape in 2004, moving a year later to New York City to pursue a career in print. She worked at publications such as Guitar World, Revolver, Future Music, Rolling Stone and Popular Photography prior to heading back to the digital world for iHeartRadio where she oversaw 850 websites and large scale events including the iHeartRadio Music festival. In 2012, Anna helped launch Huffington, the iPad Magazine before moving to Photography Director for the organization.

Anna Alexander is Director of Photography at WIRED in San Francisco. She’s been producing photo shoots and commissioning WIRED photographers for approximately twenty years. She took a hiatus from WIRED as the Photo Director at Dwell from 2011-2013. Anna has a Bachelor of Fine Arts in Photography from the University of Arizona. Anna resides in the Marin County city of Novato with her husband and two children.

Anna Walker Skillman has been a loyal and active participant in the arts community for the last 17 years. Graduated in Art History from the University of Georgia in 1991, she began her career working at the Haines Gallery, a leading contemporary art gallery in San Francisco. In 1993, Anna moved to Atlanta to manage the studio of famed Atlanta artist Todd Murphy. After working with Mr. Murphy to help establish his career, Anna turned to photography and joined Jackson Fine Art in 1998. In March of 2003, she purchased Jackson Fine Art from Jane Jackson who became curator of the prestigious and renowned collection of Sir Elton John. Ms. Walker Skillman is honored to have the opportunity to continue a reputation of excellence in exhibiting photography by both emerging and established artists. With a focus on a blend of 20th century and contemporary work, she promises to continue her commitment to Atlanta as an active and loyal participant of the arts community. Anna resides in Decatur with her husband, Ben, and two children.

Anne Bourgeois-Vignon’s interests lie at the intersection of visual culture, technology and journalism. She leads editorial and creative teams to conceive, commission, and produce award-winning content including magazines, digital platforms, curatorial projects, stills and films. Currently the Executive Creative Director of Culture Trip, Anne was previously Global Digital Director at Magnum Photos, Creative Content Director at Nowness and Photography Director at Forward Publishing. She writes and talks about photography and has participated in numerous juries and reviews.

Anne Farrar, Director of Photography for National Geographic Traveler, believes visual storytelling can be a powerful call to action and catalyst for change within the travel and tourism industry. Anne has held several senior photography positions at many of the best photojournalism newspapers in the US including The Washington Post, The Dallas Morning News, Minneapolis Star-Tribune, and the Daily Southtown. As a photo editor at the The Dallas Morning News, Anne was part of a team that was awarded the Pulitzer Prize for coverage of Hurricane Katrina.

Anne Nwakalor is a British-Nigerian Photo Editor and Communication Officer within the art space. She is currently based between Manchester, UK and Abuja, Nigeria and is the Founding Editor of one of Africa's first contemporary photography magazine; No! Wahala Magazine, which is a print photography magazine championing authentic visual stories told by African creatives. Her practice developed whilst studying a BA in Photojournalism and Documentary photography at the 'University Of The Arts London'. Her interests revolve around representation, bereavement and elitism within the art world alongside a range of other topics. Due to a background in creative writing and film, Anne tends to incorporate text and moving image into her work, creating multimedia's alongside still images. Alongside her visual practice, Anne is also a critical writer, usually writing on topics such as 'Othering' 'Exoticism' and Colonialism within the Photography industry. Anne frequently facilitates workshops on photography, ethical storytelling and printed media. She has also delivered presentations and talks at a number of universities, exhibitions, art events and photo festivals.

Arianna Rinaldo is a freelance professional working as a photo editor, reviewer, curator and teacher. She is the Director of OjodePez, the documentary photography quarterly published by LaFabrica, Madrid. She is also the artistic director of Cortona On The Move, an annual international photo festival, taking place in the beautiful region of Tuscany, Italy. In 2014, she was the guest artistic director of DOCfield14, a city-wide celebration of documentary photography in Barcelona, involving more than 40 institutions and organized by Photographic Social Vision.

Azu Nwagbogu is an internationally acclaimed curator, interested in evolving new models of engagement with questions of decolonization, restitution, and repatriation. In his practice, the exhibition becomes an experimental site for reflection, civic engagement, ecology and repatriation – both tangible and symbolic. Nwagbogu is the Founder and Director of African Artists’ Foundation (AAF), a non- profit organisation based in Lagos, Nigeria. He also serves as Founder and Director of LagosPhoto Festival, an annual international arts festival of photography held in Lagos. He is the publisher of Art Base Africa, a virtual space to discover and learn about contemporary art from Africa and its diasporas. In 2021, Nwagbogu was awarded “Curator of Year 2021” by the Royal Photographic Society, UK, and also listed amongst the hundred most influential people in the art world by ArtReview. Most recently, Nwagbogu launched the project “Dig Where You Stand (DWYS) - From Coast to Coast” which offers a new model for institutional building and engagement, with questions of decolonization, restitution and repatriation, the exhibition took place in Ibrahim’s Mahama’s culture hub SCCA in Tamale, Ghana. Nwagbogu’s primary interest is in reinventing the idea of the museum and its role as a civic space for engagement for society at large.

Barbara Tannenbaum has organized well over 100 exhibitions during her four-decade career as a curator and academic. From 1985 through 2011, she was chief curator at the Akron Art Museum, where she grew the photography collection from 500 to 2,500 works. She has authored numerous publications including books on TR Ericsson, Ralph Eugene Meatyard, and print-on-demand photobooks, and lectured throughout the U.S. and in Canada, Brazil, and China. As Curator of Photography at The Cleveland Museum of Art, Barbara’s recent and future shows have focused on 19th and 20th century artists including Raja Deen Dayal, American Pictorialist photographers, Ilse Bing, Lois Conner, Aaron Rothman, Tyler Mitchell, Matt Eich, Barbara Bosworth, and Ann Hamilton.

Benoît Baume founded Fisheye Magazine in 2013, imposing a new style of photo printing. He was named by Le Journal des Arts as one of the 10 most influential people in photography as a result. Beyond the printed medium, Benoît is also actively working on new media, including virtual reality and immersive experiences. He created the VR Arles Festival within the Rencontres d’Arles and advises, with his teams from Fisheye, the biggest brands in matters of photography, images and immersive creations. Before Fisheye, Benoît was the editor of Images magazine for seven years.

As CNN Digital’s director of photography, Bernadette Tuazon oversees photo coverage of breaking news and features while managing a team of photo editors across Atlanta, New York and London. Spanning a career of several decades, Tuazon’s work as a photo editor has been recognized by major awards including the Edward R. Murrow Award for Video News Documentary and the Webby Awards. She has also served as a juror for Visa Pour L’Image, a reviewer for the New York Portfolio Review and is currently a mentor for Women Photograph.

Brent Lewis is a photo editor at The New York Times working on the Business Desk, where he assigns visual coverage of technology, the economy, and auto industry. He is also co-founder of Diversify Photo, a platform and resource for art buyers, creative directors and photo editors to discover photographers of color available for assignments and commissions.

He was previously a photo editor at The Washington Post and was the senior photo editor of ESPN’s The Undefeated, where he drove the visual language of the website based around the intersection of sports, race, and culture. Before turning his life over to photo editing, he was a staff photojournalist with stints at The Denver Post, The Rockford Register Star and the Chillicothe Gazette. Through the years his photos have been used by the Chicago Tribune, L.A. Times, Associated Press, Forbes, and Yahoo! News.

Brian Paul Clamp is the owner and director of CLAMP Art, a gallery in Chelsea in New York City specializing in modern and contemporary art with an emphasis on photography. CLAMP Art mounts ten to fifteen exhibitions per year featuring the work of emerging and mid-career artists. Mr. Clamp opened the gallery in 2000 after completing a Master of Arts degree in Critical Studies in Modern Art at Columbia University. For eight years prior to that Mr. Clamp served as the director of a gallery on Manhattan’s Upper East Side specializing in late 19th- and early 20th-century American paintings. Aside from exhibitions at his own gallery space, Clamp has curated numerous photography shows at various venues throughout the United States, and has reviewed photographers’ portfolios at dozens of events over many years. Mr. Clamp is the author of many publications on American art to date, and also occasionally contributes written work to various art periodicals.

Bronwen Latimer is the deputy director of photography at The Washington Post. Before joining The Post, she worked as a book editor at National Geographic and at US News & World Report. She also served as an associate photo editor at TIME magazine where she received the 1998 POY editing award for story about Steve Jobs. In 1994, she worked as an editor for the book, A Passage to Vietnam. From 1989-1992 she was an assistant photo editor at Sports Illustrated concentrating on the Olympics. Ms. Latimer earned an MS degree in Journalism from Columbia University in 1989.

Bruno Ceschel is a writer, curator and publisher whose works primarily explore contemporary photography. His research focuses on issues relating to identity, with an emphasis on gender, sexuality and racial formation. Ceschel is also the founder of Self Publish, Be Happy, an organisation that collects and studies contemporary artists’ books and has an ever-travelling mobile library.

Ceschel regularly writes for various international publications, such as FOAM and Aperture, and has co-edited the journal Photography and Culture. Ceschel has also published and edited numerous photography books, and participated in events at many UK and international museums and galleries, including the Institute of Contemporary Arts (ICA), Whitechapel Gallery (both London), Museum of Modern Art (MoMA) and PS1 (both New York).

Caroline Hunter is a picture editor for The Guardian Weekend magazine. Caroline has over 20 years experience of commissioning photography (from concept to celebrity, portraiture, still-life, beauty, fashion and documentary photography) and reviewing photo-essays and proposals. Caroline is regularly invited to review portfolios at international photo festivals and has also acted as a judge for a number of photography competitions.

Caroline Wall is the director of the Robert Mann Gallery. She graduated from McGill University with a degree in Art History and began her career in the art world at the O’Hara Gallery before joining the team at Robert Mann Gallery in 2006. Robert Mann Gallery features several emerging artists along with an impressive roster of international superstars.

With the gallery, Caroline has participated in many national and international art fairs and works with numerous contemporary photographers and estates organizing both solo and curated group exhibitions. Caroline is a member of the Board of Directors of AIPAD.

Carolyn Drake is an artist based in Vallejo, California who has worked on collaborative and photo-based projects that live on the boundary of documentary and art-making. She spent many years working with Uighurs in western China on a body of work called Wild Pigeon, which was presented in a solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book Award. In 2020, TBW Books will publish her new project, Knit Club, which she made in collaboration with an unconventional group of women in rural Mississippi. She has received a Guggenheim fellowship, a Fulbright fellowship, the Lange Taylor Prize, and a Peter S Reed Foundation grant, among other awards, and she is a member of Magnum Photos. In the coming year, her work will be included in exhibitions at The San Francisco Museum of Modern Art and The Museum of Contemporary Photography in Chicago.

December 1, 2017 marked the 30-year anniversary of the Catherine Edelman Gallery, a venerated venue for contemporary fine art photography in Chicago. Since its founding in 1987, it has established itself as one of the leading galleries in the Midwest devoted to the exhibition of prominent living photographers, alongside new and young talent. Showcasing a broad range of subject matter, the gallery attracts both seasoned collectors and first-time buyers. Recently, the CEG expanded its program to include mixed-media photo-based art in an effort to expand the vocabulary of photography. The gallery hosts six exhibitions a year, and participates in art fairs throughout the country. Catherine is an active member of the Association of International Photography Art Dealers (AIPAD) and is widely respected as a leader, educator, and specialist in the field of contemporary photography.

Catherine and André Hug founded their gallery in Paris in 2000. Located in the heart of the artistic and historic Saint Germain des Prés neighborhood, the Catherine and André Hug Gallery offers a photographic program that compares historical series to the most contemporary expressions. They have presented the work Susan Meiselas, Raymond Depardon, Philippe Chancel, Kourtney Roy, Joni Sternbach, Reine Paradis, Mona Kuhn, and many more. Catherine has a degree in communications and works as a sales director for 15 years prior to opening the gallery with her husband.

Celia devises the strategic and artistic direction of Photoworks and the Brighton Photo Biennial.

Recent projects have included the inaugural Jerwood/Photoworks Awards 2015, Brighton Photo Biennial 2012 & 2014. Forthcoming projects include a co-commission with Focus Festival Mumbai as part of Re:Imagine India funded by the Arts Council England and HOUSE 2016.

Celia was previously Head of Exhibitions at the De La Warr Pavilion, 2002-2009. Other projects include The British Library by Yinka Shonibare (2013) and Brighton Palermo Remix by David Batchelor for Brighton Festival (2012), This Storm is What We Call Progress by Ori Gersht (2012), Imperial War Museum, London and curated projects include Myth, Manners and Memory: Photographs of the American South including Walker Evans, William Eggleston, William Christenberry, Carrie Mae Weems, Susan Lipper and Alec Soth (2010), Beuys Is Here co-curated with Anthony d’ Offay (2009), Kenneth and Mary Martin, Constructed Works (2008) and Jeremy Deller (2006). Commissions include Mumuration Rinko Kawauchi and Brighton Picture Hunt Alec Soth (2010).

She is co-editor of Photoworks Annual, visual art advisor for HOUSE festival and Chair of Blast Theory.

Charlotte Cotton is an independent curator and writer. She is currently curator in residence at the International Center of Photography, NY and the Metabolic Studio, LA. She has held positions including: curator of photographs at the Victoria and Albert Museum, head of programming at The Photographers’ Gallery, London, and head of the Wallis Annenberg Department of Photography at the Los Angeles County Museum of Art. She is the author of “The Photograph as Contemporary Art.” Her most recent exhibition was “Public, Private, Secret,” which opened the ICP’s new 250 Bowery exhibition and event space in June 2016. Her most recent book, “Photography is Magic” (2015) surveys the practices of eighty-five contemporary artists that are reshaping the idea of photography.

Chiara Marinai is a Senior Visuals Editor at Vanity Fair where she produces photo and video content for print and online. She leads VF.com’s creative concepts for awards season portrait booths, including the annual Oscar party, and overall visuals for the site.

Chloe Coleman is an award-winning photo editor at The Washington Post, currently on the international news desk working with photographers worldwide. She is a contributing writer and editor on the Washington Post’s In Sight photo blog where she has written about and featured contemporary photography, photo books and exhibitions. Her career in photo editing began on the visual desk at NPR, followed by The Denver Post. She attended the Columbus College of Art and Design and is a graduate of the photojournalism program at the Rochester Institute of Technology. Chloe also serves as a faculty member at The Kalish Visual Editing Workshop.

Chris Jordan’s work explores contemporary mass culture from a variety of photographic and conceptual perspectives. Edge-walking the lines between beauty and horror, abstraction and representation, the near and the far, the visible and the invisible, his images depict viscerally the enormity and power of humanity’s collective will. Jordan’s works are exhibited and published worldwide.

Chris Littlewood is the Photography Director at Flowers Gallery in London. Most recognized for its engagement with socio-cultural, architectural, political and environmental themes, the photography program has been curated by Chris for ten years. Running parallel to the main gallery, Chris has also staged exhibitions by invited artists and curators across a range of experimental photographic practices. Under his curatorship, the gallery now regularly exhibits at international photo fairs including Paris Photo, Unseen Photo Fair and Photo London.

Essays by Chris have been published in magazines including Hotshoe, 1000 Words and Aesthetica. He has lectured and tutored at UK and international institutions including University of the Arts London, Architectural Association London, Magnum Photos London, National Museum Cardiff and Fotografiska Museum Stockholm.

Chris Pichler founded Nazraeli Press in Munich, Germany in 1989. In 1997, the press moved to the United States and in 2002 opened a subsidiary in the United Kingdom. Nazraeli Press has published over 500 books on the fine and applied arts with an emphasis on contemporary photography. The books are distributed throughout the world. Pichler edits and designs most of the books published by Nazraeli. He is known for his unorthodox use of common materials—such as papers, wood, plastic, metals—and for introducing elements of handiwork into otherwise mass-produced objects. The press’s award-winning books have themselves been the subject of exhibitions and books about books.

Christophe Laloi graduated from the Ecole Nationale Supérieure de la photographie d’Arles, France, in 1996 with a master’s degree in the history of art. After graduation, he founded the Voies Off Festival at the Rencontres d’Arles. He continues to act as artistic director and director of programming at the festival, where he selects more than 60 artists each year from five continents. He organizes portfolio reviews, as well as a variety of exhibitions, and he has been a lecturer at the Ecole Nationale Supérieure de la Photographie d’Arles for ten years. He has also been a reviewer for many festivals in France, Denmark, Turkey, Spain, and England. In 2007, Mr. Laloi opened the Galerie Voies Off, an exhibition space that presents emerging and established photographers throughout the year.

Christopher McCall is the director of Pier 24 Photography in San Francisco, one of the largest exhibition spaces devoted to photography. In 2002, McCall received his MFA in Photography from California College of the Arts, studying under Jim Goldberg and Larry Sultan. After teaching for seven years, he joined Pier 24 Photography in 2009 as the inaugural director, assisting in the conceptualization of the organization’s mission and operating principles. Since opening the doors of Pier 24, McCall has overseen the presentation of five exhibitions and spearheaded the creation of the Larry Sultan Visiting Artist Program, a program in collaboration with the San Francisco Museum of Modern Art and California College of the Arts.

Christopher Rauschenberg is co-curator and board chairman of Blue Sky Gallery in Portland, Oregon. Blue Sky was established in 1975 by Mr. Rauschenberg and 4 other photographers. Since then, Mr. Rauschenberg has co-curated 799 solo exhibitions by 679 different artists. Mr. Rauschenberg has been a photographer since 1973 and has had 113 solo shows of his own work in eight countries.

Blue Sky Gallery is a non-profit artists' space which produces 25 solo exhibitions per year as well as an occasional group show every couple of years. It produces an annual yearbook that features 6 images from each show. The Gallery's focus and passion is on promoting emerging artists. Since 2004, the gallery has included solo shows by 98 photographers from FotoFest, plus 56 more from Photolucida, Arles, Rhubarb Rhubarb, Bratislava, Brasilia, Santa Fe, Mannheim, Montreal, Photo Alliance and Photo Nola. Blue Sky has done solo shows by artists from 42 countries.

Christy Havranek is the Photo Director at HuffPost, where she oversees a team of photo editors and photographers. She has 17 years of experience in the photo business, having worked at NBCUniversal, Frommer’s Travel, Polo Ralph Lauren and Bloomsbury Publishing, among others. Recently, Christy was the juror for “Photography as Response” at the Center for Fine Art Photography in Fort Collins, Colorado, and in 2017 served as a juror for the prestigious Review Santa Fe Project Launch. During Review Santa Fe, she co-presented a two-day workshop for photographers who are looking to reach the next level in the editorial space.

Claartje van Dijk is head of the photography department at Foam Photography Museum in Amsterdam since 2020. She curated various exhibitions including “Laia Abril - On Rape: A History of Misogyny, Chapter Two”, “Karolina Wojtas - We can’t live – without each other” and “Liz Johnson Artur - of life of love of sex of movement of hope”, among others. Previously, Claartje worked at the International Center of Photography (ICP) in New York as Assistant Curator, Collections. At ICP she conducted research on the museum’s collection and was a curator on numerous exhibitions, including “Perpetual Revolutions: The Image and Social Change” (2017), “Elliott Erwitt: Pittsburgh” (2018) and “Your Mirror: Portraits from the ICP Collection” (2019). Claartje has juried a number of awards including PDN: The Curator Award, Critical Mass and the Lucie Scholarship Program for The Lucie Foundation.

Claire has been collecting photographs since 1997 and with her husband James has developed one of the most significant private collections of British Photography in the world in The Hyman Collection. Claire is also Chair of the Board of Trustees of the new Centre for British Photography, a significant new public space that seeks to champion photography made in Britain in all its diversity. A charitable initiative, it has exhibitions spaces, a programme of public events, an archive, and a shop. The aim is to host exhibitions curated independently by outside curators and institutional partners as well as to provide a platform for a range of voices to present an expansive overview of the diversity of British photography past and present.

Clare Grafik is Head of Exhibitions at The Photographers’ Gallery in London. She earned a BA Joint Honors in Philosophy/Art History at Leeds University, and MA in Image and Communications (Photography) at Goldsmiths College. She has worked in a number of public institutions in London including the Institute of Contemporary Arts, Whitechapel Art Gallery, Hayward Gallery and National Portrait Gallery. She has been at The Photographers’ Gallery since 2003 working in public programming and curating exhibitions. She has worked on exhibitions and projects with artists and photographers including Lise Sarfati, Isa Genzken, Larry Sultan, Mike Mandel, Taryn Simon, Katy Grannan, Antoine D’Agata, Cuny Janssen, Zineb Sedira and Keith Arnatt. Group exhibitions include The Photographic Object (2009) and Photography & Collage (2012). She has been a Sessional Lecturer at Birkbeck College, London, has lectured at institutions including University of the Arts, University of South Wales, Sothebys Institute of Art, and written for magazines including IANN and Art Monthly. Forthcoming projects include solo exhibitions with Viviane Sassen and Charlotte Dumas and a group exhibition ‘Double Take: Drawing & Photography’ with the Drawing Room, London.

Corey Keller is the Curator of Photography at the San Francisco Museum of Modern Art (SFMOMA). She joined the museum in 1999 and held a number of positions before she was promoted to her current role in 2012.

At SFMOMA, Keller organized the critically acclaimed exhibition “Brought to Light: Photography and the Invisible, 1840-1900” (2008), which explored the use of photography in 19th-century science, particularly focusing on the representation of phenomena invisible to the naked eye. Accompanied by an award-winning catalogue, the show traveled to the Albertina Museum in Vienna, Austria.

With SFMOMA curators Janet Bishop and Sarah Roberts, Keller co-organized a large-scale exhibition celebrating the museum’s 75th anniversary in 2010, as well as its accompanying major catalogue. She was instrumental in organizing the much-discussed symposium “Is Photography Over?” (2010) and also participated as a panelist. Other exhibitions that Keller has curated include “Henry Wessel” (2006) and “1906 Earthquake: A Disaster in Pictures” (2006). She also coordinated the San Francisco presentations of “William Eggleston: Los Alamos” (2005), “Looking In: Robert Frank and The Americans” (2009), and “Henri Cartier-Bresson: The Modern Century” (2010), among others. She oversees “Picturing Modernity,” SFMOMA’s ongoing presentation of its world-class photography collection.

Cortney Norman is the Associate Director at Yancey Richardson Gallery. Founded in 1995, the gallery specializes in contemporary photography and represents a number of influential and critically recognized photographers and artists including Mitch Epstein, Anthony Hernandez, Zanele Muholi, and Mickalene Thomas. Prior to joining Yancey Richardson, Cortney was the Assistant Director at Howard Greenberg Gallery, who’s collection of over 40,000 prints acts as a living history of photography. She graduated from New York University with a degree in Art History and focus on photography.

Allen is a photo editor on the International Desk at The New York Times. He assigns and edits photography and video for the daily report and larger news and enterprise projects, both on the web and in print.

Before coming to the Griffin Museum in 2020 she spent fifteen years operating her own photography gallery, wall space creative, closing it in 2020 to make the move to New England and the Griffin. Having a career spanning many paths she has a background rooted in science, business and creative art. This well rounded experience provides a solid background for supporting the Griffin’s mission to encourage a broader understanding and appreciation of the visual, emotional and social impact of photographic art.

The Griffin Museum curates over 50 exhibitions a year. As an institution, we are committed to ensuring that our mindset, our practice, our outreach, our programming and our exhibitions set a framework with priorities for building programs and exhibitions that consider diversity, equity, accessibility, and inclusion through our mission that is centered around the photograph.

Crista has written many essays about photography, introducing creative artists work to a broader community. She has been a member of numerous panels and discussions on the craft of photography, juried creative competitions and has participated in major portfolio reviews.

Cristina de Middel is a Spanish photographer whose work investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes that blur the border between reality and fiction. De Middel achieved critical acclaim for her series The Afronauts (2012), which explored the history of a failed space program in Zambia in the 1960s through staged reenactments of obscure narratives. With more than 12 books published, she has exhibited extensively internationally and has received numerous awards and nominations, including PhotoFolio Arles 2012, the Deutsche Börse Prize, the Infinity Award from the International Center of Photography in New York. Cristina de Middel is a Magnum nominee since 2017 and lives and works between Mexico and Brazil.

Dagmar Seeland worked as an editor and photo editor for a variety of lifestyle magazines before joining German weekly magazine STERN as a photo editor in 1999. At STERN Dagmar worked with and commission some of the biggest names in photography, and was able to discover and nurture a host of new talent. As a writer herself she is particularly passionate about photography’s role in storytelling, and understands the process and collaboration that is required to make visual ideas work.

Danielle A. Scruggs is a Photo Editor at The Wall Street Journals and a freelance photographer and writer living in Chicago, Illinois. She graduated from Howard University with a degree in journalism and from the Maryland Institute College of Art with a Master’s in Digital Art. Her photography clients include the New York Times, AARP, Buzzfeed News, ESPN, Financial Times, and the New Republic. She has written about art, culture, and film for RogerEbert.com, Ebony, Essence, Teen Vogue, Artsy Magazine, and other publications. Scruggs is also the founder and editor of Black Women Directors, a digital library highlighting the work of Black women and non-binary filmmakers throughout the Diaspora.

Daphné Anglès is a Franco-American picture editor for The New York Times in Paris. She was secretary to the World Press Photo’s annual contest jury from 2009 to 2013 and a master at the Joop SwartWPP Masterclass in 2000. She is a voting member of various photography juries (Prix Carmignac, PX3, Yves Rocher Foundation Photo Award, Belarus Press Photo Award, Canon Award for Female Photojournalists, Humanitarian Visa d’Or ICRC, AFD Photo Contest, International Sportsfolio Award.)

She is a portfolio reviewer (Les Rencontres d’Arles, Hamburg Triennale, Visa pour l’Image, LensCulture FotoFest, Braga). She has curated photography exhibitions at Central-Dupon (Paris) and taught an Editing and Visual Storytelling masterclass (PhotoLux Festival, Lucca). In 2015 she will be on the first jury of the Young Curators PhotoLux contest. She is a nominator for Prix Pictet.

Daphne Palmer is a Director at Fraenkel Gallery. Fraenkel Gallery is the primary representative for several key photographers from the medium’s history, including Diane Arbus, Robert Adams, Lee Friedlander, Ralph Eugene Meatyard, and Garry Winogrand. The gallery works closely with the Estates of Peter Hujar and Bernd & Hilla Becher, and represents a number of important contemporary artists including Hiroshi Sugimoto, Nan Goldin, Richard Misrach, Christian Marclay, Sophie Calle, Katy Grannan and Adam Fuss.

Darius Himes is the first International Head of Photographs for Christie's, joining in November 2014. Prior to that, he was Director of Fraenkel Gallery in San Francisco (2011-2014). In his curatorial career, he has collaborated with a wide range of photographers, from Lee Friedlander to Alec Soth and Katy Grannan. He has also worked with some of the top institutions across the United States: The Art Institute of Chicago, David Zwirner Gallery and the Philadelphia Museum of Art. Himes has contributed writing to Aperture, American Photo, Blind Spot, Bookforum, BOMB, PDN, and Lay Flat. He also co-authored the title, "Publish Your Photography Book," a popular guide (now in its second edition) to the illustrated book publishing industry.

David Chickey is the publisher of Radius Books, where he serves as the acquisitions editor and designer of all projects. His work has received national recognition, including multiple awards from the AIGA (50 books/ 50 covers competition), the American Association of Museums Publishing competition, and the Publishers Association of the West. His books have also been selected by The New Yorker, TIME, and PDN Photo Annual as best of the year, for “Most Outstanding Design” and “Best Photobook” from Independent Publisher, and received an Infinity award for “Best Photographic Book of the Year.”

Chickey is also owner of Skolkin+Chickey, a graphic design firm that provides a full range of design services to artists, museums, and publishers. Clients have included Aperture, Abrams, Harvard University, Magnum Photography, The Lannan Foundation, The Peabody Museum, Steidl, David Zwirner, University of Texas Press and University of California Press, among others.

He is a graduate of Sussex University, England, and UNC, Chapel Hill, where he was a Morehead Scholar.

David Kogan is the Executive Director of Magnum Photos with global responsibility for the 69 year old agency. A role he has held since 2014.

After graduating in 1979 he worked in newspapers and radio as a correspondent until he joined the BBC in 1982. There he held senior editorial positions in BBC radio on ‘Today’ and New York and in BBC Television on ‘Newsnight and ‘BBC Breakfast Time’.

In 1982 he co authored ‘The Battle for the Labour Party’.

From 1988 -1996 he was Managing Editor and then global Managing Director of Reuters Television responsible for both global news coverage and commercial management.

In 1998 he co-founded Reel Enterprises Ltd a company specialising in sports and broadcasting negotiations responsible for £21 billion of deal flow in the UK and international markets. In 2011 this was sold to Wasserman Media Group.

He has held a variety of Non Executive Directorships and Chairmanships and holds an Honorary Fellowship from the Royal Television Society and Honorary Doctorate in the Arts from the University of Bedfordshire. In 2014 he was awarded the Order of the British Empire under the Diplomatic List.

Rolling Stone’s deputy photo editor Deborah Dragon has collaborated with a long list of award-winning photographers to conceptualize, supervise and execute hundreds of memorable photo shoots since she arrived at the prestigious publication in 2002. She has also worked as a photo editor and helped dictate the visual presentation of such top national publications as FHM, Entertainment Weekly and Details. Deborah continues her fine-art work taking photographs using handmade pinhole cameras, exhibiting her work in numerous shows.

She has a BFA in photography and lives in New York City.

Deborah Klochko has over twenty-five years experience in photography museums as an educator, director, and curator. She has curated over thirty exhibitions, was executive editor of an award-winning journal of visual culture called see, and is the founder of Speaking of Light: Oral Histories of American Photographers. Formerly the director of The Friends of Photography, located at the Ansel Adams Center, Deborah has also worked at the California Museum of Photography; the International Museum of Photography and Film at the George Eastman House in Rochester, New York; and the Prints and Photographs Division of the Library of Congress in Washington, D.C.

Debra Klomp Ching is the co-owner of the Klompching Gallery in New York. Since its founding in 2007, it has become well known for its dynamic roster of artists and exhibitions. Debra brings more than two decades of curatorial experience, and ten years as an art dealer and gallerist, to the jurying process.

Additionally, she is a freelance writer specializing in photography, and a photo editor for At Length magazine. As a freelance consultant, she works with emerging and mid-career fine art photographers, advising on creative and professional development. Since 2014, she has served as adjunct faculty at the School of Visual Arts in Manhattan.

Denise Wolff is a senior editor at Aperture, specializing in photography books. Prior to Aperture, she was the commissioning editor for photography at Phaidon Press in London. Some recent books she has commissioned include, The Open Road: Photography and the American Road Trip; The Photographer’s Playbook: 307 Assignments and Ideas; the Photography Workshop Series books; and This Equals That, a children’s book by Jason Fulford and Tamara Shopsin.

Dewi Lewis was the founding Director of Cornerhouse, Manchester, a major UK centre for contemporary visual arts and film, where he established Cornerhouse Publications, a winner of the Sunday Times Small Publisher Award. He founded his own publishing company in 1994 and has published many leading international photographers such as Martin Parr, Simon Norfolk, Paolo Pellegrin and Bruce Gilden as well as emerging photographers. Many of the imprint’s titles have won or been shortlisted for various international prizes. In 2014, Dewi Lewis Publishing received the PHotoEspana award for “Outstanding Publishing House of the Year.”

A regular lecturer and portfolio reviewer and an occasional curator, Dewi was also a founding member of The European Publishers’ Award for Photography, which ran for over twenty years. In 2004 he was appointed an Honorary Fellow of the Royal Photographic Society and in 2009 he was awarded the inaugural Royal Photographic Society Award for “Outstanding Services to Photography.” In 2012, he was awarded the Kraszna-Krausz Foundation Award for “Outstanding Contribution to Publishing” at the World Photography Awards.

Dilys Ng is Senior Photo Editor at TIME. She commissions, produces and edits photography across platforms for high impact features and projects like TIME100, Person of the Year, Guns in America and Next Generation Leaders. She was previously at the Singapore International Photography Festival and has served as juror on multiple awards and reviews.

Dimitri Beck is the editor-in-chief of the Paris based photography magazine, Polka. Dimitri has been part of the executive management of Polka since 2008, contributing to the development of the magazine, gallery and website, including the magazine’s new feature-rich iPad version. Dimitri lectures on photojournalism at conferences and educational institutes. Prior to working at Polka, he was the Director of the Aina Photo Agency based in the Afghan capital Kabul.

Dina Mitrani opened her gallery in 2008, focusing exclusively on fine art photography and photo-based art. The gallery exhibits work by emerging and mid-career international artists with a mission to engage the community in artistic dialogues and cultural enrichment. Besides exhibitions and artist lectures, Dina organizes emerging-artist workshops, gives gallery talks to educational groups, and has collaborated with independent curators to produce important photography exhibitions in the Miami area. She is currently working towards opening a new Center for Photography, Film and Video in the Little River neighborhood of Miami, quickly becoming a new art area of the city.

Eder Chiodetto is a curator, writer, editor and teacher. He has been the curator of photography of the Museum of Modern Art of São Paulo (MAM-SP) since 2006. In his career as a curator he has held important exhibitions in Brazil and abroad, including major shows in Tokyo and Paris. Chiodetto is the author of the book The Writer's Place and has also worked as an editorial curator on many different photography-related volumes. As a teacher, he is currently guiding the work of over 60 contemporary photographers.

Ekow Eshun is a writer and curator. He is Chairman of the Fourth Plinth Commissioning Group, overseeing the most prestigious public art programme in the UK, and the former Director of the ICA, London. He is the author of Africa State of Mind: Contemporary Photography Reimagines a Continent (Thames & Hudson), nominated for the Lucie Photo Book Prize, and Black Gold of the Sun (Penguin), nominated for the Orwell prize.

He has contributed to exhibition publications on the work of Chris Ofili, Kehinde Wiley, John Akomfrah, Amoako Boafo and Duro Olowu among others, as well to books and catalogues including Masculinities: Liberation Through Photography (Barbican); Between Worlds: Voyagers to Britain 1700-1850 (National Portrait Gallery); Linda McCartney: The Polaroid Diaries (Taschen), Seen: Black Style UK (Booth Clibborn), and Mythologies, Identities and Territories of Photography (Cambridge Scholars).

Eshun’s writing has appeared in publications including the New York Times, Financial Times, The Guardian, The Observer, The Independent, Granta, Esquire, GQ Style, Aperture, Wired and L’uomo Vogue. He is a Contributing Editor at Wallpaper magazine and is a member of the Advisory Board of Liquid Blackness journal.

He is the recipient of an honorary doctorate from London Metropolitan University.

Elena Boille is deputy editor and photo editor of the Italian news magazine Internazionale. Boille graduated with a degree in history of art and she co-founded, in 1993, Internazionale. She’s in charge of the photo desk and of the science pages of the magazine. She has judged many photo competitions and participated in portfolio reviews. Boille also teaches photo editing workshops.

Internazionale is a weekly magazine that selects and translates the best journalistic stories from around the world and brings them to an Italian-speaking audience. Every issue features a photographic portfolio, which focuses mainly on long-term projects. Along with photojournalistic and documentary stories, it publishes personal works, conceptual series and more.

Born 1971 in Jerusalem, Israel, Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York that same year. Her work has been included in many solo and group exhibitions worldwide. Solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others. Group shows include The Museum of Modern Art New York, MoCP Chicago and The Photographers' Gallery, London.

Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others. Her work has appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications.

She was awarded the ICP Infinity Award in 2001, The Guggenheim Fellowship in 2002 and NYFA in 2010. Carucci has published three monographs to date, Closer, Chronicle Books 2002 and Diary of a dancer, SteidlMack 2005 and MOTHER, Prestel 2013.

Carucci currently teaches at the graduate program of photography at School of Visual Arts and is represented by Edwynn Houk Gallery.

Her recent solo exhibition, The Effect of Motherhood, showing images from both personal work and editorial stories, was the launching show at the new Condé Nast gallery in New York.

Elisa Medde edits, curates and writes about photography. With a background in Art History, Iconology and Photographic Studies, her research reflects on the relationship between image, communication and power structures. She has been nominator for the Prix Elysée, The Leica Oskar Barnack Award and MAST Foundation for Photography Grant, amongst others. Elisa has chaired numerous juries and written for Foam Magazine, Something We Africans Got, Vogue Italia / L'Uomo Vogue, YET Magazine and other publications. Elisa is Editor-in-Chief of Foam Magazine, Amsterdam.

Elizabeth Renstrom is a Brooklyn-based photographer, editor, and curator. As a photographer, she uses humor as a tool to investigate themes of feminism, the way we use images, and how we craft our identities in relation to pop culture. Her style is defined by its saturation and prop-driven arrangements in both editorial commissions and in her own projects. She has shot extensively for clients like The New Yorker, Refinery 29, TIME, Instagram, and Vice among others. No matter what, she isn’t afraid to make photography weird across commercial or fine art. As an editor and curator, Elizabeth has worked in the photo departments of Marie Claire, TIME, Vice, and, most recently, The New Yorker where, as Senior Photo Editor, she commissions original photography for the weekly magazine.

Els Barents is a curator, writer and collector. She has worked as a curator of photography for Stedelijk Museum Amsterdam, Deputy Head of exhibitions at Rijksdienst Beeldende Kunst in Den Haag, and an advisor for the Ministry of Foreign Affairs. She is currently the Director of the Huis Marseille Museum for Photography, Amsterdam’s first photography museum, which offers a varied exhibition program in which photography’s rich history and diverse uses are given consideration. The museum also shows work from its own collection of contemporary photography. In September 2013, Huis Marseille doubled its exhibition size after purchasing and renovating the canal house next to the original museum — all dedicated to photography.

Emilia van Lynden is Artistic Director of Unseen, the leading festival for contemporary photography. Exclusively focusing on what’s new in the photography world, Unseen provides a channel for up-and-coming talent to showcase their work; the festival also presents previously “unseen” work by established artists. Unseen is a year-round platform with physical events throughout the year alongside the main event, Unseen Amsterdam. Additionally, Emilia serves as Editor-in-Chief for the annual publication, Unseen Magazine, which was founded in 2014.

Emma Bowkett is Director of Photography at the Financial Times FT Weekend Magazine. Joining in 2009, she was integral to the small creative team who reworked the visual language of the magazine ready for the 2010 re-launch.

Furthermore, she is a visiting university lecturer, and regularly participates at international portfolio reviews, festivals, art fairs and awards, including Unseen, Foam Paul Huf, and the Kraszner-Krausz Foundation Book Award. Emma has been a Master at both Foam and Fabrica Masterclasses and is part of Magnum Photos Professional Practice, which supports young and emerging photographers. In 2015, she co-curated a Financial Times special supplement and day of events as part of Photo London. She recently won the inaugural Firecracker Contributors Award, which recognises women who have had a substantial impact on the photography industry and is voted for by professional photographers.

The magazine won Supplement of the Year 2014 in the UK Press Awards.

Emma has a Masters degree in Image and Communication from Goldsmiths University in London.

Emma Lewis is a curator specialising in photography. Recent and upcoming projects include the book “Photography – A Feminist History” (Ilex/Tate 2021) and the exhibition Sue Williamson and Lebohang Kganye (The Barnes, 2023). As Assistant Curator, International Art at Tate Modern (2013–ongoing) she has organised or co-organised numerous exhibitions and displays, including Dora Maar (2019), Portraits and Community (2019), and Wolfgang Tillmans (2017). She is responsible for researching photography acquisitions for the permanent collection, with a specialist focus on women’s histories and feminist practices.

Photographer Enrico Bossan has been leading editorial projects for years, discovering young talents, teaching and serving as a mentor. Since 2005, Bossan has been head of Photography at Fabrica Research Centre, and in 2006 was appointed Editorial Director of Colors Magazine. Since January 2014, he has been in charge of Editorial at Fabrica, as well. Bossan curates exhibitions, installations and performances, and oversees the FFF Award. As Editorial Director at Fabrica, he has also published a series of books and multimedia projects. Having started his career as a photojournalist 30 years ago, Bossan's works have been published in important international magazines, and he has published 10 photobooks of his own work. He also serves as curator for various festivals around the world.

Enrico Stefanelli is the founder and artistic director of Photolux Festival, the biennial of photography in Lucca, Italy. He has curated several exhibitions including: Tim Hetherington, Jan Saudek, Horst P. Horst, VII Agency, Nobuyoshy Araki, Boris Mikhailov and David Douglas Duncan. From 2010 to 2017, he was the Italian curator of the European Photo Exhibition Award. Enrico is a photographer and journalist and teaches photography in workshops. He has written articles and contributions on photography for several catalogs, books and magazines. He participates in portfolio reviews around the world, serves on international photography juries, and is a member of the nominating committee for the Joop Swart Masterclass at World Press Photo. He is also the nominator for the Leica Oskar Barnack Award and Prix Pictet.

Eslah Attar is a visual storyteller from the suburbs of Ohio where she studied photojournalism and documented immigration in her community. Prior to joining The New York Times as a photo editing fellow, she worked at National Geographic as an associate photo editor. Before then, she worked at National Public Radio as a photo editor and photographer.

Evan Pricco is the current Editor-in-Chief of Juxtapoz Magazine, a leading international art and culture magazine founded in 1994. He has worked with the magazine for over 9 years, curating groundbreaking special issues and projects on public art, political art, contemporary African art, as well as Juxtapoz' book series. When he was younger, Evan wanted to be a baseball player. Then a writer. Then a therapist. Then a baseball player again. He has since settled on art editor and appreciator of Frank Stella, Takashi Murakami, and Steve Powers.

Eve Schillo curates exhibitions that span photographic history and appear in galleries dedicated to American, Latin American, Modern, Contemporary, and Japanese Art, as well as those devoted to photography. She has worked on a range of exhibitions during her tenure at LACMA, including Cuban photography after the revolution, an ongoing self-portraiture series, multi-media work by author/artist William S. Burroughs, Pictorialist displays, and the still and moving imagery of Katy Grannan and Charlie White. Recent projects include an exhibition celebrating Mexican photographer Mariana Yampolsky; This Is Not a Selfie; Sarah Charlesworth: Doubleworld; Larry Sultan: Here and Home; and Road Trip: Photography and the American West.

Fiona Rogers is the Global Business Development Manager at Magnum Photos International. Fiona is also the founder of Firecracker, a platform supporting female photographers. In 2012, Firecracker launched an annual grant, offered to photographers to complete a long-term documentary photography project. Fiona has a strong interest in emerging photographers and has participated in international platforms such as Recontres D’Arles, Format Festival and the Singapore International Photography Festival. She has participated as a judge for several notable competitions including the Mack First Book Award and the Getty Images Grant for Editorial Photography.

Shields has over twenty years’ picture-editing experience across a range of newspaper titles and has served as picture editor of The Guardian for the last nine. She recently took up the role of Head of Photography for the Guardian News and Media Group. Throughout her career, she has been involved in the coverage of some of the most historic news stories of our time: 9/11, conflicts around the world, the Arab Spring and much more. Besides her work at the newspaper, she’s delivered talks at photo festivals and to students of photojournalism. She has judged the Sony World Photography Awards, the UK Picture Editors Guild Awards, and the Renaissance Photography Prize among others. Most recently she served as a nominator for the Prix Pictet and joined the jury of the highly regarded Taylor Wessing Portrait Prize.

Francesca Morosini is a photo editor and a journalist born in Pesaro in 1969. She currently lives in Milan, Italy. In 1991, Morosini moved to NYC and studied at the International Center of Photography; she initially worked as a photographer before transitioning to photo editing upon her return to Italy.

Morosini worked for several print and digital publications before finally landing at the Italian edition of WIRED. As part of her work at WIRED, Morosini selects and works with some of the most prestigious contemporary photographers as well as new discoveries. In September 2015, Morosini also became the photo editor for GQ Italia.

Since 2015 Francesca Marani has been part of Vogue Italia’s photography department. She is a contributor to Vogue.it, photo editor for the PhotoVogue platform and co-curator of the Photo Vogue Festival. Francesca also manages the production of Vogue Italia’s photographic exhibitions and creates digital contents for Vogue Italia’s Instagram account.
In 2018 she curated a talk series about contemporary photography at the Affordable Art Fair (Milan), she co-curated the exhibition “Italian Panorama” at the Armani/Silos and was a juror of the Ooshot Award (Paris). Over the past few years Francesca has been a portfolio lecturer for the Blink Portfolio Review (New York) and a juror of the Photolucida’s Critical Mass.
In 2019 Francesca took part in “Scouting for India”(Mumbai), the Vogue Talents’ project in collaboration with FAD International Academy. In 2020 she was a member of the jury of Fresh Eyes (GUP magazine), PHmuseum Women Photographers Grant and Photoville FENCE.

Francesca regularly collaborates with several photography festivals and schools as portfolio reviewer and lecturer.

Francis Hodgson is Professor in the Culture of Photography at the University of Brighton, in the UK. Formerly photography critic for the Financial Times, and Head of Photographs at Sotheby’s, London. A specialist in photography of many years standing, Hodgson is unusual in having worked at a senior level both in the cultural and in the commercial aspects of photography.

Hodgson was for some years the manager of the print room at The Photographers Gallery in London. He later founded and directed Zwemmer Fine Photographs, a gallery specialising in photography, and has worked with several other galleries.

Hodgson was also director of photography at Photonica, a major stock image library, where he was responsible for opening up the stock photography market to more artistic photography than had been considered possible. He was also at one time director of content at Eyestorm, the online art dealership. He has acted as representative and agent to photographers, and has been a writer and broadcaster on photography for many years. He is co-founder of the Prix Pictet, the prize devoted to photography of the environment and of sustainable development and has served on many other prize juries as well as that one.

In another life, Hodgson authored Only the Goalkeeper to Beat (Macmillan, 1998) a highly praised study of the role of the goalkeeper in football.

Fred Ritchin is Dean of the School at ICP (the International Center of Photography), serving more than 5,000 students each year in graduate, one-year certificate, continuing education, and youth photography programs. Prior to joining ICP as Dean in 2014, Fred Ritchin was professor of Photography and Imaging at New York University’s Tisch School of the Arts, Director of the PixelPress, and co-director of the NYU/Magnum Foundation Photography and Human Rights educational program. Previously the picture editor of the New York Times Magazine (1978–82), executive editor of Camera Arts magazine (1982–83), and founding director of the Photojournalism and Documentary Photography Program at the International Center of Photography (1983–86), Ritchin has curated numerous exhibitions, and written and lectured internationally about the challenges and possibilities implicit in the digital revolution. His books include In Our Own Image: The Coming Revolution in Photography (Aperture, 1990), After Photography (W. W. Norton, 2008), and Bending the Frame: Photojournalism, Documentary, and the Citizen (Aperture, 2013).

Genevieve Fussell is a Senior Photo Editor at The New Yorker where she commissions and produces a range of photography for the magazine as well as contributing weekly to Photo Booth, The New Yorker’s daily photography blog. Before joining The New Yorker, she worked as the archivist for VII Photo, the international collective of photojournalists based in New York and Paris. She holds a degree in journalism from Cal Poly, San Luis Obispo as well as having studied photography at California College of the Arts.

Giulia Ticozzi is a photographer and a photo-editor living and working in Milan and Rome. She exhibited her photographic work in several locations including the MUFOCO, Museum of Contemporary Photography, the Cultural Heritage Institute of Emilia-Romagna, Careof and the Fondazione Sandretto Re Rebaudengo in Turin. She worked as assistant to Francesco Jodice and as editor for the newspaper Il Post and La Stampa. Currently she teaches history of photography at the CFP Bauer School, collaborates in the research projects Borderlands and The Third Island, and works as photo-editor at La Repubblica.

Giuseppe Oliverio is an Italian entrepreneur and artistic director. In 2012, he launched PHmuseum, a platform for contemporary photography widely known for its grants and education program. Past recipients include artists Laura El-Tantawy, Max Pinckers, Diana Markosian, Jacob Aue Sobol, Poulomi Basu and Alejandro Cartagena.

PhMuseum is based in Bologna, Italy, where Oliverio opened the PhMuseum Lab, a multifunctional space for workshops, talks, and exhibitions, in 2020. The following year he launched PhMuseum Days, the platform’s international photography festival whose second edition counted around 10,000 visitors and 15 exhibitions.

Oliverio has served on the juries for the Lucie Photo Book Prize, Magenta Foundation’s Flash Forward, UPI’s The Fence, and Happiness OnTheMove, and regularly works as a portfolio reviewer at festivals such as Unseen, Photo Vogue Festival, and Visa Pour L’Image. He has wrote for TIME magazine and L’Uomo Vogue.

Oliverio holds a degree in economics from Bocconi University (Milan) and a Master’s in Quantitative Finance from Cass Business School (London).

Grace Deveney is associate curator of photography and media at the Art Institute of Chicago. Located in downtown Chicago, the Art Institute is one of the world’s great art museums, housing a collection that spans centuries and the globe. Deveney is also the associate curator of the Prospect.5 triennial in New Orleans, where she is creating photography exhibitions in public spaces throughout the city. She is the former assistant curator at the Museum of Contemporary Art Chicago, where she curated several exhibitions. She has also served as a curatorial researcher at the Milwaukee Art Museum, and the Art Institute of Chicago.

Gulnara Lyabib Samoilova is a photographer, author, and founder of Women Street Photographers. With 40 years’ combined experience as a documentary and street photographer, artist, darkroom printer, photojournalist, and photo editor, Samoilova transformed the successful Instagram account @WomenStreetPhotographers into a global platform. She has launched a website, traveling exhibitions, artist residency, inspirational film series, and photography book, Women Street Photographers (Prestel, 2021). A former Associated Press photojournalist, Samoilova received national and international awards for her iconic photographs of September 11, including first prize in the World Press Photo competition. She holds a certificate in creative practices from the International Center of Photography in New York City and a diploma in photography from Moscow Polytech College. Samoilova lives and works in New York City.

Born in Germany in 1967, Gunther Dietrich studied philosophy and comparative literature at the University of Stuttgart before turning to art with a focus on photography at the Academy of Fine Arts in Hamburg (HfBK) and Berlin (HDK). He has many years of self-employment in the fields of film, content management, publication, media design, and all aspects of the art market, and has been Director of Photo Edition Gallery, an international art gallery for contemporary photography in Berlin, since 2008.

After 6 years of experience in the museum industry, Gwen Lee co-founded Singapore International Photography Festival (SIPF), a biennale international photography platform in 2008. Since then, she has curated & organised numerous photography exhibitions both in Singapore and overseas. In 2014, she curated Flux: Contemporary Photography from China at Art Science Museum. In 2016, she curated a special photobook exhibition with Steidl publishing at DECK, and a solo exhibition of Daido Moriyama at DECK. On regular basis, she gives talks on professional development for photographers, and participates as a juror and portfolio reviewer in Asia and Europe.

Hannah Watson is director of TJ Boulting Gallery and publishing house Trolley Books, and is also on the elite British Journal of Photography International Photography Award judging panel. She has worked with some of the best photographers in the world, including Adam Broomberg and Oliver Chanarin, Alex Majoli and Philip Jones Griffiths, and has a reputation for publishing exceptional stories in photography, photojournalism and contemporary art.

At TJ Boulting, Watson represents emerging talent and artists who have not shown their work in London before, and also exhibits the work of more international and established artists. Additionally, Trolley Books is known for their predominantly reportage photography titles and unique stories in photojournalism, but also contemporary art and popular culture. Since 2001, Trolley has published numerous highly respected photographers and artists, and has received a special commendation from the Kraszna-Krausz Book Awards for its outstanding contribution to photography book publishing.

Hideko Kataoka has been Director of Photography at Newsweek Japan since 2001. She joined the magazine as a photographer in 1991, covering national news, social issues, and world business and cultural leaders, and currently oversees and directs photography for the print and digital editions of the magazine, as well as its special issues. In 2004, she created the “Picture Power” section in the magazine, a weekly photo essay on underreported topics from around the world. The book Ten Years of Picture Power, with selected photo stories from the section, was published in 2014. Kataoka is a lecturer at Tokyo Polytechnic University and serves as a member of the external review committee at Tokyo Photographic Art Museum. She has also served as a juror at international photography festivals and competitions, such as World Press Photo, FotoFest, and many others.

Ian Shive is CEO & founder of the Los Angeles-based Tandem Stills + Motion, Inc., one of the world’s leading collections of licensable photographs and motion clips of the outdoors; a noted photographer; recipient of the prestigious Ansel Adams Award for Conservation Photography; author of 5 books on photography and the environment; an instructor in the photojournalism program at the University of Southern California (UCLA); and Executive Producer of a program on sharks for the Discovery Channel, among other noted achievements.

Iatã Cannabrava was born in Brazil in 1962. He has worked as a photographer for decades, developing a series of social and documentary projects over his career. He worked at newspapers like Folha de São Paulo, Jornal da Tarde and magazines like Veja (among others). He also worked with numerous Brazilian publishers and was a photographer at the São Paulo Cultural Center. His work has been included in over 40 exhibitions and he was named the winner of the prestigious P/B photography award at the São Paulo photography quadrennial. He has published 10 books and his works are held in numerous galleries and private collections.

Besides his own work, Cannabrava has been active in the photographic community at large. He served as the President of São Paulo's photographer's union. He has organized over 30 exhibitions and personally overseen over 15 workshops. In addition, he created and directed the Photography Clinic, the site of over 80 workshops.

Ihiro Hayami (b. 1982, Osaka, Japan) is the founder / director of T3 PHOTO FESTIVAL (Tokyo International Photography Festival). He’s the former chief editor of the Japanese photography magazine PHaT PHOTO and was the gallery director of RINGCUBE (Ginza). His selected curatorial exhibitions include Alejandro Chaskielberg’s Otsuchi Future Memories (2016), Alex Prager’s WEEK-END (2010), and more. Over the past few years, he has served as juror, lecturer, and reviewer at various international photo festivals and photography universities.

Irina Chmyreva is Co-founder and Artistic Director of PhotoVisa, Russia’s largest, international photography biennial outside Moscow. PhotoVisa had taken place since 2008 every October in city Krasnodar (South of Russia), since 2020 the festival has biennial format. The festival consists of an extensive exhibition program, international portfolio review, multimedia projections, lectures, workshops and an international juried contest. The PhotoVisa contest is still annual and free of charge, it is announced at web-site.

Irina has curated more than a hundred exhibitions worldwide. During past years she collaborated with several state and private museums in Moscow and other Russian cities, where she presented both national and international contemporary artists. From 2011 to 2015, she was the senior curator of Project in Support for Photography in Russia run by the IRIS Foundation. Irina was also part of the international team of curators who organized the FotoFest 2012 Biennial, Contemporary Russian Photography: 1950s-2012 in Houston, USA. In 2014, Irina was a jury member for the Hasselblad Award. For twelve years she was a member of the international editorial board for the independent art magazine European Photography.

For the past eleven years Irina has been working as a leading researcher (Ph.D.) at the Russian Academy of Arts, National Institute of Theory and History of Art, Moscow. She is teaching in Russian and foreign high-schools and university programs on photo editing and visual communication. As photo editor, Irina has been involved in several book projects and has published a great number of portfolios in different offline and online resources.

Izabela Radwanska Zhang is a writer and editor based in London, and of Chinese-Polish heritage. She is the Editor-in-Chief of British Journal of Photography and Editorial Director of 1854 Media. Her words have appeared in Disegno and Press Association among others and she is a guest lecturer and speaker on photography and publishing in various UK-based universities. She has appeared on a number of international photography festival juries and portfolio reviewing panels. Prior to this, she completed a MA in Magazine Journalism at City University, London, and more recently acquired a Postgraduate Certificate in Graphic Design at London College of Communication.

Jacob Aue Sobol is an award-winning photographer and member of Magnum Photos. He has published several monographs of his unique, expressive style of black-and-white photography and exhibited his work widely. His images focus on the universality of human emotion and the search for love within oftentimes harsh surroundings.

Born in Copenhagen, Denmark in 1976, he has lived in Canada, Greenland and Tokyo, before returning to Denmark in 2008. He has traveled extensively in the years since, photographing in Siberia, Thailand, Mongolia, America, and China while staying based in Copenhagen.

His book "I, Tokyo” was awarded the Leica European Publishers Award in 2008. In 2012 he began photographing along the Trans-Siberian Railroad and spent the next five winters photographing in the remote Russian province of Yakutia for his project "Road of Bones." He has ongoing projects in Denmark ("Home") and the United States ("America").

Jacqueline Bates is Photography Director of Pop-Up Magazine and The California Sunday Magazine, winner of the National Magazine Award for excellence in photography in 2016 and 2017. Previously, she was senior photo editor of W Magazine and worked in the photo departments of ELLE, Interview, and Wired. Bates holds an MFA in photography from the School of Visual Arts and her work has been exhibited internationally.

A founder of Lens, The New York Times’s photography blog, James Estrin has been its co-editor since it went online in May 2009. He writes several pieces a week for Lens. He is a Senior Staff Photographer for The New York Times, and was part of a Pulitzer Prize winning team in 2001. In addition to photographing, editing and blogging, he is a writer for the Times and produces audio and video for nytimes.com.

Jason Landry received a Master of Fine Arts in Visual Arts from The Art Institute of Boston at Lesley University and his Bachelor of Fine Arts in Photography from the Massachusetts College of Art and Design. Landry is the owner and director of Panopticon Gallery, which represents established and emerging photographers from all over the world with a primary focus on developing and expanding their careers. He brings over 20 years of business management and fine art photography experience to the gallery. He currently serves on the Board of Directors for the Griffin Museum of Photography.

Jasper Bode founded together with Narda van ’t Veer The Ravestijn Gallery in 2012 in Amsterdam. The gallery focuses on inquisitive and provocative approaches to contemporary photography.

Bode and Van ‘t Veer respectively bring together several decades of experience curating photography exhibitions and representing a diverse group of photographic talents in the Netherlands and abroad. The gallery showcases several exhibitions a year aimed at exploring new perspectives for photography in all its forms and showing ambitious international works.

In addition to its exhibition program and participation in international photography fairs, the gallery holds an expansive collection of photography on site and gathers pictures from the twentieth century and other contemporary photographs.

Jean-Jacques Viau is manager of digital marketing for Leica Camera, the internationally famous maker of cameras and lenses. He has initiated and nurtured vibrant social media communities for Leica Camera, which now operate worldwide in many languages. Jean-Jacques has been curating the Leica blog since its launch. In an earlier position with Leica, among many other duties, he managed Leica’s relationships with photography students and younger professional photographers worldwide.

Jennifer Blessing joined the curatorial staff of the Guggenheim in 2002, after previously working at the museum from 1989–97. She recently co-organized "Haunted: Contemporary Photography/Video/ Performance," which opened in March 2010 before traveling to the Guggenheim Museum Bilbao. In addition to organizing photo-based exhibitions, she is responsible for developing the museum's photography collection.

During her tenure with the museum she has curated numerous touring exhibitions as well as contributed to many other museum's exhibitions and catalogues. Her most recent exhibition, "Photo-Poetics: An Anthology," will open in New York this fall. It will be preceded by a presentation at the Deutsche Bank KunstHalle in Berlin this summer.

Jennifer Murray is an artist, educator, and curator based in Chicago. She is the Executive Director of Filter Photo, a nonprofit festival, exhibition, and educational space. Her visual work utilizes both original images and photographic archives as she examines the cultural relationships and histories of objects. Murray is a frequent curator, portfolio reviewer, and juror at photography events across the US including Aint-Bad Magazine, FotoFest, Photolucida’s Critical Mass, Society for Photographic Education, and Filter Photo.

Jennifer Pastore is the photography director of WSJ. The Wall Street Journal Magazine. Previously, she has worked as a photo editor for various magazines including Harper’s Bazaar, Teen Vogue, T: The New York Times Style Magazine and The New York Times Magazine. Jennifer teaches in the BFA photography program of The School of Visual Arts and her work has been recognized by American Photography, ASME, SPD, Graphis, PDN and the Society of Newspaper Design. Jennifer holds a BFA in Graphic Design from the University of Florida.

Jerome Huffer (born 1981 in Paris) joined Paris Match as a trainee in 2001, while he was still in art school. He has remained at the magazine since then, and is now head of the picture desk. Across his time at Paris Match, Jerome has built strong visual narratives and produced tailored editorial content in a fast-paced challenging environment. Jerome has served on the several juries including World Press Photo, Visa d’or Awards, and the Bayeux Festival or Lagardere Foundation.

Jessica Dimson is the deputy director of photography at The New York Times Magazine where she assigns, produces, and edits photography for covers, special issues, photo essays and features. Prior to that, she worked as a photo editor on the national and metro desks at the New York Times and was the photo editor for the 2016 presidential campaign. Previously, Jessica was a photo editor at Vanity Fair and Departures magazine. Her work has been recognized by the Society of Publication Designers, American Photography, The Art Directors Club, and Pictures of the Year International.

Jim Casper is the editor-in-chief of LensCulture, one of the leading online destinations to discover contemporary photography from around the world. As an active member in the contemporary photography world, Casper organizes annual international photography events, travels around the world to meet with photographers and review their portfolios, curates art exhibitions, writes about photography and culture, lectures, conducts workshops, serves as an international juror and nominator for key awards, and is an advisor to arts and education organizations.

Joanna Milter is the director of photography for The New Yorker, overseeing all photography for the print and digital versions of the magazine, in addition to Photo Booth, the magazine’s photo blog. Since she joined The New Yorker, in 2015, the magazine’s photography has been recognized by World Press Photo, the Society of Publication Designers, and American Photography, and has received a National Magazine Award for Feature Photography.

Previously, Joanna spent eleven years as a photo editor at The New York Times Magazine; for the last four of those years, she was the deputy photo editor.

Joel Meyerowitz (born in New York, 1938) is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. Celebrated as a pioneer of color photography, he is a two-time Guggenheim Fellow, a recipient of both the National Endowment for the Arts and the National Endowment for the Humanities awards, and a recipient of The Royal Photographic Society’s Centenary Medal. He has published 30 books.

As a photojournalist for the Sygma Photo Agency in Paris, Jones documented conflict all over the world, most notably in Eastern Europe, Africa and the Middle East, his work being widely published by Time, Newsweek, The New York Times Magazine, the Sunday Times Magazine, Paris Match, and Stern. He has collaborated on numerous books and media projects and his work has been widely exhibited. He has worked as a cameraman and editor, producing magazine features, documentaries and news programmes for the BBC. He was the curator of the Sunday Times 50th Anniversary exhibition at the Saatchi Gallery, and is also the editor of a major retrospective book of the Bosnian War, which was published in 2013. He is a regular photographic judge and lecturer and has taught the Joop Swart Master-class for the World Press, and the Visa D’Or workshops. His numerous international photographic awards include two World Press Photo Awards.

Josh Raab is Head of Instagram & TikTok at National Geographic. Previously, Josh worked at TIME as a Senior Photo and Multimedia Editor. He has also been an adjunct professor at the International Center of Photography. Josh started out as a photographer covering the aftermath of the Boston Marathon bombings and Hurricane Sandy, then transitioned into editing by founding Jay Peg’s Photo Pub., an online and print publication for emerging photographers. He still shoots whenever he has a free moment, but spends most of his time biking and skiing.

Karen McQuaid is Senior Curator at The Photographers’ Gallery in London. She has curated exhibitions including Jim Goldberg, Open See (2009); Fiona Tan, Vox Populi, London (2012); Andy Warhol, Photographs: 1976 – 1987 (2014); Lorenzo Vitturi, Dalston Anatomy (2014) and Rosângela Rennó, Río-Montevideo (2016). She has co-curated Geraldo De Barros, What Remains (2013) with Isobel Whitelegg and Made You Look, Dandyism and Black Masculinity (2016) with Ekow Eshun. She has co-edited and produced The New Colonists (2018) by Monica Alcazar-Duarte, published with Bemojake. Karen has curated external exhibitions at The Moscow House of Photography and The National Gallery of Kosovo. She regularly edits artists books and guest lectures across the UK.

Karin Bareman (b. 1982, the Netherlands) studied Anthropology and Visual Anthropology in Amsterdam and Manchester, focusing on the relationship between audiovisual culture and memories especially in relation to the former USSR. She has worked as Assistant Curator at Foam since 2010, and she regularly writes about photography. Her articles have appeared amongst others in Foam Magazine, Unseen Magazine, Off the Afternoon, on American Suburb X and on her online platform karinbareman.blogspot.nl. She lives and works in Amsterdam.

Kathryn Humphries is the art director of Harper’s Magazine, where she produces and edits features. She currently teaches in the art history department at the School of Visual Arts and has taught at the International Center of Photography and the Educational Alliance Art School. She has served as a reviewer for the New York Portfolio Review; the International Center of Photography’s Documentary Practice and Visual Journalism, New Media Narratives, and ICP-Bard MFA programs; and United Photo Industries The Fence, among others. She holds a BFA from the School of Visual Arts and an MFA from CUNY.

Kathy Moran is National Geographic magazine’s first senior editor for natural history projects. A 33-year veteran of the Society, Moran has been producing projects about natural ecosystems for the magazine since 1990. Moran has edited several books for the Society, including “Women Photographers National Geographic.” She was named “Picture Editor of the Year” for her winning portfolio in the 2006 Pictures of the Year competition and the 2011 Best of Photo competition. She is a founding member of the International League of Conservation photographers and edited numerous books for ILCP photographers.

Kaycee Olsen is a gallery director and appraiser based in Los Angeles, California. Currently she is the director of Von Lintel Gallery in Los Angeles. Olsen has more than a decade of experience in the art business, having served as the owner of Kaycee Olsen Gallery, as well as working at Christie’s, and as a modern and contemporary art dealer. Olsen’s academic training includes a BA in Art History from the University of Southern California and a BA in Liberal Arts, Art History study abroad at the London Metropolitan University as well as MA studies in Art History. Her affiliations include Art Table, and the Photographic Arts Council, with past affiliations at LACMA, the Modern and Contemporary Art Council, and Words Without Pictures.

Since 2002, Qatari photographer Khalifa Al Obaidly has concentrated on Qatari tradition and culture through his work, focusing on the twin themes of desert and sea. In addition to photography, his career also spans many different projects across science, art and heritage work. Originally studying marine biology at the University of Qatar, Al Obaidly has worked at a number museums including the Aquarium at the Qatar National Museum, working on a project to construct a museum of photography with a collection of work. He has also served as an assistant director at the Islamic Art Museum (project) through the Qatari National Council for Culture, Art and Heritage. Most recently Al Obaidly developed an artist-in-resident program to support local artists and connect them to the international art scene. He is currently the director of Photo Festival, an initiative to celebrate young photographic artists in the region.

Kim Knoppers is art historian and curator at FOAM in Amsterdam, The Netherlands where she has worked on significant solo exhibitions and group shows. She initiated a series on photographic archives of historical photography studios from Turkey, Albania, United States and Iran, and is a lecturer at the MA Photography at ECAL in Lausanne, Switzerland where she initiated and developed the course Do Not Disturb – Curating in Progress. Kim is the founder of Artists’ Recipes, which explores the intersection of art and food, and contributes regularly to Foam Magazine.

Kris Graves is an artist and publisher based in New York and California. He is founder of MONOLITH EDITIONS, a Black-owned publishing house dedicated to showcasing work from artists of color across mediums that address issues of race, identity, equity, gender, sexuality, and class.

In his own photography, he uses a mix of conceptual and documentary practices to explore the subtleties of societal power and capitalism, among other important topics.

Graves also sits on the board of Blue Sky Gallery: Oregon Center for the Photographic Arts, Portland; and The Architectural League of New York as Vice President of Photography.

Kristen Gresh is the Estrellita and Yousuf Karsh Curator of Photographs at the Museum of Fine Arts, Boston (MFA). She is an experienced curator, researcher, and lecturer in the field of photography and digital media. Gresh is the author of the award-winning book She Who Tells a Story: Women Photographers from Iran and the Arab World and Graciela Iturbide’s Mexico. Prior to working at the MFA, she was curator of 20th century photography collections in both Paris and Cairo, where she also taught history of photography. She has received multiple grants and awards for her research and publications including a Magnum Foundation Legacy Grant, Terra Foundation Grant, Rockefeller Grant, Fulbright Award and the IndieFab Foreword’s Book of the Year awards “Nonfiction Editor’s Choice Prize 2013.”

Lars Boering is the Managing Director of World Press Photo, the world's leading international contest in visual journalism. He has been actively involved with photography for many years. He has (co)produced exhibitions with photographers, Festivals, museums and art foundations.

In 2008, he founded Lux Photo gallery: showcasing photography that demonstrated creative integrity and intent, originality, narrative and aesthetic quality and a high level of craftsmanship. At the end of 2014, he stopped working for the gallery.

He also worked as the director of the Federation of Dutch Professional photographers, improving the working position of photographers helping them to safeguard their copyright. In 2014 he merged all member associations into one strong professional organization called Dutch Photographers (DuPho).

In 2010, he co-founded the successful master class 'Advanced Storytelling' at www.noorderlicht.com, where he still teaches.

Laura Moya is the Director of Photolucida, which is based in Portland, Oregon. She organizes the Photolucida’s biennial Portfolio Reviews event, Portland Photo Month, and project manages Photolucida’s Critical Mass book award publications. She has juried for Critical Mass, Blue Sky Gallery’s Northwest Drawers, Newspace Center for Photography, Photo District News, United Photo Industries, and PhotoPlace Gallery.

Laura has participated in events including PhotoAlliance, LensCulture and SPE, and she has participated in panels at international festivals such as Pinyao International Photo Festival and GuatePhoto Festival. Laura co-curated The Early Works Project, which was shown at Newspace Center for Photography, Rayko Photo Center, the Center for Fine Art Photography, and the Photographic Resource Center, as well as The Elevated Selfie: Beyond the Bathroom Mirror, which exhibited at LightBox Photographic Gallery and the Griffin Museum of Photography. Most recently, she curated photography + science for the Yixian International Photography Festival, and Hypermedia in Critical Mass for the Lishui International Photography Festival in China.

Laura Pressley has been at the helm of CENTER in Santa Fe for over 12 years, a non-profit organisation known for the long-standing programs, including the Review Santa Fe Photo Festival, CENTER Project Grants, Santa Fe Prize and other offerings that have launched dozens of photographers' careers. In addition to CENTER, Pressley has co-curated and produced many photographic exhibitions and most recently was a selected co-curator for the 2019 Korea International Photo Festival in Seoul.

Lauren joined Dazed & Confused in 2011 as Photo Producer. In 2013 she was promoted to Photographic Editor, and 2015 to Photographic Director. She currently works with some of the world’s leading photographers, as well as new, emerging photographic talent from all over the world, commissioning and producing shoots for Dazed & Confused Magazine, Dazed Digital and Dazed Media Studio. Lauren has worked on judging panels for Stockholm Photography week and London Connections (Le Book).

Legacy Russell is a curator and writer. Born and raised in New York City, she is the Associate Curator of Exhibitions at The Studio Museum in Harlem. Russell holds an MRes with Distinction in Art History from Goldsmiths, University of London with a focus in Visual Culture. Her academic, curatorial, and creative work focuses on gender, performance, digital selfdom, internet idolatry, and new media ritual. Russell’s written work, interviews, and essays have been published internationally. She is the recipient of the Thoma Foundation 2019 Arts Writing Award in Digital Art and a 2020 Rauschenberg Residency Fellow. Her first book is Glitch Feminism: A Manifesto released in Fall 2020 via Verso Books.

Lekgetho Makola has been involved in the arts for more than 17 years, first as an artist and filmmaker and more recently in advisory and curatorial roles for organizations such as CatchLight and Bamako Encounters. Since becoming Director of Market Photo Workshop in Johannesburg, South Africa, Makola has been a jury member for leading photography awards including W. Eugene Smith International Photography Award, the Contemporary African Photography (CAP) Prize, World Press Photo Global Talent Programme and this year’s World Press Photo Awards Jury.

Lesley A. Martin is creative director at the Aperture Foundation and publisher of The PhotoBook Review. She has edited numerous photobooks, including Takashi Homma’s Tokyo (2008), Rinko Kawauchi’s Illuminance (2011), LaToya Ruby Frazier’s The Notion of Family (2013), and recent books by Richard Misrach and Gregory Crewdson. In addition to her work on The Chinese Photobook, she was a contributing editor to Japanese Photobooks of the 1960s and ’70s and The Latin American Photobook; in 2012, she cofounded the Paris Photo–Aperture Foundation PhotoBook Awards.

She has curated exhibitions that have traveled both nationally and internationally, including The Ubiquitous Image (2008); Aperture Remix (2012), a commission-based exhibition celebrating Aperture’s sixtieth anniversary; and Muse: Mickalene Thomas Photographs (2016). Her writing on photography has been published in Aperture, FOAM, Ojo de Pez, and Lay Flat among other publications. She currently teaches a graduate course on the photobook at the Yale University School of Art. Martin lives and works in New York City.

Lisa Hostetler is curator in charge of the Department of Photography at the George Eastman Museum in Rochester, NY. She has held previous positions as the McEvoy Family Curator of Photography at the Smithsonian American Art Museum and as Curator of Photographs at the Milwaukee Art Museum. She earned her PhD from Princeton University with a dissertation on photographer Louis Faurer while working as a research associate at the Metropolitan Museum of Art. Major exhibitions she has curated with accompanying publications are David Levinthal: War, Myth, Desire (2018); Eugene Richards: The Run-On of Time (with April Watson, Nelson-Atkins Museum of Art, 2017); A Matter of Memory: Photography as Object in the Digital Age (2016); Color Rush: American Color Photography from Stieglitz to Sherman (with Kate Bussard, Princeton University Art Museum, 2013); and Street Seen: The Psychological Gesture in American Photography (2010). She has also curated several shows that were the first museum exhibitions of new bodies of work, including Tanya Marcuse: Woven (2019), Gail Albert Halaban: Out My Window (2018), and Brian Ulrich: The Centurion (2015). Among her current projects are James Welling: Choreograph (2020), Breaking the Rules: Six Women Fashion Photographers (2021), and a retrospective of Nickolas Muray’s photography that will open in 2023.

Louise Clements is Artistic Director of QUAD, a centre for contemporary art and film, and Co-Founder and Artistic Director/Curator of FORMAT International Photography Festival, one of the UK’s leading contemporary photography and media festivals. As a curator, she has initiated and curated many commissions, publications, mass participation art, film and photography programmes and exhibitions around the world. Louise regularly writes about photography for catalogues and magazines in both print and online media including:Next Level, South Korean Photography, co-editor of Hijacked III UK/AUS, PHOTOCINEMA, and she is Editor at Large for www.1000wordsmag.com. She is an international photography juror and nominator, and a regular portfolio reviewer at festivals and galleries throughout Europe, America and Asia.

A chance encounter brought Lucy to work as an assistant photo editor for a newly minted Italian newsweekly called Liberal. After two formative years as junior assistant photo editor, Lucy went to New York to pursue a career as photo editor, critic and lecturer. She has worked for Business Week, The New York Times, l’Espresso, The New York Times magazine, Courrier International, The International Herald Tribune as well as photography agencies such as Sipa Press, Magnum Photos and briefly, the AFP. In 2011 Lucy joined M, the weekend magazine of Le Monde, as the Director of Photography where she remains today.

Magdalena Herrera is a French citizen born in Havana, Cuba. She is presently Director of Photography at GEO magazine, France. Previous to GEO, Magdalena worked as Art Director and Head of Photography at National Geographic France, since the launch of the French edition in 1999. Based in Paris, Magdalena has an academic background in art history and aesthetics, earning an honors degree at the Sorbonne before starting her career as a photographer and graphic designer. Teacher in photojournalism at Sciences Po / École de journalisme, Paris. Tutor and supervisor, photographic seminars organized by World Press Photo Foundation worldwide. Tutor, photojournalism workshops at Jamia Millia Islamia University, New Delhi, India. Master at Northen Lights Masterclass in Groningen, The Netherlands.

Magdalene Keaney is Senior Curator, Photographs at the National Portrait Gallery, London, where she is responsible for the care and development of one of the world’s largest and most significant collections. Her work encompasses acquisitions, commissions, displays and exhibition development. At the NPG Keaney has curated the 2019 and 2020 Taylor Wessing Photographic Portrait Prize exhibitions, Ethan James Green: Couples and Inspiring People: Collecting for the future. She has written widely for exhibition catalogues, books and magazines notably around fashion photography and contemporary practice. Recent publications include: 100 Fashion Icons (National Portrait Gallery, London, 2019) and contributions to publications including Cindy Sherman (National Portrait Gallery, London, 2019), Know my Name (National Gallery of Australia, 2020), and A World History of Women Photographers (Editions Textuel, 2020). She is currently working on a major representation of the NPG’s historic collection for the Inspiring People redevelopment project. Previously holding curatorial roles at the Australian National Portrait Gallery, London College of Fashion and the Australian War Memorial her expertise spans nineteenth century to contemporary and she is particularly interested in women’s practice.

Manila Camarini is the chief photo editor for D La Repubblica, a magazine attached to the newspaper la Repubblica. Born in Milan in 1973, Manila Camarini started her career as a photographic agent working for major Italian newspapers. She has held the role of photo editor for Panorama Travel Mondadori and Condè Nast Traveller. In 2003, she worked as a professional journalist and photo editor for D La Repubblica and in November 2014 she became chief photo editor for D Lui.

Since 2010, Manolis Moresopoulos has been the artistic director of the Athens Photo Festival, a leading international festival of photography and visual culture. In and beyond this role, Manolis has been responsible for numerous exhibitions and photography-related activities, including book projects, learning activities, artist exchange programs, and talent development initiatives. Over the past few years he has served as nominator, juror and reviewer for many international festivals and organisations, and regularly lectures on the theory and practice of photography. Manolis is always looking for new or emerging artists working with photography for possible future collaborations.

Marcel Feil (1968) is deputy director, artistic affairs at Foam in Amsterdam, and one of the editors of Foam Magazine, the international photography magazine published by Foam. Since 2002 he worked as curator at Foam and organized a wide range of historical and contemporary photography exhibitions, varying from solo exhibitions, group shows and theme exhibitions. Prior to his current position, Feil worked at the Dutch Foundation for Visual Arts, Design, and Architecture; and The Amsterdam Center for Photography, curating small exhibitions with work of young emerging photographers, organizing lectures and the educational program.

María García Yelo is the Director of PHotoEspaña, an international festival of photography and visual arts. With a degree in Art History from the Universidad Complutense in Madrid, García Yelo was the Director of the Post-War and Contemporary Art department at the British auction house Christie’s, in Spain, from 2008 until 2013. She was previously the General Deputy Director of Conservation and Research at the Museo Nacional Centro de Arte Reina Sofía (2005-2008) and Assistant Director of the Museo de Arte Contemporáneo Esteban Vicente in Segovia (2002-2004). She has also served as an independent curator and as an art critic for ABC Cultural. She is the author of various publications.

Marina Paulenka is the Artistic Director of Unseen Platform, one of the leading platforms for contemporary photography, and former Artistic Director of Organ Vida, an International Photography Festival based in Zagreb. She is an international juror and nominator, educator, and curator at many organisations, schools, festivals and museums, curates photography exhibitions, and takes part in many discourses on current trends in contemporary photography in numerous countries. Marina features as expert in numerous portfolio reviews all over Europe, and is an external associate lecturer at the Academy of Dramatic Art in Zagreb.

Marion Hislen is curator and director of the Circulation(s) Festival, the largest annual Parisian photography event for young photographers. Now in its 6th year, the festival takes place at the newly renovated CentQuatre (104) center for the arts in Paris.

Marion is also the founder and president of the non-profit organization Fetart. Fetart organizes the Circulation(s) Festival, which is dedicated to promotingemerging photographers by giving them early opportunities to exhibit their work to a large public audience.

Previously, Marion was Director of Photos and Books at the retail giant Fnac within the department of Cultural Action, where she managed Photo Galleries Fnac — 20 spaces of exhibition throughout France.

She has curated numerous other exhibitions, as well, such as “Paris-Beijing,”the first retrospective in France of Chinese contemporary art at the Espace Pierre Cardin, Paris.

Dr. Mark Sealy is interested in the relationships between photography and social change, identity politics, race, and human rights. He has been director of London-based photographic arts institution Autograph ABP since 1991. He has produced numerous artist publications, curated exhibitions, and commissioned photographers and filmmakers worldwide, including the critically acclaimed exhibition “Human Rights Human Wrongs” at Ryerson Image Centre, Toronto in 2013 and at The Photographers’ Gallery, London in 2015.

Sealy has written for many international photography publications, including Foam Magazine, Aperture and the Independent Newspaper in London. He has written numerous essays for theoretical publications and artist monographs. In 2002, Sealy and professor Stuart Hall co-authored “Different”, which focused on photography and identity politics. His notable projects include the exhibition “Self Evident” at Ikon Gallery Birmingham, “The Unfinished Conversation: Encoding / Decoding” for the Power Plant Contemporary Art Gallery in Toronto and seminal projects on the works of James Van Der Zee, Gordon Parks, Carrie Mae Weems, Rotimi Fani-Kayode, Mahtab Hussain, Maud Sulter and Sunil Gupta are just a few of the many exhibitions he has curated. He was also the guest curator for Houston Fotofest 2020 working under the title of African Cosmologies Photography Time and the Other.

His recent book, “Decolonising the Camera: Photography in Racial Time”, was published in 2019 by Lawrence and Wishart. His PhD was awarded, by Durham University England and focused on Photography and Cultural Violence. Sealy is currently serving as Principal Fellow Decolonising Photography at University of the Arts London.

Dr. Marta Weiss is Senior Curator of Photography at the V&A and Lead Curator of the second phase of the V&A Photography Centre, opening in 2023. She joined the museum in 2007 after two years in the Department of Photographs at the Metropolitan Museum of Art. She studied history of art, specialising in photography, at Harvard (BA) and Princeton (MA, PhD). Her V&A exhibitions include Julia Margaret Cameron (2015); The Camera Exposed (2016); Staying Power: Photographs of Black British Experience 1950s-1990s (2015); Making It Up: Photographic Fictions (2013); and Light from the Middle East: New Photography (2012). She is author of four books and numerous essays, on topics ranging from Victorian photocollage to Diane Arbus. Her most recent book is Autofocus: The Car in Photography (Thames & Hudson/V&A 2019).

Martin Parr is a British photojournalist, photobook collector, and documentary photographer. He is best known for his photographic projects which offer a critical examination of various elements of modern life, especially in suburban and provincial life in England.

In 1994, Parr became a full member of Magnum Photos. He has published nearly 50 books and has been featured in over 80 exhibitions around the world, including the Barbican Arts Center in London. Parr’s retrospective exhibit was chosen to be an important monthly display in 2007 for Photography Asia. He also received the Royal Photographic Society’s Centenary Medal in 2008 for his significant contributions to photography and an Honorary Fellowship by the Royal Photographic Society that same year. In 2008, Parr became Manchester Metropolitan University’s Honorary Doctor of Arts in acknowledgement of his contributions to the university’s school of art and also for his photography.

Mary Virginia Swanson has dedicated her career to helping artists find the strengths in their work, identify appreciative, responsive audiences, and present their work in an informed, and professional manner. Swanson’s in-depth knowledge, professional experience, reputation, and relationships throughout the photography industry cover a broad range of perspectives on both the making and marketing of lens-based work. A respected contributor to the field, she frequently serves as a Portfolio Reviewer and Judge at contemporary photography and photobook competitions, conducts public presentations at industry festivals and lectures at numerous colleges throughout the year.

Swanson is co-author with Darius Himes of Publish Your Photography Book (Third Edition, Radius Books August 2023) which offers a window into being published and self-publishing photobooks today. The book’s dedicated website is rich with resources and information on their companion online course of the same name through La Luz Workshops: www.publishyourphotographybook.com @ publishyourphotographybook

Ms. Swanson resides in Tucson, Arizona.
www.mvswanson.com @ maryvirginiaswanson

Established in 2004, The Magenta Foundation is Canada’s pioneering charitable arts-publishing house. Magenta was created to advocate for and showcase the work of artists in an international context, through circulated exhibitions and publications. Magenta has continued to evolve by finding new and innovative ways to connect artists to the global arts world and is always expanding its publishing departments, to bring the most notable artists forward.

MaryAnn Camielleri is the founder and co-producer of The Magenta Foundation and Flash Forward Festival. Known and respected for her commitment to providing a platform for emerging talent, and to increasing the profile of under- documented established artists, Camilleri is sought out to provide advice and guidance to individuals, corporations and non-profit organizations. She is always looking for engaging projects that can translate well into an exhibition or a publication.

MaryAnne Golon is director of photography at the Washington Post. As a member of the senior management team, she supervises all aspects of photography for the daily newspaper and its digital forms: on the web, mobile and tablet. Golon received an IFA Lucie award as Picture Editor of the Year in 2013. Golon was previously Time magazine’s director of photography and co-managed the international newsweekly’s photography department for more than 15 years. Golon led the photo team that produced the Hurricane Katrina and the September 11, 2001 special Time editions that each won coveted ASME National Magazine Awards. MaryAnne Golon received a B.S. in Journalism and Communications from the University of Florida and is a distinguished alumna. She completed a fellowship in Public Policy and Media Studies at Duke University.

In 2009, Matt Shonfeld and Frank Evers founded INSTITUTE, an artist management company serving media, editorial, advertising, entertainment, fine art, book publishing, online/mobile media and corporate clients.

Matt has been involved in photography for 15 years, initially as an agency photographer and latterly as an agent/artist manager.

He is an extremely keen cyclist and even holds a level 2 coaching award. He was awarded the Freedom Of The City of London in 1998 and lives in Bath with his wife and two children.

Matt Stuart is a British street photographer, and a member of the UP street photography collective. As well as making his personal work, he works as a commercial photographer and leads street photography workshops.

Stuart’s book of street photography, All That Life Can Afford (2016/20) includes photographs made in London from 2002 to 2015. His second book “Into the fire” (2020) explores living "Off the Grid" in Slab City, California.

Matt’s work has been published in a number of survey publications on street photography including the 2010 book and travelling show, Street Photography Now, and the seminal street photography bible “Bystander” by Joel Meyerowitz and Colin Westerbeck. Matt has recently published his own best selling book “Think Like a Street Photographer” which explains his thoughts, ideas and process on the subject. Matts work has been exhibited in solo exhibitions in Europe and the US; as well as included in group exhibitions in France (Arles), Britain (including at the Museum of London, which acquired his work for its permanent collection, and which travelled to the Museum of the City of New York), France, Bangkok and Stockholm.

Matthew Flowers (b. 1956) is a British contemporary art dealer and the Managing Director of Flowers Gallery, London, Hong Kong and New York. Flowers Gallery, which is now in its 50th year, is one of the longest-standing international contemporary art galleries and currently represents over 50 international artists and artist’s estates, working across a wide range of media. Established in 2008, the Gallery's dedicated photography programme is recognised for its engagement with important socio-cultural, political and environmental themes. Throughout his career Matthew has been on boards and committees of international art fairs and arts institutions and spent 12 years as a non-executive Director of DACS (visual artists’ rights management organisation).

Matthew Tucker is the picture editor at BuzzFeed UK. Working with the growing London-based team since 2013, Matthew covers news, entertainment, lifestyle and photo essays, along with original photography and commissions. Before BuzzFeed, Matthew trained as a journalist and worked on the Huffington Post UK picture desk and created online content for BSkyB entertainment shows.

Maya Robinson has been working for New York Magazine since 2011. As Senior Photo Editor she assigns and produces photography for the magazine’s features and culture section. Previously she was the Art Director of Photography and Visuals for Vulture.com, New York’s culture site, where she developed its visual identity and still leads photography for the site. Maya works with a range of photographers from photojournalists to portrait and fine-art photographers. Before joining New York Magazine, she worked at Harper’s Bazaar.

Mazie Harris, Ph.D., is an assistant curator in the Department of Photographs at the J. Paul Getty Museum in Los Angeles, where she conducts research and manages the acquisition, loan, and display of photographs at the Museum from the past and present. Her scholarship has been supported by the Terra Foundation, the Metropolitan Museum of Art, the National Portrait Gallery, the National Gallery of Art, and the Library of Congress. She has worked with photography collections at the Davis Museum at Wellesley College, the Museum of Art at the Rhode Island School of Design, and the Harvard Art Museums.

Mee-Lai Stone is a Picture Editor, Culture for The Guardian. She is part of the international team that selects and produces daily online photography galleries, essays, features and single images to be shared with The Guardian’s global audience of readers.

Melissa O’Shaughnessy is a photographer based in New York City. Her work has been featured in numerous international exhibitions and publications, and is also included in the book “Bystander: A History of Street Photography” and the recently published “Women Street Photographers”.

She is a member of UP Photographers, a collective of 25 international street photographers.

Her first monograph, “Perfect Strangers: New York City Street Photographs”, was published by Aperture in October, 2020.

Melissa Ryan is Director of Photography for Nature Conservancy magazine, the award-winning magazine of The Nature Conservancy. Ryan oversees & implements the photographic vision for the print, online and mobile editions. She works in close partnership with freelance photographers to publish dynamic environmental conservation stories. Ryan has over 20 years of photo editing experience working on magazines, books, newspapers, and online projects.

Michael Famighetti is the Editor of Aperture magazine. In 2013, he organized a relaunch and reconceptualization of the publication, which won a 2018 National Magazine Award for General Excellence. He is the recipient, with guest editor Sarah Lewis, of the ICP Infinity Award for Critical Writing and Research for “Vision & Justice,” the summer 2016 issue of Aperture.

In addition to editing the magazine, Famighetti commissions and edits books for the Aperture Foundation, including volumes by William Christenberry, Robert Adams, John Divola, Jonas Bendiksen, Kwame Brathwaite and Joel Meyerowitz, among others. He is currently a visiting critic at the Yale University School of Art and a participant in SVA’s Mentors program.

His writing has appeared in Frieze, Bookforum and Aperture, among other publications. He is a member of the American Society of Magazine Editors and has been a guest reviewer and speaker at many international festivals and institutions, including the Museum of Modern Art, New York; The New York Times; Vogue Italia; FOAM, Amsterdam; the Art Gallery of Ontario; the Bamako Biennial, Mali; Kyotographie, Kyoto; Museet for Fotokunst, Odense, Denmark; and Fotografiska, Stockholm.

Michael Foley opened his eponymous gallery in the fall of 2004 in New York after fourteen years of working with notable photography galleries including Fraenkel Gallery, Howard Greenberg Gallery and Yancey Richardson Gallery.

The gallery has since been invited to participate in over thirty international and national art fairs including Paris Photo, Pulse, AIPAD, VOLTA, and the London Art Fair. Gallery exhibitions and artists have been reviewed and written about in numerous publications including The New York Times, The New York Times Magazine, The New Yorker, Artforum, Modern Painters and ArtNEWS.

Foley is the founder of The Photo Community, which offers classes and commentary on contemporary photography. He continues his interest in education by serving on the faculty of the School of Visual Arts and the International Center of Photography where he teaches and lectures on issues in contemporary photography.

Michael Mack is a publisher of art, photography and critical text books. He has written, designed, edited and produced nearly 500 titles, including some of the defining art books of the past 20 years. As the former managing director of Steidl, he founded the SteidlMACK imprint before establishing his eponymous independent publishing house in 2010. Mack works closely with established and emerging artists, writers and curators, as well as world-leading cultural organizations, who are invested in the book as an art form.

In 2011, Mack was awarded an Honorary Doctorate of Arts by the University of Plymouth for his contribution to art publishing. In 2012, he co-founded the First Book Award with the Wilson Centre for Photography and Kraszna-Krausz Foundation, as a platform to support young and emerging photographers. In 2017 he was awarded the Photographic Publishing Award from the Royal Photographic Society.

Mirjam Cavegn is the founder of Bildhalle, one of the most respected galleries for photography in Switzerland. Interested in both established and emerging innovative contemporary photographers, Mirjam shapes an ambitious gallery program through solo and group exhibitions as well as participation in international art fairs. Previously, she developed photo books for international publishing houses and was photo editor for various media companies.

Molly Roberts is a photography editor, curator and photographer; she recently joined National Geographic Magazine as a Senior Photography Editor after 15 years as Chief Photography Editor at Smithsonian magazine. Previously she led the Washington Post Magazine and USA Weekend photography teams.

With 25 years of experience in the magazine publishing world, she is responsible for the content and appearance of magazines, books, websites and apps. Roberts is an advocate for powerful visual storytelling and human rights and recently created the non-profit HumanEyes USA to present documentary photography projects in public spaces and to use imagery to help illuminate complex issues facing America. She is also committed to developing diverse voices in the media: she is currently the acting director and board member of the DC-based organization Women Photojournalists of Washington.

Director Monique Deschaines is a curator, gallerist, and educator. Prior to founding EUQINOM Gallery, Deschaines was Associate Director at Haines Gallery. She has her MFA in photography from the San Francisco Art Institute and her BFA from the School of the Museum of Fine Arts, Boston and at Tufts University, Cambridge and serves on the Board of Directors at SF Camerawork.

Born in Jerusalem in 1981, Muheisen joined the Associated Press in 2001. As the former chief photographer for the Middle East, Pakistan and Afghanistan, he covered major events across the region, including the Israeli-Palestinian conflict, the war in Iraq and the capture of former Iraqi president Saddam Hussein. He has also worked in China, Egypt, South Africa and across Europe. Most recently his work has focused on the refugee crisis and specifically the issue of stranded unaccompanied refugee minors for the National Geographic Magazine. He is a two-time Pulitzer Prize-winning phootjournalist and he’s the founder of the Everyday Refugees Foundation. He was also named TIME’s Wire Photographer of the Year in 2013.

Among other exhibitions, a collection from a decade of his work about life in war was shown at Visa pour l’Image in Perpignan, France. His work about refugees was exhibited at Festival des Libertés in Brussels, Belgium, and work about the displaced people was shown at THE FENCE in Brooklyn, Atlanta, Boston and Houston in the USA. He has served as a jury member in the 2016 Picture of the Year International, the 2015 World Press Photo Joop Swart Masterclass and the 2013 Visa D’Or for Visa pour L’image.

Munem Wasif’s photography and film investigates complex social and political issues with a humanistic language, by getting close to the people, physically and psychologically, dealing with multiple questions and contradictions. Expressionistic in style and long-term in method, Wasif often experiments beyond the tradition, tests the possibilities of fiction, by borrowing a familiar documentary language. His interest is often on the concept of ‘documents’ and ‘archives’ and it’s influence on addressing politically and geographically complex issues. He was one of the curators of Chobi Mela VIII – X International Festival of Photography. His last book on Old Dhaka was published by Clémentine de la Féronnière from France.

He had exhibitions worldwide including, Center Pompidou, Palais de Tokyo & Visa pour l’image in France, Whitechapel Gallery, Kettle’s Yard & Victoria & Albert museum in England, Museu d’Art Contemporani de in Spain, Musee de elysee, Musée d’Art et d’Histoire & Fotomuseam Winterthur in Switzerland, Kunsthal museum & Noordelicht festival in Netherlands, Museum of Modern Art in Poland, Parasite in Hong Kong, The Factory Contemporary Arts Centre in Vitenam, Gwangju biennale in Korea, Singapore biennale in Singapore, Sharjah Bienalle in UAE, Asia Pacific Triennial of contemporary art in Australia, and Dhaka Art summit & Chobi Mela in Bangladesh.

His photographs have been published in Le Monde, Sunday Times Magazine, Geo, Guardian, Politiken, Mare, Du, Days Japan, L’espresso, Libération, Wall Street Journal and many others.

He is represented by Agence Vu in Paris and Project 88 in Mumbai.

Mutsuko Ota is Editorial Director of IMA magazine. Born in Tokyo, 1968, she started her career as an editor at Marie Claire and worked at several men’s magazines such as Esquire, GQ and others as a feature editor. Besides collaborating with several magazines as a freelance editor, she became involved in various fields including art projects, book and catalogue editing, and film promotion. She became the editorial director of IMA magazine in January 2012. In 2004, she helped produce a physical space called IMA CONCEPT STORE in Tokyo, with the goal of popularizing art photography in Japan.

Nadav Kander is a London-based photographer, artist and director, known for his portraiture and landscapes. His work is included in the collections of the National Portrait Gallery, the Victoria and Albert Museum and other galleries and museums. Kander’s work has been published on the cover of The New York Times Magazine, TIME and many other publications. In 2009, he was honored to publish the largest portfolio of work by the same photographer The New York Times Magazine has ever showcased in one single issue.

Kander published his first monograph, Beauty’s Nothing (Arena Editions) in 2001. He followed up the book with numerous catalogues of his work that accompanied exhibitions at Yancey Richardson Gallery, New York; Shine Gallery, London; and Flowers Gallery, London. In October 2009 Kander was announced as the winner of the prestigious Prix Pictet Earth, 2009 for his “Yangtze—The Long River” series. He was chosen from a shortlist of 12 nominees that included Ed Kashi, Andreas Gursky and Naoya Hatakeyama. The award was presented by Kofi Annan, Honorary President of the Prix Pictet.

Born in 1981, living and working in Tokyo and Fukuoka. Naoko Higashi is an editor at a Tokyo-based photography magazine IMA and representative director of TOKYO ART BOOK FAIR. She joined the magazine since 2012 when it was first published, making large features, reports and news for both print and digital edition of the magazine. She curated exhibitions with various artists and publishers such as Miranda July, Stephen Gill, Culture Centre and 8 ball community at TOKYO ART BOOK FAIR. She is also a member of The Reference Asia, an Asian art community platform based on Asian editors, curators, and publishers.

Natalie Matutschovsky joined TIME in 2010 as associate photo editor. In addition to contributing to weekly features and special packages like the TIME 100 and an annual roundup of great-performances portraits, she edits for the Culture section. Natalie was formerly at the New Yorker, where she curated images for the fiction section.

Natasha Egan is the executive director of the Museum of Contemporary Photography at Columbia College Chicago where she has also organized numerous exhibitions such as Alienation and Assimilation: Contemporary Images and Installations from the Republic of Korea; Manufactured Selfabout how we identify ourselves through what we consume; Loaded Landscapes looking historical and contemporary sites of trauma and conflict; The Edge of Intent examining the utopian aspirations of urban planners and how their visions adapt to changing environments; Reversed Images: Representations of Shanghai and Its Contemporary Material Culture; and The Road to Nowhere? for the FotoFest 2010 Biennale. Egan has contributed essays to such publications as Shimon Attie: The History of Another; Photography Plugged and Unplugged in Contemporary Magazine; Brain Ulrich: Copia; Beate Gütschow LS / S; Michael Wolf: The Transparent City; Placing Memory: A Photographic Exploration of Japanese American Internment; and Black Maps: American Landscapes and the Apocalyptic Sublime Photographs by David Maisel. In addition, she has taught in the photography and humanities departments at Columbia College Chicago and juries local and national exhibitions. She holds an MA in museum studies, an MFA in fine art photography, and a BA in Asian studies.

Natsumi Araki is a curator and associate professor of inter-media art and global art practice based in Tokyo. Since 1994, she has been involved in the organization of exhibitions and educational programs as a curator for the Mitaka City Arts Foundation, Mori Art Museum, and Tokyo University of the Arts. Exhibitions she has curated include “Odani Motohiko: Phantom Limb,” “Go-Betweens: The World Seen through Children,” “Dinh Q. Lé: Memory for Tomorrow,” and “Roppongi Crossing 2016: My Body, Your Voice.” She most recently curated “Listen to Her Voice,” a group exhibition of 11 women artists at Tokyo University of the Arts.

Newsha Tavakolian was born in 1981 in Tehran, Iran. A self-taught photographer, Newsha began working professionally in the Iranian press at the age of 16, at a women’s daily newspaper “Zan”. At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country’s blossoming reformist movement and for Newsha personally as a photojournalist; a year later she joined the New York-based agency Polaris Images.

In 2002, she began working internationally, covering the war in Iraq. She has since covered regional conflicts, natural disasters and made social documentary stories. Her work has been published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad, The New York Times Magazine and National Geographic.

In 2009, Newsha covered the Presidential elections in Iran, which ended up in chaos and forced her to temporarily halt her photojournalistic work. Instead, she started working on projects that experts describe as a mix of social documentary photography and art.

Her work has been displayed in dozens of international art exhibitions and has been on show in museums such as the Victoria & Albert, LACMA in and the British Museum, and the Boston Museum of Fine Art. In 2014, Newsha was chosen as the fifth laureate of the Carmignac Gestion Photojournalism Award. She published her first book, Blank Pages of an Iranian Photo Album in 2015, the same year she joined Magnum Photos, where she will be a nominee for two years. Recently, she was chosen as the principle laureate of the Prince Claus Award.

Nicolas Jimenez is chief editor, director of photography of the French daily newspaper Le Monde. He studied management in Sciences Po and European studies, in Sorbonne University. From 1999 to 2004 he worked, with Jean-Francois Leroy for the international festival of photojournalism Visa pour l’Image. In 2005, when Le Monde decided to become a major actor of the photojournalism industry, Jimenez became national photo editor. He went on to become the head of the photo department, then chief editor in 2018. Le Monde is now one of the three biggest photojournalism producer in French speaking press.

Noelle Flores Théard has been the senior digital photo editor at The New Yorker since 2021. She was the program officer at Magnum Foundation from 2016 to 2021, and is a co-founder of FotoKonbit, a nonprofit organization created in 2010 to engage and support Haitians telling their own stories through photography.

Before being named Artistic Director at La Fabrica in 2014, Oliva Maria Rubio was Director of Exhibitions and General Curator of PHotoEspaña (PHE), Madrid´s international photography and visual arts festival, where she programmed approximately 60 exhibitions. A thought-leader in the industry, Oliva has been a juror on several major international photography awards and her essays appear in catalogues, magazines and newspapers. She is the author of La mirada interior. El surrealismo y la pintura (Madrid, Tecnos, 1994) and holds a doctorate in History and Theory of Art from Madrid’s Autonomous University.

Olivier Laurent is a photo editor at The Washington Post. Previously, he was editor of TIME LightBox and before that, the associate editor for British Journal of Photography and the editor of FLTR, an independent weekly magazine about smartphone photography and its impact on today’s society.

Born in France in 1980, he graduated from the American University of Paris in 2005 and immediately moved to London to pursue a career in journalism, starting in the financial sector on publications such as Dealing With Technology and Post Magazine, before joining British Journal of Photography in 2008.

He has sat on the juries of the Visa pour l’Image Web Documentary Award, the Carmignac Gestion Photojournalism Prize, the FotoEvidence First Photobook Award, the Getty Images Grants for Editorial, the Visa d’Or News and Features, Photoreporter Festival, and LensCulture Emerging Talent Awards.

Paula Tognarelli is the Executive Director and Curator of the Griffin Museum of Photography. The Griffin Museum of Photography located in Winchester outside Boston, Massachusetts, is a small nonprofit photography museum whose mission is to promote an appreciation of photographic art and a broader understanding of its visual, emotional and social impact. The museum houses 3 galleries and maintains 4 satellite gallery spaces and several virtual on-line galleries as well. Ms. Tognarelli is responsible for producing over 60 exhibitions a year at the Griffin and its surrounding satellite spaces.

She holds an M.S. in Arts Administration from Boston University, BA from Regis College, is a graduate of the New England School of Photography and is a current candidate for her Masters in Education at Lesley University. She has juried and curated exhibitions internationally including American Photo's Image of the Year, Photoville's Fence, Flash Forward Festival, Deland Arts Festival, Center for Fine Art Photography, PDN's Photo Annual, PDN's Curator Awards, the Kontinent Awards, the Filter Festival in Chicago, San Francisco International Photography Exhibition, Your Daily Photograph for Duncan Miller Gallery, the Lishui International Photography Festival in Lishui, China. She is a regular participant in national and local portfolio reviews, has been a panelist and featured speaker at photography events and conferences including MacWorld. She has been a panelist for the Massachusetts Cultural Council's Photography Fellowships and is a nominator for the Prix Pictet in Geneva, Switzerland, a nominator for the Heinz Prize in Pennsylvania, the Robert Gardner Fellowship at Harvard University, the St. Botolph Prize and the Rappaport Prize in Massachusetts. She is a past member of the Xerox Technical Advisory Board. She is on the advisory board of the New England School of Photography and the Flash Forward Festival Boston.

Pauline Benthede is the Global Director of Exhibitions at Fotografiska and Chairman of Fotografiska’s Exhibition Committee. She has worked at Fotografiska since the inauguration of Fotografiska Stockholm in 2010 and is today strategically and creatively responsible for the exhibitions that tour Fotografiska Stockholm, New York and Tallinn, and strategically responsible for exhibitions in the planning of future Fotografiska museums. She has produced, managed and/or curated a significant number of exhibitions with international artists such as Andres Serrano, David LaChapelle, Inez & Vinoodh, Hassan Hajjaj, Sarah Moon, Cooper & Gorfer, Ren Hang, Patrick Demarchelier, Martin Schoeller, Motohiko Odani, Anton Corbijn, Bettina Rheims, Isaac Julien and Sebastiao Salgado, to name a few.

Pauline Benthede holds a degree of Bachelor of Fine Arts in photography from Gothenburg University and studied curating at Stockholm University and photography history at Umeå University.

Paul Moakley is an Editor at Large for Special Projects at TIME. He served as Deputy Director of Photography and Visual Enterprise of TIME from 2010 to 2018. Paul Moakley produces special projects such as the recent "Opioid Diaries" and TIME's Person of the Year. He was part of the Emmy award winning team for TIME’s interactive documentary Beyond 9/11: Portraits of Resilience. Previously he was senior photo editor at Newsweek and photo editor of PDN (Photo District News).

Paul Schiek is the founder of TBW Books, an independent photo book publisher based in Oakland, California. He is also the director of Workshop de Allende, a photographic arts workshop based in San Miguel de Allende, Mexico, where recent workshop sessions have been led by Curran Hatleberg, Juan Brenner, Jim Goldberg, Alessandra Sanguinetti, Mark Steinmetz, and Irina Rozovsky.

Phillip Prodger, Ph.D. (Cantab.) is Head of Photographs at the National Portrait Gallery, London, where he oversees acquisitions, research, loan and display of photographs from the 19th century to the present. Prodger has held several curatorial posts including at the Saint Louis Art Museum, the National Gallery of Canada, and the Peabody Essex Museum, where he was founding Curator of Photography. The curator of numerous exhibitions worldwide and the author and editor of fourteen books and catalogues, his writings on art and photography have been translated into nine languages. He is the curator, most recently, of “William Eggleston Portraits”, which made numerous ‘best of’ lists.

Pierre Terdjman has worked as a conflict photojournalist for over 15 years for publications such as the New York Times, Paris-Match, GQ and Haaretz. Stunned by the speed of information cycles and the growing public mistrust of the media, Terdjman began to wheat-paste giant posters of his own documentary images in the streets of Paris in 2014 with his colleague Benjamin Girette, to reach and inform the public directly, bypassing traditional media outlets.

In 2019, nonprofit Catchlight (California) awarded him a fellowship in visual leadership. Terdjman was on the jury for the Bayeux-Calvados Prize for war correspondents in 2015, the Getty Instagram Photo Contest in 2018 and the Lucas Dolega Prize in 2016.

STANLEY/BARKER is a publishing house founded in London by Rachel and Gregory Barker. From their studio they produce a select list of highly individual publications each year, including Jim Goldberg's Fingerprint, Trent Parke's Crimson Line and Christopher Anderson's SON, PIA and Marion. STANLEY/BARKER is known for the care and attention to detail applied to each publication, several of which have been selected for awards, including Judith Black's Pleasant Street – Shortlisted for the 2020 Paris Photo Aperture Book awards, Sunil Gupta's Christopher Street 1976, Shortlisted for the 2019 Paris Photo Aperture Book awards, The Lucie Photo Book Prize and Les Rencontres d’Arles book Award, and Tod Papageorge's Studio 54, shortlisted for the 2015 Paris Photo Aperture Book awards.

Raquel Villar-Pérez is a researcher, writer, and curator whose practice focuses on de- and anti- colonial discourses within contemporary art and literature from the ‘Global South’. She is interested in the work of image-makers who address notions of transnational feminisms, social and environmental justice, and do so in original, expansive ways.

Currently, she is the Curator at Photoworks, where she is instrumental to the development of the Photoworks Festival and she leads on the Annual, the Jerwood/Photoworks Awards, and the Ampersand Fellowship, among other projects. Prior to Photoworks, Raquel worked for Tate Modern as an Exhibitions Assistant. As a freelancer, Raquel has curated exhibitions of contemporary art and public programmes in London, Cambridge, Bogotá, Stockholm, Seoul, Málaga, and Valencia. Her exhibition project Poetics of Resistance from the Archive in Two Acts won the 2021 Peckham24 Open Call. She regularly sits in jury panels and contributes to publications such as British Journal of Photography, C&, C& América Latina, and Africanah.

Having graduated in Cultural Studies from the School of Oriental and African Studies, University of London in 2017, she is now a PhD candidate at Birkbeck’s School of Art. She has been recently appointed co-coordinator of the CILAVS Early Career Researchers Network and is a member of the research group Art and Identity Politics at the University of Murcia in Spain.

Rebecca McClelland is Executive Producer & head of department for Art Production within Saatchi & Saatchi, managing a team of creative producers & image searchers. Rebecca is responsible for leading & crafting visual outputs of several of the world’s leading creative companies like Airbnb, Sunday Times magazine, BBH, Wallpaper*. As an award-winning visual story teller, with 17 years experience in advertising, luxury & long-form current affairs, Rebecca is renowned for helping clients develop a dynamic visual language.

Rebecca Morse is Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art. Recent projects include Objects of Desire: Photography and the Language of Advertising, Barbara Kruger: Thinking of You I Mean Me I Mean You, Thomas Joshua Cooper: The World’s Edge, Sarah Charlesworth: Doubleworld, and Larry Sultan: Here and Home. She was previously Associate Curator at The Museum of Contemporary Art, Los Angeles (MOCA) where she organized Amanda Ross Ho: Teeny Tiny Woman, Cai Guo-Qiang: Ladder to the Sky, Rodarte: States of Matter, The Artist’s Museum, and Florian Maier-Aichen. Upcoming projects include an exhibition around the work of American photographer Laura Gilpin.

Originally a poet, Rebecca Norris Webb often interweaves her text and photographs in her six books, most notably with her monograph, My Dakota—an elegy for her brother who died unexpectedly—with a solo exhibition of the work at The Cleveland Museum of Art (2015), among other venues. Her work has appeared in The New Yorker, The New York Times Magazine, National Geographic, and is in the collections of the Museum of Fine Arts, Boston, Cleveland Museum of Art, and George Eastman Museum, Rochester, N.Y. Rebecca is an NEA grant recipient, and her seventh book, Brooklyn: The City Within (with Alex Webb), will be published by Aperture in fall 2019.

Regina Anzenberger is founder and director of Anzenberger Agency (representing photographers worldwide) and AnzenbergerGallery (in Vienna, Austria). Regina Anzenberger curates exhibitions, writes and publishes books, and is director of the Vienna PhotoBook Festival. She is a member of the Nominating Committee of the Joop Swart Masterclass and the Prix Pictet.

Since 2006, Reinout van den Bergh has worked as curator of BredaPhoto — one of Europe’s leading international photography festivals. He also supervises students and graduates of its International Talent Program. In his personal and commercial work, he is a photographer, filmmaker and audiovisual designer. In this capacity he has travelled throughout Europe, Africa, Asia, the Middle East, the USA and Latin America.

He has worked for various ethnographical museums, and his work has been exhibited in museums in Eastern and Western Europe and Africa, and published in several books and other publications. His latest book, Eboundja, was published in September 2020.

Renée Mussai is a London-based curator, writer and scholar of photography and lens-based media with a special interest in African and diasporic lens-based Black feminist and queer visual arts practices. The former senior curator and head of collection at Autograph (a photographic arts charity that addresses politics of race, representation, and social change) where she was responsible for numerous exhibitions, artist commissions, research initiatives and publications over more than two decades, she is artistic director and chief curator at the Walther Collection, a New York-based arts foundation. Since 2009, Mussai has conceptualised and organized over thirty internationally travelling exhibitions including Zanele Muholi’s Somnyama Ngonyama, Hail the Dark Lioness and the critically acclaimed Black Chronicles archive programs, amongst many other solo and group exhibitions. Alongside her research-led curatorial practice, she lectures and publishes widely on photography and curatorial activism. Her recent publications include Lina Iris Viktor's award-winning monograph Some Are Born to Endless Night—Dark Matter (2020) and the forthcoming Eyes That Commit: Black Women and Non-Binary Photographers—A Visual Survey’ (Prestel, 2023). Mussai is a research associate at the Visual Identities in Art and Design Research Centre, University of Johannesburg; associate lecturer at University of the Arts London; and former guest curator and fellow at the Hutchins Center for African & African American Research at Harvard University.

Rhea L. Combs, PhD is the Director of Curatorial Affairs at the Smithsonian National Portrait Gallery and works with her curatorial team along with the History, Conservation and Audience Engagement departments to grow the Portrait Gallery’s collection, develop impactful exhibitions, and draw connections between portraiture, biography and identity. Prior to this, Combs was at the Smithsonian’s National Museum of African American History and Culture where she served as supervisory curator of photography and film and head of the museum’s Earl W. and Amanda Stafford Center for African American Media Arts. She has curated numerous exhibitions related to film and photography both nationally and internationally, including: “Everyday Beauty: Photographs and Films from the Permanent Collection” (2016), “Represent: Hip-Hop Photography” (2018), and “Now Showing: African American Movie Posters” (2019). She is a co-curator of the forthcoming exhibition “Regeneration: Black Cinema, 1898–1971,” which will be presented at the Academy Museum of Motion Pictures in Los Angeles. She received a BA from Howard University and an MA from Cornell University before earning a PhD from Emory University.

Richard Renaldi (b. 1968) is an renowned American portrait photographer. His work has been exhibited in galleries and museums throughout the United States, Asia and Europe, and he is represented by Benrubi Gallery in New York and Robert Morat Galerie in Berlin. Five monographs of Richard’s work have been published and he was the recipient of a 2015 fellowship from the John Simon Guggenheim Memorial Foundation.

Robert Morat is the owner and director of Robert Morat Gallery in Berlin. The gallery program focuses on emerging and mid-career positions in contemporary photography, representing artists such aa Christian Patterson, Ron Jude, Jessica Backhaus, Bertien van Manen, Hans Christian Schink, Lia Darjes, Mårten Lange, Simon Roberts, Andrea Grützner and many others. Robert, an art historian, went to Journalism School and started out as an editor working for magazines, newspapers and TV. He opened the gallery in Hamburg in 2004 and started showing at international art fairs in 2007. Today, the gallery is a regular exhibitor at art fairs such as PARIS PHOTO, UNSEEN Amsterdam or Photo London. In 2009, Robert became a member of AIPAD, the Association of International Photography Art Dealers, and served as a director and member of the board from 2010 to 2015. In 20015 the gallery relocated to Berlin and is found today on Linienstrasse in the Mitte art district, showing an alternating program of represented artists, guest exhibitors (John Divola (2019), Max Pinckers (2020)), book presentations and artist talks.

Roger Tooth trained as a newspaper photographer on the Hackney Gazette in East London, worked as a staff photographer for IPC magazines, and freelanced for the Guardian newspaper, other papers and magazines in the 70s and 80s. In 1988, he joined the Guardian as Assistant Picture Editor, advanced to Deputy Picture Editor, and helped launch the Guardian Unlimited website. In early 2001, he became Head of Photography at the Guardian, the Observer and theguardian.com. In 2009 he was awarded the Fenton Medal by the Royal Photographic Society for his outstanding contribution to the field.

As Creative Director, Roman has established plainpicture as a very popular alternative source for photography. With a credible and unconventional portfolio, plainpicture steers away from the current photography mainstream and focuses on targeted editing to develop its ambitious and challenging collection. It is an inspirational source for all creatives from the advertising, design and publishing fields, including a special collection, «Rauschen», dedicated to book jacket designers. plainpicture has offices in Hamburg, Paris, London and New York. Topics of interest: «We look for photographers who want to provide us a part of their photographic work for exclusive and worldwide sale: both for commercial use and for editorial use, as well as for bookcovers.»

Ron Haviv is an Emmy-nominated, award-winning photojournalist and co-founder of the photo agency VII. He is dedicated to documenting conflict and raising awareness about human rights issues around the globe. In the last three decades, Haviv has covered more than twenty-five conflicts and worked in over one hundred countries. He has published three critically acclaimed collections of photography, and his work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Haviv's photographs are in the collections of The Houston Museum of Fine Arts and the George Eastman Museum, among others, as well as numerous private collections.

Rose Shoshana founded ROSEGALLERY in 1992, establishing a renowned space focused on works which enrich the canon of modern and contemporary photography. ROSEGALLERY has centered its programming both on pictures which instill the history of photography (such as Manuel Alvarez Bravo, Dorothea Lange) and works that ever expand the potential of photo-based art (such as John Chiara and Lebohang Kganye).

Rose Shoshana’s work with ROSEGALLERY extends beyond exhibiting photographs: often collaborating and collecting support for artists to create projects that perhaps the artists could not have realized on their own. Shoshana has worked intimately with renowned artists and institutions, including William Eggleston, Bruce Davidson, Graciela Iturbide, Evelyn Hofer and Mark Cohen. Several of these projects became a part of the Tate Modern’s rotating program, Artist Rooms.

She is one of the founding members of the Getty Museum’s Photographs Council and has worked with The J. Paul Getty Museum on several of their major exhibitions. She has published and edited several books, and she worked with Jo Ann Callis on realizing her first monograph Early Color, published by Aperture.

In 1995, art collector Roy Kahmann founded Het Hoofbureau, a combination design studio and advertising consultancy agency. From this company emerged the very first online photography gallery in Europe: Vintagephoto.nl. Three years later, Kahmann opened an actual art gallery called HUP Gallery. In 2009 it would change its name to Kahmann Gallery, which now represents 35 vintage and contemporary photographers. Kahmann’s love for both design and photography also came together in GUP Magazine, the international photography magazine founded in 2005. It has been around for 13 years and is available in 30 countries.

Kahmann’s latest initiative is Haute Photographie, a new photography fair with a concept unlike any other. The fair is centered around a group exhibition and features works by the grand masters from the history of photography as well as the youngest and most exciting young talents working with the medium today. Haute Photographie is a boutique photography fair with the allure of a museum.

Russ O’Connell is the Picture Editor of the prestigious Sunday Times Magazine in London. He has worked for some of the biggest consumer publications in the UK market as a Photographic Editor and Director. Collaborating with the biggest photographers in the world, both in the UK and abroad, he regularly commissions assignments ranging from high-end celebrity portraiture, to in-depth reportage and long-form documentary photography. Russ has judged numerous high profile photographic competitions for the likes of: The Sony World Photography Awards, Royal Photographic Society awards, BJP, Amnesty International, and is on the judging panel of the Ian Parry Scholarship.

Dr Sabina Jaskot-Gill is Curator of Photographs at the National Portrait Gallery, London where she develops acquisitions and curates exhibitions of photography and new media. Recent examples include Hold Still (2020), Only Human: Martin Parr (2019), John Stezaker: Portrait (2019), In Focus: Rinko Kawauchi (2018), Black is the New Black: Portraits by Simon Frederick (2018), Siân Davey: We Are Family (2017), Thomas Ruff Portraits (2017) and Double Take: Akram Zaatari and the Arab Image Foundation (2017). Sabina has also curated the 2016, 2017 and 2018 Taylor Wessing Photographic Portrait Prize exhibitions. Previously, Sabina lectured on the history and theory of photography at Sotheby’s Institute of Art and has held positions at Tate, Autograph ABP and the University for the Creative Arts.

Sacha Lecca is a photographer and a Deputy Photo Editor at Rolling Stone Magazine. He has had a 20-year-long career in print journalism with stints at Newsweek, CMP Media, and his current photo editing position at Rolling Stone.

Sadie Quarrier is the Deputy Director of Photography for National Geographic where she manages a team of 19 photo editors and oversees the assignment, production, and acquisition of photography across print and digital platforms. She provides journalistic insight and editorial guidance on the development of visual storytelling across platforms.

Previously she was Deputy Director of Mobile Storytelling where she oversaw producers creating engaging, mobile–first stories and videos. From 2002-2019, Sadie was a Sr. Photo Editor at National Geographic magazine where she was responsible for producing, managing, and editing 20+ stories/year. She was twice a finalist for Visual Editor of the Year by Pictures of the Year International (POYi). Sadie has traveled around the world on assignments and teaching National Geographic Photo Camps. Her career started at National Geographic in 1992.

Samantha Clark is a photo editor at National Geographic, where she commissions and produces photography for the print and digital editions of the magazine. Prior, she worked at NPR, KQED, and Pier 24 Photography. She also features and writes about photography for NPR’s The Picture Show. She holds a masters in journalism from UC Berkeley.

Samantha Cooper is the senior photo editor at WIRED. Previously, she was a photo and video curator at Instagram and a creative producer and photo editor at Airbnb. Samantha has developed a Webby Award-winning film for Airbnb and produced photography that was selected as an American Photography 35 winner for WIRED. She has exhibited work and curated photography exhibitions throughout San Francisco, and she has taught photography at the Harvey Milk Photo Center in San Francisco, California. Samantha holds a BA in Film and Video from the University of California at Santa Cruz. She currently serves on the City College of San Francisco Industry Advisory Board for photography.

Currently serving as the Creative Director of United Photo Industries, Sam Barzilay is also the co-founder of Photoville, a photographic gathering that has rapidly become one of the largest and best-attended photography events in North America. Sam is also one of the founding producers of the T3 Photo Festival in Tokyo, Japan.

Sam holds a Master in Photojournalism from the University of Westminster (UK), where his studies focused on curatorial and photo-editing practices. Over the past decade, he has worked alongside some of the best and brightest minds in the global photographic community in pursuit of developing new audiences for photography. He is interested in devising methods of presentation that further amplify the power of photographic storytelling to help increase public awareness and bring about social change.

Sandra M. Stevenson recently joined CNN as Associate Director of Photography, after working for 15 years as an award-winning Writer/Visual Editor/Curator at The New York Times. Formerly, she was the program coordinator for the Black Filmmaker Foundation. Sandra was a contributing writer for the book "Unseen: Unpublished Black History from The New York Times Photo Archives."

Sandra Stevenson is associate director of photography for CNN. She previously worked as assistant editor at The New York Times, where she oversaw digital photo editors on the news desk, and worked on visual content for Race/Related and Gender, in addition to special projects such as “Overlooked.” Stevenson was a contributing writer in the book Unseen. Most recently, she was the picture editor and co-curator on the project and book This Is 18. In the past, Stevenson was program coordinator for the Black Filmmaker Foundation, where she had a deep commitment to helping people of color enter the film industry, and spent 8 years at AP, moving up from photo assistant to overseeing photo news coverage for Latin America and the Caribbean.

Sara Urbaez is a photo editor and producer at Airbnb. She is also the founder and curator of LISTO, an online platform devoted to dismantling colonialism in photography and honoring BIPOC photographers. Before coming to Airbnb, Sara was the curator and managing editor of WIRED Photo, WIRED.com’s photography section, and oversaw photography across all platforms. She also worked in the photo department of Art + Auction and Modern Painters, DEPARTURES, at the Walther Collection, and as a stylist assistant at W Magazine. She has a deep love for art and the outdoors, and is usually plotting her next adventure.

Sarah Leen is the Director of Photography for the National Geographic Magazine and Partners. For nearly 20 years she worked as a freelance photographer for National Geographic until she joined the staff as a senior photo editor in 2004. Leen supervises all visual content creation and photography staff for the magazine as well as NG Traveler, the natgeo.com website and the @natgeo photography social media sites.

Leen graduated with a BA in Fine Arts in 1974 from the University of Missouri, Columbia and continued with graduate studies at the Missouri School of Journalism. Leen was the College Photographer of the Year in 1979 and worked as a staff photographer for both the Topeka Capital Journal and the Philadelphia Inquirer until 1988. She published 16 stories and had five covers in National Geographic as a photographer. In 2010, Leen curated the National Geographic’s exhibit Water is Life at the Annenberg Space for Photography in Los Angeles and in 2013 curated The Power of Photography: National Geographic 125 Years at the Annenberg Space.

Leen has won numerous awards for her photography in both the Pictures of the Year (POYi) and the World Press Photo competitions. In 2007 and 2008 she won first place Magazine Picture Editing Portfolio from POYi and second place in 2011. Her team of photo editors has twice won the Angus McDougall Overall Excellence in Editing Award from POYi.

Scott Hall is the Photo Director at Travel + Leisure magazine. Previously, he was the Director of Photography at Departures and Newsweek, and a Photo Editor at T: The New York Times Style Magazine. His work has been recognized by The Society of Publications Designers, American Photography and PDN. Hall holds a BFA in Cinema Studies from New York University and an MA in Media Studies from The New School.

Sean O’Hagan writes about photography for The Guardian and The Observer and is also a general feature writer. He was named interviewer of the year in the Press Awards in 2003 for his profiles of footballer Roy Keane and musician Brian Wilson, among others. He is the winner of the 2011 J Dudley Johnston Medal from the Royal Photographic Society “for major achievement in the field of photographic criticism” for his writing.

Shahidul Alam (born 1955) is a Dhaka-based photographer and writer. He is the founder of the Drik Picture Library (1989), the Pathshala South Asian Media Institute (1998), and Chobi Mela International Photography Festival (2000). He has published Nature’s Fury(2007), Portraits of Commitment (2009), My Journey as Witness (2011), and Best Years of My Life (2016). He has received many awards, amongst them the Shilpakala Padak from the President of Bangladesh (2014), the Humanitarian Award from the Lucie Awards (2018), and the Infinity Award (2019). He was imprisoned by the government of Bangladesh for 107 days in 2018. He is one of Time Magazine’s Persons of the Year 2018. He is an Honorary Fellow of the Royal Photographic Society and a Visiting Professor of Sunderland University. His book “My journey as a witness” has been described by John Morris as “The most important book written by a photographer.”

Shana Lopes, PhD, is an Assistant Curator of Photography at the San Francisco Museum of Modern Art. She has organized exhibitions on cyanotypes, the 1906 earthquake, Atget, Wright Morris, and Eikoh Hosoe. She was the co-curator of Constellations: Photographs in Dialogue (2021), which paired recent acquisitions with existing work from the collection, and A Living for Us All: Artists and the WPA (2021). Most recently, she organized Sightlines: Photographs from the Collection (2022). Over the past fourteen years, she has gained curatorial experience at the Center for Creative Photography in Tucson, Arizona, and the Metropolitan Museum of Art in New York.

Shoair Mavlian is the director of Photoworks and is responsible for curating the 2018 Brighton Photo Biennial. From 2011-2018 she was Assistant Curator, Photography and International Art at Tate Modern, London, where she curated several major exhibitions: ‘Shape of Light: 100 Years of Photography and Abstract Art’ (2018); 'The Radical Eye: Modernist Photography from the Sir Elton John Collection' (2016); 'Conflict, Time, Photography' (2014); 'Project Space: A Chronicle of Interventions' (2014); and 'Harry Callahan' (2013). While at Tate Modern she also researched acquisitions and curated displays from the permanent collection including ‘Dayanita Singh’ (2017), 'Lynn Cohen and Taryn Simon' (2017), and many more. Some of Mavlian’s recent independent curatorial projects include the exhibition 'Don McCullin: Looking Beyond the Edge' (Les Rencontres d’Arles, 2016) and 'In flux' (Kanellopoulos Cultural Centre, Greece, 2015 and Getxo Photo 2017).

Mavlian has a strong interest in photography relating to conflict and memory, Central and Latin American photography and emerging contemporary practice. Recent publications include ‘Ursula Schulz-Dornburg: The Land in Between’ (Mack 2018) and ‘Catherine Wagner: Place, History and the Archive’ (Damiani 2018).

Simon Bainbridge is a London-based editor and writer specializing in contemporary photography.

He recently joined Magnum Photos, where he is Head of Content. Prior to that, he spent nearly two decades as editor of British Journal of Photography, transforming it from a failing weekly trade journal into an award-winning monthly magazine with a global readership. As editorial director of 1854, BJP’s publisher, he founded Portrait of Britain, the UK’s biggest annual public art exhibition. He remains editor-at-large, and recently guest edited its latest talent issue.

He has also curated three exhibitions, and worked as a journalist and university lecturer, as well as serving as a judge or nominator on more than 100 photography contests. His first book, Magnum Artists, was published in 2020.

Siobhán Bohnacker is a Senior Photo Editor at The New Yorker, where she commissions original photography for the magazine, and curates on photography for newyorker.com. Prior to joining The New Yorker, she worked as a Photo Editor at The New York Times Magazine and from 2009-2012, worked with NGOs and non-profits, as well as advertising clients, on the production of high-profile portfolios and campaigns. She has served as on-set producer on over 200 photo shoots, most notably, at The White House, for “Going The Distance”, David Remnick’s profile of President Barack Obama (2014), and “Portraits Of Power”, an ASME-winning portfolio of 56 heads of state, photographed at the United Nations and published in The New Yorker in 2009. A Fellow of The Royal Society of The Arts, Siobhán has been a guest lecturer at such institutions as Yale, The Cooper Union, the School of Visual Arts, and has served on the jury for numerous international photo contests.

Stacey Baker is a photo editor at The New York Times Magazine. She assigns and produces photography for the weekly publication on topics as varied as sports, politics, religion and pop culture. She works with an array of photographers from all over the world, including photojournalists and portrait, fine-art and conceptual photographers. These include Alec Soth, Damon Winter, Ruddy Roye, Stephanie Sinclair, Nadav Kander and Katy Grannan. She is a former director of photography at More Magazine.

Stéphane Magnan founded Les Filles du Calvaire gallery in Paris in 1995. Its vocation is to show and defend contemporary creation by asserting a resolutely multimedia program and a strong political orientation through the works of committed artists of all generations who think about the current world in all its conditions. The gallery actively participates in fairs and shows in France and abroad and collaborates with many institutions around the world

Stephen Mayes is Executive Director of the Tim Hetherington Trust and an active board member of Catchlight.io. Across twenty-five years, he has managed the work and careers of top-level photographers and artists in the diverse areas of art, fashion, photojournalism and commercial photography. As Creative Director and CEO, Mayes has written successful business plans and reshaped operations for American, Asian and European imaging companies. Positions have included an 8 year assignment as Secretary to the World Press Photo Competition, CEO of Network Photographers (London) and VII Photo Agency (New York), SVP Content for Getty Images, Director of the Image Archive at Art + Commerce and Global Creative Director for eyestorm, the innovative art retailer. Often described as a “futurist” Mayes has broadcast, taught and written extensively about the ethics and practice of photography.

Steven Evans is an artist, writer, curator and executive director of the award-winning arts organization FotoFest International, which created the first and longest running international Biennial of Photography and New Media Art in the U.S. Appointed in 2014, Evans is responsible for exhibitions, art programs, administration and FotoFest Biennial organization.

Evans co-curated the FotoFest 2018 Biennial central exhibition INDIA: Contemporary Photographic and New Media Art and the 2016 Biennial central exhibition Changing Circumstances: Looking at the Future of the Planet. He represents FotoFest at photography events around the world, including Argentina, Brazil, China, Czech Republic, Denmark, France, Great Britain, India, Latvia, Mexico, and the Netherlands, and South Korea. Prior to FotoFest, Evans worked with a wide range of artists and collaborators as managing director of the Dia:Beacon Museum in New York State and as director of the Linda Pace Foundation in San Antonio, Texas. His curatorial work incorporates a range of approaches with a focus on photography, moving image, and new media art.

Sujong Song is active in a broad spectrum of photography-related projects: publishing, exhibition curating, criticism, and teaching. She is especially interested in expanding the contact points between photography and the public, using photography’s wide ranging forms. Song has participated in several photography festivals, including the Angkor Photography Festival where she was on the executive committee. She is currently a committee member of the Daegu Photo Biennale, in South Korea. She was honored to be a judge at World Press Photo, Photo Lucida, POYi and other photographic awards. She has curated a number of exhibitions, including “Memento Vita” at the Seoul Metropolitan Museum, “Paradise Lost” at the Goeun Photography Museum, and “Mario Giacomelli” at Seoul Photography Festival.

Susan Meiselas was born in Baltimore, Maryland in 1948. She received her BA from Sarah Lawrence College and her MA in visual education from Harvard University.

Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since. She is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America. Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago, and New York, and her work is included in collections around the world. She has received the Robert Capa Gold Medal for her work in Nicaragua (1979); the Leica Award for Excellence (1982); the Engelhard Award from the Institute of Contemporary Art (1985); the Hasselblad Foundation Photography prize (1994); the Cornell Capa Infinity Award (2005) and most recently was awarded the Harvard Arts Medal (2011). In 1992, she was named a MacArthur Fellow.

Susan Thompson has spent over ten years as a curator at the Solomon R. Guggenheim Museum, where she has organized numerous exhibitions, including most recently Implicit Tensions: Mapplethorpe Now (2019–20); Simone Leigh: Loophole of Retreat (2019); and Anicka Yi: Life Is Cheap (2017). Her writing has appeared in various volumes, including Danh Vo: Take My Breath Away (Guggenheim Museum, 2018), The Black Dada Reader(Walther König Books, 2017), and Photo-Poetics: An Anthology (Guggenheim Museum, 2015). Thompson holds an MA in modern art from Columbia University and a BA in art history and political science from the University of North Carolina at Chapel Hill.

Susan White has been the photography director of Vanity Fair magazine for more than 20 years. Throughout her tenure, she has worked with many of the industry’s leading photographers, covering a wide array of subject matter. During this time, Vanity Fair received numerous nominations and awards in the photography category from the American Society of Magazine Editors and the Society of Publication Designers. In 2005, Susan was named “Photo Editor of the Year” at the Lucie Awards.

Born in Osaka, 1968. After working at Museum of Contemporary Art Tokyo, Tetsuro Ishida serves as the curator of Tokyo Metropolitan Museum of Photography, involved with art museum education and exhibition projects and organization. He has curated exhibitions of Nobuyoshi Araki in 1999, Rinko Kawauchi in 2012, Contemporary Japanese Photography vol. 12 in 2013 and more.

Thea Traff is a Senior Photo Editor at TIME Magazine, where she commissions photography for the print and digital editions of the magazine. Prior to TIME, Thea was a Photo Editor at The New Yorker Magazine for six years. While at The New Yorker, the team was awarded an ASME for her work on Philip Montgomery's coverage of the opioid epidemic. Thea studied Studio Art and Philosophy at Colgate University in Hamilton, NY.

Todd Hido (born in Kent, Ohio, 1968) wanders endlessly, taking lengthy road trips in search of imagery that connects with his own memories. Through his unique landscape process and signature color palette, Hido alludes to the quiet and mysterious side of suburban America—where uniform communities provide for a stable façade—implying the instability that often lies behind the walls. His photographs are in many private and public collections, including the Getty, Los Angeles; Whitney Museum of American Art; MoMA: San Francisco Museum of Modern Art. Notably, Pier 24 Photography holds the archive of all his published works. He has published more than a dozen books, including the award-winning monographs by Nazraeli Press, House Hunting (2001) and Excerpts from Silver Meadows (2013), as well as the innovative B-Sides Box Set that function as a companion piece. His Aperture titles include Todd Hido on Landscapes, Interiors, and the Nude (2014), part of The Photography Workshop series, and the mid-career survey Intimate Distance: Twenty-Five Years of Photographs, A Chronological Album (2016). His latest book, Bright Black World, was released by Nazraeli in the Fall of 2018. Hido is also a collector, and over the last twenty-five years has created one of the most notable photobook collections, which was featured in Bibliostyle: How We Live at Home with Books (2019).

Gitterman Gallery was founded in 2003, after Tom Gitterman was in the field for 13 years working for Pace/MacGill Gallery [intern], Zabriskie Gallery and Howard Greenberg Gallery. Gitterman Gallery specializes in connoisseur level photographs and photographic based art. In addition to representing artists, estates and private collections, the gallery maintains an inventory of selective work in a full range of styles and periods that span the history of the medium, from the 19th Century to Contemporary.

Trent Parke is one of the most innovative photographers of his generation. He is known for his poetic, often darkly humorous photography that offers an emotional and psychological portrait of his home country of Australia – from the southern outback to its busy beaches. Though rooted in documentary, his works sit between fiction and reality, exploring themes of identity, place, and family life.

Parke was born in 1971 and raised in Newcastle, New South Wales. Using his mother’s Pentax Spotmatic and the family laundry as a darkroom, he began taking pictures when he was around 12 years old. He began his career as a press photojournalist and in 2007 became the first Australian to become a Full Member of Magnum Photos.

His work has been exhibited widely and is held in major institutional collections, including the National Gallery of Australia, Museum of Contemporary Art, National Gallery of Victoria, Art Gallery of New South Wales, Art Gallery of South Australia, Artbank, Magnum London and Magnum Paris. In 2015, solo exhibition The Black Rose, premiered at the Art Gallery of South Australia, featuring photographs, light boxes, video, written texts and books.

Parke has published eight monographs, Dream/Life in 1999, The Seventh Wave with Narelle Autio in 2000, Minutes to Midnight, The Christmas Tree Bucket and Minutes to Midnight in 2014, The Black Rose in 2015, The Crimson Line in 2020 and Cue the Sun in 2022.

Virginia Heckert has been a curator of photographs at the J. Paul Getty Museum since 2005, where she also served as department head from 2014 to 2018. In addition to organizing monographic exhibitions on Sigmar Polke, August Sander, Bernd and Hilla Becher, Irving Penn, and Ed Ruscha from the permanent collection, she has collaborated on presentations of the photographs of Lyonel Feininger and the Bauhaus and Ray K. Metzker and the Institute of Design. The exhibitions Light, Paper, Process: Reinventing Photography (2015) and Cut! Paper Play in Contemporary Photography (2018) addressed the materiality of contemporary approaches to the medium of photography. She is currently working on the exhibitions Mario Giacomelli: Figure/Ground and The Expanded Landscape, both drawn from the Getty’s permanent collection. Prior to joining the Getty Museum, Virginia was the inaugural Curator of Photography at the Norton Museum of Art in West Palm Beach, FL (2001-2005), and held fellowships at the Museum of Modern Art and Metropolitan Museum, New York, and the Berlinische Galerie, Berlin. She received her PhD from Columbia University, New York, with a dissertation on the German modernist photographer Albert Renger-Patzsch.

Whitney Johnson is the Vice President of Visuals and Immersive Experiences at National Geographic. Prior to that she worked at the Open Society Foundations. She has taught at Columbia University’s Graduate School of Journalism, New York University’s Tisch School of the Arts, and the International Center of Photography.

Whitney Matewe is photo editor at TIME. She primarily works on portraiture and feature commissions as well as larger packages such as TIME100, Next Generation Leaders and Kid of The Year. Prior to joining the photo department at TIME, Whitney was a photo editor at National Geographic, The New Yorker, The Intercept and Condé Nast brands like Teen Vogue and GQ. She has served as juror on multiple awards and reviews.

Since March 2000, Xavier Canonne has been the director of the Musée de la Photographie in Charleroi, Belgium. Before coming to the Musée, he was the director of the collection of the Province of the Hainaut (modern and contemporary art) from 1987 to 2000. He has curated many exhibitions and has edited and written various books and studies. He had curated several exhibitions, among them Intimate Man Ray (2003); Scenes of Atget (2004); Lee Miller a Life (2005); and Surrealism in Belgium in the Fine Arts Museum in Mons-BAM (March—April, 2007). Canonne is the publisher of the review "Marées de la Nuit". He is the author of the several books, including Looking at the U.S. – 1957—1986, published in 2009; Requiem pour un homme seul, Le Samouraï de Jean-Pierre Melville, 2010; and René Magritte, The revealing images, published in 2017. Xavier Canonne received his Doctorate in Art History and Archaeology from the Sorbonne University in Paris, with a doctoral thesis dedicated to Surrealism in Belgium.

Xavier Soule is the CEO of Abvent Group and president and director of Agence VU’, one of the most renowned agencies and galleries for photographers in France and Europe. The aim of Galerie VU’ is to affirm, on the walls, the diversity of contemporary stylistic photographic approaches, and to compare and contrast current viewpoints, so they can dialogue with their differences. Galerie VU’ works like any other commercial gallery: it is simultaneously a space for exhibiting and selling collectors’ editions, offering monograph approaches as well as hosting authors’ dialogues, group and thematic approaches. As a collector himself, Xavier is interested in a wide array of photography. From art pieces to documentary reports, he is particularly interested in cutting-edge photojournalism and contemporary photography that offer innovative approaches to expand our visual understanding of the world, people and light.

Dr Yasufumi Nakamori is the Senior Curator of International Art (Photography) where he leads the development of Tate’s collection of photography and the programme of photography exhibitions and displays. Prior to that, Nakamori headed the department of photography and new media at the Minneapolis Institute of Art, developing new displays of photography and time-based media within the context of a global encyclopaedic art museum. He was also responsible for numerous key acquisitions which transformed and diversified the museum’s photography collection. He previously served as curator of photography at the Museum of Fine Arts, Houston from 2008 to 2016, creating ground-breaking exhibitions such as Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro, and many others. He is a 2016 fellow of the Getty Leadership Institute, holds a Juris Doctor from the University of Wisconsin, an MA in Contemporary Art from Hunter College, the City University of New York, and a PhD in the History of Art and Visual Studies from Cornell University.

Yumi Goto is an independent photography curator, editor, researcher, consultant, educator and publisher who focuses on the development of cultural exchanges that transcend borders.

She collaborates with local and international artists who live and work in areas affected by conflict, natural disasters, current social problems, human rights abuses and women’s issues. She often works with human rights advocates, international and local NGOs, and humanitarian organizations as well as being involved as a nominator and juror for international photographic organizations, festivals and events.

She is now based in Tokyo and is also a co-founder and curator for the Reminders Photography Stronghold, which is a curated membership gallery space in Tokyo enabling a wide range of photographic activities.

Yuting Duan has been dedicating herself to promoting Chinese contemporary photography for many years. In 2005, she co-founded the Lianzhou International Photo Festival, one of the biggest and most influential photo festivals in China, which she continues to direct today. Ms. Duan has also been involved with the following festivals around the world: FotoFest, FOTOBILD, Paris Photo Biennale, Rhubarb-Rhubarb festival, Thessaloniki Photo Biennale, Festival de la Luz and Moscow Photo Biennale. She has also been a nominator for the Prix Pictet Photography Prize and the Hasselblad Award. She is the author of Ten Years of Contemporary Photography in China 2005-2014. Most recently, she co-founded the Lianzhou Museum of Photography (LMP), the first public museum dedicated to contemporary photography in China, which opened in 2017. She is now the co-director of the museum.