×
Skip to main content
Got a tip?
Newsletters
04-08-2024 Daily Edition April 7, 2024

Daily Edition

Box Office: ‘Godzilla x Kong’ Squashes ‘Monkey Man’ and ‘First Omen’ With $31.7M

Godzilla x Kong: The New Empire were the monsters with the mostest at the box office this weekend, as Dev Patel‘s much buzzed-about feature directorial debut Monkey Man and supernatural franchise installment The First Omen both opened behind expectations. Neither genre film ever had a chance of taking away the No. 1 spot from Warner […]

Godzilla x Kong: The New Empire were the monsters with the mostest at the box office this weekend, as Dev Patel‘s much buzzed-about feature directorial debut Monkey Man and supernatural franchise installment The First Omen both opened behind expectations.

Neither genre film ever had a chance of taking away the No. 1 spot from Warner Bros. and Legendary’s Godzilla x Kong, but had hoped for a bigger slice of the proverbial box office pie. Godzilla, from filmmaker Adam Wingard, is proving to be a significant victory for Josh Grode’s Legendary Pictures on the heels of Dune: Part Two, which is the top-grossing film of the year to date with $660.7 million in global ticket sales through Sunday. And Godzilla is also a big win for Warner Bros. and Legendary’s MonsterVerse series, at a time when many franchises are struggling to remain fresh.

Godzila x Kong topped the chart with $31.7 million in its sophomore outing for a domestic cume of $135 million. It fell 60 percent, a relatively good hold for a title opening to $80 million. Overseas, it fell only 53 percent to $59.3 million from 69 markets for a foreign total of $226 million — including $92.2 million in China — and $361.1 million globally.

Presented by Universal and Jordan Peele’s Monkeypaw Productions, Monkey Man placed second with an estimated $10.1 million. Heading into the weekend, tracking suggested that both Monkey Man and The First Omen would find themselves in a close race with $12 million to $14 million each.

One huge problem overall: a glut of male-skewing projects, although The First Omen succeeded in luring plenty of younger women as well (49 percent). The other two skewed more than 60 percent male.

While $10 million isn’t necessarily a bad number for a film that secured studio distribution at the 11th hour at the urging of Peele, expectations were high after Universal smartly debuted Monkey Man at South by Southwest, where it received a rousing response from the audience, influencers and critics.

Universal and the filmmakers are hoping for a long run, but word-of-mouth shifted as Monkey Man entered the marketplace. It earned a lukewarm B+ CinemaScore from audiences and divided exits on PostTrak surveys. Its Rotten Tomatoes score initially hovered around 94 percent but then dropped to 87 percent. (The First Omen’s RT score isn’t too far behind, at 81 percent.)

Patel’s film is inspired by the John Wick series and the legend of Hanuman, an icon embodying strength and courage. In addition to directing, Patel stars in the violence-laced, R-rated film as an anonymous young man wearing a gorilla mask who ekes out a meager living working night after night in an underground fight club when he discovers a way to infiltrate the elite group responsible for his mother’s death and exact his retribution. In doing so, he also helps rescue the city’s poor and powerless.

The First Omen, a prequel to Richard Donner’s 1976 film, opened to an estimated $8.4 million, putting it at No. 4 behind holdover Ghostbusters: Frozen Empire. Disney always knew it was going to be a competitive playing field but decided to switch course and release the supernatural horror pic theatrically to help exhibitors make up for the content shortage prompted by last year’s strikes (The First Omen was made for Disney’s Hulu, not for the big screen, and therefore cost in the low $30 millions to make.)

The First Omen stars Nell Tiger Free as a young American woman who is sent to Rome to begin a life of service to the Catholic church when she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy to bring about the birth of evil incarnate. The pic earned a C CinemaScore, which isn’t unusual for the horror genre

Filmmaker Arkasha Stevenson directed The First Omen from a script she wrote with Tim Smith and Keith Thomas. Ben Jacoby has a story credit, while the film is based on characters created by David Seltzer. The cast also includes Tawfeek Barhom, Sonia Braga, Ralph Ineson and Bill Nighy.

Overseas, Stevenson’s movie started off with $9.1 million from 43 material markets, while Monkey Man took in just $2.6 million from its first 27 markets.

Universal was, however, able to celebrate Christopher Nolan’s Oppenheimer becoming his top-grossing film of all time internationally ahead of the Dark Knight films with $638.4 million to date.

Kung Fu Panda 4 also is giving Universal and DreamWorks Animation reason to smile; it has jumped the $400 million mark globally, including $166.1 million domestically. In North America, it is now the studio’s second top-grossing franchise, behind Madagascar.

April 7, 7:30 a.m.: Updated with revised weekend estimates.
April 7, 9:30 a.m.: Updated with overseas estimates.

This story was originally published April 6 at 8:33 a.m.

‘Curb Your Enthusiasm’ Series Finale Puts Larry David on Trial — With a ‘Seinfeld’ Plot Twist

[This story contains major spoilers from the series finale of Curb Your Enthusiasm, “No Lessons Learned.”] And, that’s a wrap on Larry David‘s Curb Your Enthusiasm. The series finale of the Emmy-winning HBO improv comedy kicked off with a big circle back to how the final season began, with the ensemble heading to Atlanta to […]

[This story contains major spoilers from the series finale of Curb Your Enthusiasm, “No Lessons Learned.”]

And, that’s a wrap on Larry David‘s Curb Your Enthusiasm.

The series finale of the Emmy-winning HBO improv comedy kicked off with a big circle back to how the final season began, with the ensemble heading to Atlanta to support Larry David (played by series creator-star David) in his trial.

For a refresher: Season 12 opened with Larry getting arrested for violating a 2021 voting law in Georgia when he gave Leon Black’s (JB Smoove) Auntie Rae (played by Ellia English) a glass of water while she was waiting in line to vote. Larry didn’t know about the law, but he became a liberal hero anyway, with the likes of Stacey Abrams, Bruce Springsteen and Sienna Miller becoming his adoring new fans.

An unfortunate issue with a replacement lawn jockey, however, led to Larry pleading not guilty to obstructing the election process in the state of Georgia — which is punishable by up to one year in prison and a fine of $10,000 — and going ahead with the trial, an event that has loomed over the entire season.

Larry’s act of being a good samaritan prompted comparisons to the series finale of Seinfeld and speculation that Curb’s ending might address the series finale of the classic comedy that left starring foursome Jerry Seinfeld, Julia Louis-Dreyfus, Jason Alexander and Michael Richards in a jail cell after they were deemed by the law to be bad samaritans. The ending was divisive. And Curb‘s collaborating duo of David and executive producer Jeff Schaffer seemed in on the reception, as this season was littered with references to how David ended that beloved comedy.

One key storyline in the series finale is that Leon is binge-watching Seinfeld for the first time ever when the Curb crew lands in Atlanta for Larry’s trial. Jury selection is underway and the judge decides to sequester the jurors due to the flurry of media scrutiny around the high-profile trial.

Ted Danson (played by himself) uses the opportunity to lead protests against the Election Integrity Act (which is a real law in Georgia), and Richard Lewis (played by the late comedian) is rekindling a former romance with a dishonest woman (played by guest star Allison Janney) who inadvertently flipped off Larry and Leon on the highway.

The guest cast roster continues to unspool, as a who’s-who of ghosts from Larry’s Curb past pour into the courtroom to haunt his verdict prospects. Larry and his lawyer (played by Sanaa Lathan) also face a formidable opponent on the other side of the courtroom with the prosecutor (played by Greg Kinnear), as well as the judge on the bench (played by Dean Norris).

Susie Greene (played by Susie Essman) dropped the first hint of how the verdict might go when she called Larry out for never learning a lesson in his life. “It’s up to the jury to decide what kind of man Larry David is,” newscasters announce of the headline-making trial.

The laundry list of Larry’s offenders is, in the end, too large to ignore — as the jury is informed of some of his worst behaviors, like stealing shoes from the Holocaust museum, “maliciously” giving Bruce Springsteen COVID, hugging a 9-year-old (after placing a water bottle in his pants) and giving her 21 years of therapy, using the N-word, stealing from multiple dead people, bribing a city councilperson, hiring a prostitute so he could drive in the carpool lane and pretending to be an incest survivor named Todd.

“I will not tolerate corruption from Trump, Putin or Larry David,” declares season 11 guest star, whistleblower Lt. Col. Alexander Vindman (playing himself).

The trial has proven Larry to be a “petty, conniving and frankly spiteful man,” the newscasters sum up before Larry is handed down a guilty verdict and sentenced to one year in prison.

But just as viewers think Curb may leave Larry rotting in a jail cell, complaining about the minutiae of daily life in familiar Seinfeld fashion, Atlanta visitor and highly anticipated guest star Jerry Seinfeld comes in to save the day.

Thanks to a fortuitous encounter at a nearby restaurant, Jerry was able to out one of the jurors for breaking the sequestering rule. A mistrial is declared and Larry’s sentence has been thrown out.

“Larry,” Jerry bellows, “is a free man!”

“You don’t wanna end up like this. Nobody wants to see it. Trust me,” says Jerry in a massive wink to Seinfeld.

As the pair walk out of the jail cell together, they muse about things that could have been.

“Oh my God, this is how we should’ve ended the finale,” says Larry.

“Oh my God you’re right, how did we not think of that?” asks Jerry.

“Ahhh,” they say in unison, as they throw their hands up.

The episode, directed by Schaffer, then ends with the ensemble arguing over putting the shade up or down on their airplane back to Los Angeles. “Go fuck yourself, Larry. Go back to fucking jail, Larry!” Susie screams in one of the last discernible lines of the series.

When talking about Larry’s fate in recent weeks, Schaffer had hinted to The Hollywood Reporter that Larry would not be punished — equating his situation to that of former President Donald Trump, who was once again invoked this week with a resurfaced shot of Larry’s Trump-like mugshot.

“The former felon-in-chief is supposed to be on trial now four times over, and none of them are happening! TV Larry should be envious at how [former President Donald] Trump is delaying all this stuff. So, who knows what’s going to happen on Curb?” Schaffer had recently said.

Now, Schaffer offers this to THR, in a bit of rare Curb reflection:

“What I love about the finale is that it touches on something bigger than the show. We often blur the line between real Larry and TV Larry, but here there is no line at all: Both Larrys have never learned a lesson — and thank the Gods for it.”

Head here for more from Schaffer as he unpacks the series finale — titled “No Lessons Learned” — with THR. Curb Your Enthusiasm is streaming on Max.

After Rick and Michonne’s Reunion, Where Will ‘The Walking Dead’ Universe Go Next?

[This story contains spoilers from The Walking Dead: The Ones Who Live.] Years after his presumed death, Rick Grimes is not only alive and well, but fully back in action. By the end of The Walking Dead: The Ones Who Live, the Andrew Lincoln and Danai Gurira-starring and produced limited series, the powerhouse duo of Rick […]

[This story contains spoilers from The Walking Dead: The Ones Who Live.]

Years after his presumed death, Rick Grimes is not only alive and well, but fully back in action.

By the end of The Walking Dead: The Ones Who Live, the Andrew Lincoln and Danai Gurira-starring and produced limited series, the powerhouse duo of Rick and Michonne officially reunited. Not just with each other, but with their family and friends. Having dismantled the nefarious CRM from the inside, the titular “ones who live” earned their way back to the Alexandria safe zone they called home for so many seasons, with Rick reuniting with his daughter for the first time in years, and meeting his son RJ for the first time ever.

All’s well that ends well, right? Just one problem: it ain’t over just yet.

While Lincoln, Gurira and franchise overseer Scott M. Gimple have all stopped short of promising another team-up in the future, the way The Ones Who Live ends not just opens the door for a follow-up, it all but kicks the door clean off the hinges. That’s because the Walking Dead universe has a lot of other things going on right now, much of which seems to thread back into the story of Rick Grimes.

Let’s start locally. The original Walking Dead ended with Alexandria joining up with the Commonwealth, a well-supported governing body now spearheaded by King Ezekiel (Khary Payton) and Mercer (Michael James Shaw). It’s a good thing Rick missed out on this entire era, because in Robert Kirkman and Charlie Adlard’s comic books, Sheriff Grimes’ time in the Commonwealth is…let’s say, unpleasant. Now that he’s back, however, there’s a sprawling new community waiting for him to explore.

That said, Rick learning the Commonwealth feels a good deal less interesting than Rick running into some old friends and foes, doesn’t it?

Beyond The Ones Who Live, there are two major Walking Dead shows up and running right now: Dead City and Daryl Dixon. Both series contain important reasons for a possible Rick and Michonne sighting. Beginning with Dead City, word that Maggie (Lauren Cohan) and her son are in danger would be enough to get the Grimes clan rallying the forces. Seeing the current condition of New York City, and learning more about the underground war being waged for supremacy over the city, would be enough to keep them there for a time. 

And that’s not even mentioning the Negan in the room. Jeffrey Dean Morgan‘s baseball-bat-wielding antihero was Rick’s primary antagonist for Lincoln’s final run on the show, and they never really had the chance to close their story. Are the wounds still raw? Negan’s demonstrated some (emphasis on “some”) redemptive qualities, and Rick’s own children have soft spots for the former Savior, so it’s possible RJ and Judith could put in some work toward a healed rift between Rick and Negan.

The other option, of course, is for one of the men to kill the other. If anyone’s going to take Rick or Negan out, it’s going to be, well, Negan or Rick.

But RJ and Judith aren’t the only folks in Rick and Michonne’s lives who could vouch for Negan these days. It’s a stretch to call them “friends,” but in the final run of the show, Daryl (Norman Reedus) and Negan teamed together on multiple occasions, even working together to send Beta (Ryan Hurst) into the great beyond. If Rick and Daryl meet somewhere during an eventual reunion with Negan, the story could get all the more complicated.

Melissa McBride as Carol Peletier and Norman Reedus as Daryl Dixon. Jace Downs/AMC

First, Rick and Daryl have to reunite, which frankly feels like the likeliest next step in the greater Walking Dead universe, at least as it pertains to getting more Grimes on the board. Brothers from another mother, Rick and Daryl have some unfinished business — or, more to the point, they’re way overdue for a tearful hug. Events in Daryl Dixon already indicate Rick’s return happened without Daryl knowing it, as Melissa McBride’s Carol tries to tell her old friend that “he’s back,” during a radio call gone wrong. Carol is co-leading season two of the spinoff, and if she knows how to track her BFF down, Rick can’t be far behind.

What’s more, Rick has an entire arsenal at his disposal now. He’s not in charge of the Civic Republic, but in the final moments of The Ones Who Live, a fleet of aircrafts drop off Rick and Michonne, completely changing the game when it comes to in-universe transportation. With the Civic Republic as an ally, combined with possible Commonwealth resources, the Alexandria crew’s ability to travel across the Atlantic suddenly opens all the way up. Not only are we likely to see some kind of major Walking Dead crossover at some point in time, but the way is wide open for it to take place in Europe, thanks to the gang’s new flyover capabilities.

While it’s not canonized on the show, there’s another element of Rick Grimes’ story that might connect him to Europe: his brother. A comic book called The Walking Dead: The Alien, written by Saga creator Brian K. Vaughan, reveals Rick’s brother Jeffrey is in Spain when the zombie apocalypse begins. Some story elements would need to be remixed and remastered in order to get our Walking Dead regulars and Jeff Grimes in the same space, but it’s one of the lingering major events from the comic book canon that has yet to be translated to live action — and if the show finally cuts off Rick’s hand, a new story centering on Rick’s brother doesn’t feel so far-fetched.

Clearly, there are a lot of different paths that could lead the main Walking Dead cast back to one another, whether in Dead City and Daryl Dixon, or on the other side of those shows. (This isn’t even mentioning Lennie James’ Morgan leaving Fear the Walking Dead in order to join back up with Rick Grimes; add it to the reunion bucket list!) Lincoln, Gurira and Gimple all seem to be on board with telling more stories together, assuming they can find the right story. Whatever decision they ultimately make, it won’t be for a lack of options.

Beyoncé Lands at No. 1 With ‘Cowboy Carter’ Album Debut

Beyoncé has landed another No. 1 album with Cowboy Carter. Her country music album bowed at No. 1 on the Billboard 200 albums chart, according to Billboard and Luminate. Cowboy Carter, which dropped March 29, debuted with 407,000 equivalent album units earned in the United States for the week ending April 4.  This marks Beyoncé’s […]

Beyoncé has landed another No. 1 album with Cowboy Carter.

Her country music album bowed at No. 1 on the Billboard 200 albums chart, according to Billboard and Luminate. Cowboy Carter, which dropped March 29, debuted with 407,000 equivalent album units earned in the United States for the week ending April 4. 

This marks Beyoncé’s eighth No. 1 debut on the Billboard 200. It also marks the biggest week for an album so far in 2024, and the biggest since Taylor Swift’s 1989 (Taylor’s Version), which debuted with 1.653 million units in November.

It’s also Beyoncé’s biggest week since Lemonade debuted at No. 1 with 653,000 units in May 2016.

In addition, the album debuted atop several other Billboard charts, including Top Country Albums, Americana/Folk Albums and Top Album Sales. 

Beyoncé boasts another record, becoming the first Black woman ever to top the Top Country Albums list, which was created in 1964. Cowboy Carter also notched the biggest week for a country album since July 2023, when Swift’s Speak Now (Taylor’s Version), debuted at No. 1 with 716,000 units.

Beyoncé dropped the 27-track album March 29, but she already had made history in February with the release of single “Texas Hold ‘Em,” which debuted at No. 1 on Billboard‘s Hot Country Songs chart. That made her the first Black woman to accomplish such a feat, according to Billboard.

Another single, “16 Carriages,” climbed to No. 9 on Billboard’s Hot Country Songs chart.

Cowboy Carter features several collaborators, including Jon Batiste, Dolly Parton, Willie Nelson, Linda Martell, Stevie Wonder, Chuck Berry, Miley Cyrus, Post Malone, Rhiannon Giddens, Nile Rodgers, Robert Randolph, Gary Clark Jr., Willie Jones, Brittney Spencer, Shaboozey, Reyna Roberts, Tanner Adell and Tiera Kennedy.

I think people are going to be surprised because I don’t think this music is what everyone expects,” Beyoncé said in a statement pegged to the album’s release. “But it’s the best music I’ve ever made.”

In addition to Cowboy Carter, Beyoncé has topped the Billboard 200 albums chart seven other times, with Dangerously in Love (2003), B’Day (2006), I Am…Sasha Fierce (2008), 4 (2011), Beyoncé (2013), Lemonade (2016) and Renaissance (2022).